REVIEW: Belit Makeover Has Potential, But Ignores Canon

By WALLY MONK – PM Library Editor

One of the things that makes Disney World a beloved destination for all generations is that everyone knows Mickey Mouse and his friends. Minnie, Goofy, Pluto and Donald Duck have always been the same.

They might behave slightly differently or be voiced by different actors; Minnie wears clothes these days instead of just a hair bow to differentiate her character from that of her male counterpart, But even people who remember Mickey from his debut in 1928’s “Steamboat Willie” cartoon would recognize The Mouse today.

Sadly, Marvel’s parent company forgot that business model in Marvel’s latest adaptation of Belit, the Shemite she-pirate of the Black Coast. In the inaugural issue Age of Conan – Belit #1, the character is given a major re-vamp. In this up-to-date re-envisioning, Belit is the daughter of a retired pirate king, and the writer has re-named the city of Asgalun as Asgulin, unless this was a faux pas by Marvel’s editorial team. 

To be fair, writer Tini Howard is trying to present a younger Belit and the story of how she grows up. But after reading this issue, I’m hard-pressed to see how this young, angsty-goth Belit will grow up into the fierce she-pirate we know and love from Thomas’ original comic book incarnation.

In my attempt to find the positives and not more of the glaring negatives that are coming out of the House of Ideas in connection with Conan’s re-launch, I will try to present the good and bad without constantly looking at this comic in the eyes of the Conan many people over 30 know. Now on to the story.

Review: Age of Conan – Belit #1

This variant cover of Belit #1 is perhaps the closest we get to the character we know.

The dread pirate Atrahasis is looking for his daughter. When he asks some local boys if they’ve seen Belit, they inform him that she’s always spoiling their play with talk of “ocean beasties”. Within moments, a loud bell is being rung aboard a ship (which we learn is the Tigress). Atrahasis finds Belit to be the hands behind the clanging bell, telling her dad that she’s sighted one of said “beasties”.

Here we observe young Belit and her feisty character. She looks at one of the ropes on the deck, suggesting that the man who tied it be flogged. She tells her father that she knows more about the sea than many of his hired men. Atrahasis here provides plenty of fatherly advice, sharing with the young Belit that you can’t flog all of your men if you expect loyalty and other pithy proverbs meant to be teaching moments. At the end of their conversation, the young Belit leaves her father on the shore. He calls from land, telling her that the lesson of the day is to head out to the Tigress and not look back to the shore.

Belit does not listen, and observes men approaching her father and assaulting him. It would seem the pirate admiral owed some debts that now need to be paid. 

What will happen to Belit’s father? Will the young she-pirate summon all of her courage to save him? What role will N’Yaga play in raising the young pirate queen into adulthood? And what of this “beastie” Belit claims she saw from the decks of the Tigress
 
CAPSULE REVIEW – Age of Conan: Belit #1 is a pretty tough comic book for classic fans of Robert E. Howard to swallow and an average read with nothing special inside for newcomers.
 
In my introduction, I mentioned Disney’s ability to keep Mickey Mouse as a character that appeals to many generations at once, while keeping the look of the characters “updated” for modern audiences in many ways.
 
Marvel doesn’t do that here – in this comic, writer Howard spits on Belit’s established history at Marvel, while stealing a few names and locales. Artist Kate Niemczyk draws the she-pirate like a youthful Death from DC comics right down to the pale skin. Most of the art is static, and even action poses are lacking depth of movement. The overhead imagery (as on the first page) is flat and geometric. This is not fantasy art – it would be better served in a superhero book, because it does nothing to create a world of fantasy or present anything different than we are served in mainstream MCU fare. It’s not bad art – but it’s not Conan, and the editors should have known better.
 
Despite these glaring flaws, this issue isn’t without some bright spots. In the spirit of Howard’s original “Queen of the Black Coast”, the issue begins with a “lost verse” from the Song of Belit (assuming it was written by Tini Howard, not Robert E…). We learn that Atrahasis’ right hand man is N’Yaga, a familiar name that most Conan aficionados will recognize. Strangely, N’Yaga appears as a well-dressed mentor to both the young Belit and Atrahasis’ right hand man. He is depicted here in the art more like a cultured Mongol than a future Black Corsair. It will be interesting to see how N’Yaga influences the story as it continues. 
 
Finally, but certainly not least, is the Michael Stackpole Belit story at the end of the issue. Most of these tales have been excellent, and his is no exception. What is truly sad is that the best part of the Marvel Conan re-launch are the short stories at the end of each comic.
 
On a scale of 1-10, I would rate Age of Conan: Belit a 4.5 – and that is only because there’s a chance some interesting things could happen here. Belit is young in this series, and there remains a slim chance that Howard will somehow find a way to add elements of the real Robert E. Howard character. This title is currently available at local comic book stores and was released today. 
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Jerry Kimbro

Ugh. Think I'll give it a miss!

Paint Monk

Don't blame you. I would too, but I've committed to reviewing the whole series. I am trying to be positive, but it's getting increasingly difficult to remain objective in the face of poor writing and even worse artwork.

Bob Freeman

You were far more kind than I could possibly have been.

Paint Monk

I think the key here is that this story is an attempt to bring in new, perhaps younger female audiences to Conan, and I applaud the effort although it was extremely poorly executed. Tini Howard's writing at times made me literally cringe, and the artwork was something that would have found its way to the "rejection" pile in the 1980s. But, different strokes for different folks. It's just terribly sad that Marvel has chosen to poo-poo their classic Conan audience and push them away so openly.