Review: Conan #51 – “Man Born of Demon!”
Welcome to Countdown to Conan,
a series ringing in the return of Robert E. Howard’s popular
Cimmerian to Marvel Comics. We’ll be reviewing issues of Marvel’s
original Conan the
Barbarian series weekly
until Marvel releases their first new Conan comic books in 2019. This
review is written by Bob
Freeman.)
Thomas’ adaptation of “Kothar and the Conjuror’s Curse” by
Gardner Fox. When I got the assignment to review this issue I first
revisited all the previous issues in the arc and tracked down a copy
of Fox’s Kothar tale for comparison.
tale nor Thomas’ re-imagining of Conan in the stead of Kothar work.
It’s not a good mix at all. Despite Gardner Fox’s obvious attempt
at a Conan homage, the characters are different enough that this
blend just falls far short of Howard’s creation and the mostly
stellar work Thomas had done in adapting the character thus far.
pacing is haphazard and, while there are some great ideas in the
tale, none of them really come to fruition, and that carries over
into Thomas’ adaptation. Roy did an admirable job of translating
Fox’s tale and mapping it onto the Hyborian Age, but ultimately,
this has to rank as the worst collection of issues in the run to
date.
Conan arrives at Unos’s palace with a
covered cage and demands to see the regent that he might give him a
gift. The Cimmerian pushes his way into the palace where a bored Unos
allows him to speak. Conan reveals his “gift” — a magical
talking bird who informs Unos that Stefanya, rightful ruler of
Phalkar, still lives, and the previous regent was killed in a plot by
the court wizards, Thalkalides and Elviriom.
demonic magic, given form by the unholy powers of Belthamquar and
Thelonia. The wizards demand Conan’s immediate execution, but Unos
now fears the wizards’ treachery.
Away from the castle, the bird
shape-shifts back into the sorceress Lupalina, or Samandra as she was
known previous, and she and Conan wait for Unos in a tavern, who
comes seeking help in defeating the wizards. Lupalina/Samandra
summons the demons Belthamaquar and Thelonia, who slay the wizards
for their son. Unos, in “gratitude,” kills Samandra.
escapes with her back to Ravengard. The barbarian knows that once
Unos is rid of the wizards he’ll turn his attentions to her, the
rightful heir of the province.
Zoqquanor but are set upon by Unos in the wild. The regent
disintegrates the flesh from Conan’s skeleton, but, thanks to the
magical amulet, the barbarian miraculously regenerates. Unos conjures
vines to entangle Conan, then turns to Stefanya. Sensing her
connection to the wizard Zoqquanor, he attacks the body, injuring the
girl.
strength to break free of the vines and he grapples Unos, capturing
him in a mighty bear hug. The amulet sears through Unos’s flesh,
destroying him. Conan then places the amulet around Stefanya’s neck,
and she is brought back to life.
charging Stefanya to bury Samandra and to say a prayer over her and
to let the sorceress know that they will meet again in the afterlife.
Stefanya is heartbroken as she watches the barbarian ride away.
better. Let’s look at the art. The cover, which features a great,
kinetic scene from Gil Kane, is a winner. The incomparable John
Romita Sr was brought in to rework the faces. Over all it’s a good
blend and a fun cover that could have used a better colorist’s
hand, but it was the mid-70s so we’ll let that slide a bit.
continues to be the definitive Conan penciler for me, but Dick
Giordano’s inks over Big John’s pencils seem rushed and
incomplete. The legendary Terry Austin was charged with inking the
backgrounds and performs this task admirably. I really like Glynis
Wein’s colors for this issue, particularly in the more fanciful,
astral sequences.
(aka The Occult Detective)