Posts Tagged ‘Elric’

REVIEW: Thomas’ “Goodbye” Marks 10th Anniversary

“As Conan pines for his lost love Belit, two old adversaries are preparing for a showdown. The wizard Zukala wishes to enlist the Cimmerian’s aid to defeat his long-time foe Karanthes … and as part of the bargain, the conjurer claims that Belit will come to life once more. Will the She-Pirate live again, to one day sit next to Conan on his jeweled throne?”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #115.)

By WALLY MONK – Paint Monk’s Library Editor

How I missed reading Conan the Barbarian #115 when it was on the newsstand is beyond me. It is a fantastic issue, full of references to the last 114 issues, and a fitting swan song for Roy Thomas’ departure from the title for the next 125 monthly installments.

It’s also interesting to note that Conan the Barbarian #115 marks Conan’s 10th Anniversary as a Marvel Comics licensed property. To a lesser but by no means insignificant extent, this means the scribes here at Paint Monk’s Library have reviewed a decade worth of Conan comics in less than a year and a half.

A huge shout out to librarians past and present, especially Bob Freeman and Andy Maglothin, who have stayed along for the ride and continue to make this Classic Conan Countdown event possible.

This issue is chock full of references to Thomas’ earlier stories and includes Red Sonja as a major character. The interactions between Conan and Sonja are almost as important to the development of each character as the main story itself.

In honor of Conan the Barbarian’s 10th Anniversary at Marvel – and this hallmark issue – today’s review will be longer and double-sized, just like the actual comic. It’s a bittersweet tale, and made more so by the knowledge that Thomas’ successors will struggle often trying to keep the magic of Howard’s Hyborian Age alive.

Review: Conan the Barbarian (Vol. 1) #115

Conan is en route to Akkharia, where he hopes to enlist as a soldier in the army of the king. It has been a long time since his last “paid” adventure, and the barbarian’s purse is empty. On the road, Conan is interrupted by a ghostly vision and an adversary from his past.

Zukala, the wizard last seen in Conan the Barbarian #14-15, wants Conan to abandon his journey to Akkharia and take on a mission for him. He assures the barbarian that he will have more than he could ever dream of in reward for his assistance. Angry, and determined to never serve a wizard, Conan throws his blade at the spectre of Zukala and rides on his way, grabbing his sword from the tree in which it lodged after passing through the ghostly visage.

Approaching the walled city, Conan muses on how it reminds him of Asgalun, the home to his lost love Belit. He pines for a moment, and then enters Akkharia.

It’s late at night, and there’s no room at the inn for our barbarian. The innkeeper, awakened from his slumber, tells Conan that for a silver piece he can sleep in the stable.

Tired and in desperate need of rest, Conan accepts the humble lodgings, only to find there’s another warrior sound asleep – and snoring – when he arrives. It’s no deterrent, and soon Conan the Cimmerian is asleep himself.

Conan awakens in the morning to a familiar voice – it seems the fiery Red Sonja also plans to work for the king, and she was his snoring bunk-mate. She tells the barbarian all she’s had is “an empty purse and saddle-sores” since they last met. The Hyrkanian offers Conan one final breakfast before the duo sign their services over to the king.

The visit to the inn is where things get interesting. Red Sonja begins to prod Conan about Belit and her absence. When Conan decides not to engage Sonja in this particular conversation, the redheaded warrior pushes on, going as far as telling Conan that Belit probably left him for “a tree-ape with bigger muscles and a smaller brain” and that he’s “better off without her.”

Conan’s response is brutal.

A sword fight ensues, as Sonja continues to taunt Conan and he spars back, both verbally and with his blade. Sonja tells him to hold still, and that any other man would be dead by now – Conan responds by telling her that perhaps she would be better off putting down the sword and having children.

As Sonja seemingly loses the combat, her sword falling down to the floor, she pulls a dagger with which she plans to continue the battle. Conan turns away, saying that he won, and that she can stab him in the back if she wishes. Author Thomas notes that of this fight, “some people will say there was wine spilled on the floor where Sonja stood” and that was the reason she lost the confrontation.

Conan reminds Sonja of her vow – and soon the Cimmerian is taking her to his room. Dejected, yet honoring her promise not to love a man until he has bested her in combat, Sonja allows Conan to carry her upstairs.

As Conan gently prepares for some personal time with the fiery redhead, Sonja appears dejected. She acknowledges her vow, but also tells Conan that she’s “not required to enjoy it.” Conan rebukes Sonja, who once again brings up Belit. The barbarian then tells her he thought she was smart enough to figure out that Belit was dead.

An angry Cimmerian stalks out of the room, telling a shocked Red Sonja that he still cares about Belit and her coldness has reminded him that he’s not ready for another romantic encounter at the moment.

Conan leaves Akkharia – and Red Sonja – behind, abruptly mounting his horse and galloping away. He finds another city, another tavern and more wenches. But it’s not what he wants at the moment. Frustrated, the barbarian steps out into the rain – only to encounter the spectre of Zukala again.

Now, Zukala makes Conan an offer he cannot refuse – if the Cimmerian brings him the Stygian wizard-priest of Ibis, Karanthes (first seen in Conan the Barbarian #7), Zukala will restore Belit to life.

Conan accepts Zukala’s offer. But he will soon discover that Red Sonja is now in the employ of Karanthes – and they will meet again soon.

Will Belit walk beside Conan once more? Will Red Sonja win the next sword-duel with Conan, if one occurs? And what will happen when Karanthes meets his nemesis Zukala face to face?

CAPSULE REVIEW: There’s so much to enjoy in this issue that it’s hard to put a finger on what is best and what needs work. We see flashbacks to many aspects of Conan’s adventuring career thus far – we hear of the Living Tarim, Belit, Karanthes, and even Melnibone and Conan’s adventures with Elric. It’s almost as if Roy Thomas wants to imagine all that has been and all he’s leaving behind as he walks away from Conan the Barbarian after this issue.

This comic book is a prime example of John Buscema’s supremacy as a Conan illustrator. The facial expressions on Conan and Red Sonja’s face tell as much of a story as Thomas’ words. Sonja’s downtrodden face upon learning she will need to surrender her body to Conan is eerie – you genuinely feel for her and the mental dilemma in which she’s been placed.

Typically, I provide a complete synopsis in most of my Classic Conan Countdown reviews, but you need to read this issue yourself. I will leave you with the final image of Red Sonja from the comic, who rejects Conan’s offer to be his new adventuring companion. It appears that she does and may perhaps harbor some genuine feelings for the Cimmerian after all.

Are those tears in Sonja’s eyes as she parts ways with Conan?

On a scale of 1-10, I’d rate this issue a 9.0. It’s all down hill from here, sadly, as Conan the Barbarian #116 introduces us to the writing of J.M. DeMatteis, a talented scribe in his own right, but one who never seems to grasp the nuances of our Cimmerian hero.

As always, I am – Wally (AKA Paint Monk)

REVIEW: Kulan Gath, A Queen of Chaos & Elric in Hyboria!

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #15.)

By JOESEPH SIMON – PM Library Associate Editor

Conan the Barbarian deserves a ton of credit for the extra mile that Thomas, Windsor-Smith and company went with the start of the long-running series.

Imagine if the ease and widespread instant communication of the internet existed back when Conan was first being published. In the reviews leading up to this one, Wally, John and myself have mentioned Thomas adapting Howard stories and poems that did not include Conan into Conan stories; Conan crossing over (albeit unofficially) with Fritz Lieber’s Fafhrd and Gray Mouser, and bringing Odin and the Valkyries (and Brian Boru) in to a story.

Those of you who read Wally’s review of the last issue know that not only did Conan appear in a cross-over with Michael Moorcock’s Eternal Champion Elric, but Thomas co-plotted the two issues with the legendary Elric creator himself.

Robert E. Howard and Conan were extremely popular in the fantasy circles – as was Roman mythology, the historical figure of Brian Boru, Fritz Lieber and his fantasy duo, and of course Michael Moorcock and Elric. All these characters have resonated in many different ways with lots of people.

Based on the ingenuity of Thomas and his artist – the groundbreaking crossovers and quality content – I believe that if the internet of today existed back then, Conan would have been an international trailblazing comic series almost immediately.

Another thing to marvel (pun intended) is Michael Moorcock co-plotting this two issue story line. Today it is common to see film, TV, prose and other non-comic book talent step into the world of sequential art. Back then, it was far more rare.

Not only was Moorcock a very well-known author at the time, he was involved with music. Bands such as Blue Oyster Cult (one song was included in the original Heavy Metal soundtrack) and the space rock band Hawkwind wrote songs about his stories and characters.

Moorcock was even part of Hawkwind for a period of time and had his own band, Michael Moorcock & The Deep Fix (which included members of Hawkwind).

Even now, it is amazing that all these things happened in the early run of Conan the Barbarian. I would love to know which individuals were behind all of these extraordinary facets of the series. I have to imagine Roy Thomas was instrumental to a lot, if not all of it.

It should be noted that J. Cawthorne co-plots with Moorcock on this issue (just as he did in the last one). Cawthorne is a fantasy illustrator, comic artist and writer whose creative output is defined by Moorcock. Cawthorne started illustrating prose serials and comic scripts in England in the late 1950s. He started with Moorcock in the 1970s, including a comic on the band Hawkwind in 1971 and an Elric comic strip that was never published around the same time.

Many collaborations later, Cawthorne would do graphic novel adaptations of Stormbringer and other Moorcock stories that the author himself found to be the idealized version of Elric. Perhaps this is the root of Moorcocks problem with the way Elric was represented in Conan the Barbarian.

So how did the Conan crossover and Marvel collaboration hold up?

Review: Conan the Barbarian (Vol. 1) #14

The previous issue sets the stage for Conan the Barbarian #15. Our Cimmerian, through magic-using Zephra, a lady whom he saved from danger, is re-introduced to the wizard Zukala. Zukala is a character from earlier in the series (Conan the Barbarian #5). This is interesting, as we find out Zukala is an agent of the Lords of Law. He is in the service of Lord Arkyn, a character from Moorcock’s Corum series. Zukala lures Conan to do his bidding with the promise of gold. Unknown to the barbarian, Zukala’s enticement also leads to Conan doing Lord Arkyn’s bidding (just to keep score, Conan is now acting in the service of a Melnibonean lord).

Zephra and Conan ride off, only to encounter Elric arriving through a dimensional gateway from Melnibone to Hyboria. After hostilities and a brief combat, the group comes to terms and joins forces as a team of three (Elric, Conan and Zephra).

Our heroic trio is quickly attacked by Lord Gaynor and his chaos pack until Gaynor and company vanish in an apparent firebolt strike.

Conan, Zephra and Elric decide to go after the Melnibonean villains, and Conan remarks that “they’ll go to the Yagala Towers (where he’s been led by Zukala to believe there is gold!)” In Conan’s world, there’s no doubt a tower is a symbol of temptation tempered by danger. Every other issue or so, it seems that a fabled tower arises!

Conan the Barbarian #15 begins as our heroes make their way to Yagala Towers to finish off the agents of chaos. More specifically, the comic begins with battle as the trio is attacked by demonic creatures on their journey. A short break after seemingly defeating the creautres reveals that – unknown to them – Xiombarg, the Queen of Chaos, is watching afar! In a dialog with herself, she mentions that she is arch-enemies with Arioch, Duke of Chaos, whom Elric serves.

Our heroes defeat waves and waves of demonic creatures and are getting close to the Yagala Towers. Conan predictably mentions the gold of Yagala numerous times. They must cross the Singing Lake, a lake enchanted by Kulan Gath, remarks Elric. He also mentions that the reality of what he sees is different than what he viewed from his dimension in Melnibone. It’s remarkable how easy it seems that those of Melnibone are able to view things in Hyboria, much that it is interesting that Elric would know of Kulan Gath.

There is a brief transition showing Zulaka watching the trio from afar via mystical means, wondering if he has sent his daughter to her doom. He puzzles over his previous quest to rule Hyboria.

Our heroes find a boat made of the skeleton of a fearsome monster and float over to the towers. The stage for the next battle is quickly set as they come to shore. A fallen star is seen and Elric surmises that it is Lord Gaynor and the chaos pack arriving. Soon, the heroes see a lighted window and the smell of incense wafting from one of the rooms of the tower. Elric, having seemingly met Kulan Gath before, accurately states that the sorcerer is in the room.

What will happen next?
All the pieces are nearly in play. Godlike beings are using a wide
number of heroes and villians to make moves in Hyboria. Conan, Elric,
and Zephra vs Kulan Gath, Lord Gaynor, and the Chaos Pack. The Green
Empress has yet to appear!

CAPSULE REVIEW: Like myself, you may wish to know how Elric knew of Kulan Gath. This issue made Conan an agent of Lord Arkyn (I’m curious if Crom was offended). Could Kulan Gath be from Melnibone? The possible implications of that are fascinating when you consider Kulan Gath was also integrated into the Marvel Universe.

There is also another interesting observation. Zukala and his daughter, Zephra, are both agents of Lord Arkyn, as is Conan although he is unaware. Elric is in service of Arioch. Xiombarg, the Queen of Chaos, is sending waves of creatures into Hyboria to take out her enemies there. Thoth Amon is mentioned (who first appeared in name only in Conan the Barbarian #7) and soon Kulan Gath – who is said to rival Thoth Amon – are all part of this scenario. The amount of powerful testosterone in these two issuers is immense! This is the sword-and-sorcery equivalent of the Celestials, Galactus and other cosmic beings showing up in the Fantastic Four or Avengers.

Moorcock must have had fun with this Conan story. His Eternal Champion series – which is still ongoing – is very intertwined. It is comparable to a shared universe with a long time line. Prince Gaynor, the chaos pack, and Xiombarg are all characters that appeared in the 1971 novel The Queen of Swords. This was the second book in the Corum series. Corum, like Elric, is an incarnation of the Eternal Champion. The book was published in 1971, where Conan the Barbarian was published in March of 1972.

I very much think that Moorcock meant these two issues to be canon within his Eternal Champion series. I think historically, this crossover makes a huge impact. Conan and Elric are both legacy ceations. Crossovers are more common now than in 1972, but the big difference here is most crossovers with legacy characters are not written by the creators of said characters.

While unfortunately, Robert E. Howard is not on hand to collaborate in the story (Thomas is a respectable substitute) having Elric with his creator on hand is amazing and rare. You can’t say that with other characters like this from comics or pulps such as Batman, Superman, the Lone Ranger and others. Their creators have long passed.

Giant Sized Conan #5 collects the Conan/Elric storyline in book.

I also believe the story allows Conan to see a greater range to magic, other dimensions – and that he can stand against powers that are vast and far beyond his imagining. While not referenced after these issues by Conan, the dangers he faces in this issue and the previous one prepare the barbarian for dangers he will face far down the road.

For these reasons and more, I must disagree with Wally’s assessment of Conan the Barbarian #14. I give this issue (AND #14) a solid 9 out of 10. I have both issues nicely bagged and boarded. If a T-shirt was available, I’d have that, too.

  • Joeseph Simon

REVIEW: Conan meets Elric of Melnibone & Zukala Returns

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #14.)

By WALLY MONK – PM Library Editor

What do you get when you cross Robert E. Howard’s classic Cimmerian and Michael Moorcock’s Melnibonean prince?

You get Conan the Barbarian #14, skillfully written by the legendary Roy Thomas and drawn by the inimitable Barry Windsor-Smith. As icing on the cake, the story is plotted by Elric creator Michael Moorcock with some help from James Cawthorn.

This issue has a lot of “firsts” in it, and it’s a good one for collectors to add to their “want lists.” But the few drawbacks, which are pretty significant, I’ll discuss below.It’s the first time the Cimmerian has fought side-by-side with another major fantasy character; it’s the first time Michael Moorcock has taken a stab at comic book plots for Marvel; and it’s got the first appearance of Kulan Gath, a name even modern readers will recognize.Kulan Gath is an evil wizard and enemy of Conan’s (future) arch-nemesis Thoth Amon. He’s currently tormenting Red Sonja over in her title from Dynamite Entertainment, where he first appeared in 2006. He’s also appeared in issues of the Uncanny X-Men (original series) and proven to be a powerful adversary. He’s taken mental control of major Marvel characters, including the entire Avengers and New Mutants teams and even Professor X!

One of the big drawbacks of this issue is the look of Elric. I have no idea who came up with it, or whose concept the pointed hat may have been. But whenever I read this issue, I can’t help but think of Elric as a thin, pasty lawn gnome without a beard.

Another problem with the issue involves the return of Zukala, the evil wizard who terrorized an entire village in Conan the Barbarian #5 with his daughter, Zephra. 

Review of Conan the Barbarian #14

Conan rides through the wilderness of Koth, observing four black-robed men on unusual steeds chasing a frail, unarmed woman on her horse. Conan being Conan, he can’t just stand by and see her pursued and their potentially nefarious plans carried out, so he intervenes.

Strangely, these men are much stronger than Conan expected. The four faceless strangers defeat the barbarian handily – until they are chased off by a mysterious flock of giant eagles that appear seemingly out of nowhere.

The eagles were sent by Zukala – a wizard Conan defeated earlier in the Marvel series (from the Zukala’s Daughter storyline in issue #5). The woman rescued is Zephra, Zukala’s daughter. Conan suspects a trap, but Zephra assures him that his father is no longer seeking revenge and needs the Cimmerian’s help. It’s interesting that Conan would even entertain this notion, given that Zukala was a complete megalomaniac in issue #5 and disappeared saying that “he would be back!”

Zukala is delighted to see his daughter return safely home with Conan in tow – and the barbarian warns the wizard that this had better not be an attempt on his life or some other trickery. As Zukala reassures Conan, the two go to a scrying pool – it is here where the old wizard tells Conan of Kulan-Gath and his search for Terhali, a powerful sorceress buried in a castle.

This castle was magically moved to Hyboria from a far away land called Melnibone. And it’s up to Conan to head to the castle and make sure Kulan-Gath doesn’t free Terhali and add her power to his own.

Meanwhile, we see Xiombarg, the Lady of Swords, in the land of Melnibone. She’s incensed that a barbarian thwarted her men. She sends a warrior named Prince Gaynor to Hyboria to defeat Conan, hoping to rid herself of the barbarian nuisance. It seems Zukala hasn’t been entirely honest – there’s a war between Law and Chaos going on in Melnibone – the faceless men pursuing Zephra were serving Xiombarg and Chaos. Zukala is sworn to serve the forces of Law and is using Conan for that purpose!

As Conan and Zephra head out to find Terhali and her sunken castle, they are interrupted by a man on a horse coming through a shimmering portal – Conan suspects danger and attacks. It’s the first combat between Elric of Melnibone and Conan the Barbarian!

Will Elric help Conan in his quest? Or will the albino from a far away dimension defeat our favorite Cimmerian? Will Law or Chaos prevail? Did Conan REALLY believe that Zukala had become a “good guy?”

***

CAPSULE REVIEW:  This is a nicely illustrated issue by Windsor-Smith with Roy Thomas’ first-rate scripting.. I miss the days when comics had complicated stories and as much dialogue as art. I would highly recommend picking up this issue (and most of the Conan issues from the 1970s.) I heartily give this issue a 7.4 out of 10 rating (note that I have reviewed this issue in the past, and upon re-reading it in the context of the whole series, my rating has dropped substantially!) It would be a 8.5+, but I don’t particularly like the Smurf hat on Elric or Marvel’s artistic vision of the character. Some of Thomas’ choices, particularly including Zukala and Zephra, frankly baffle me.Zukala was an insufferable braggart who terrorized a village “because he could” and even talked down to and practically disowned his own daughter. Perhaps there is another untold Conan story here, in which Zukala somehow convinces his daughter he’s not a complete piece of irredeemable nastiness. An all-new wizard may have been a better choice, but I’m sure Thomas has a reason for what he did. I still don’t get it!

High grades of this issue are tough to come by. At the time of this review, the highest CGC-graded copy I could find on eBay was listed with a $118 buy-it-now price. A CGC-graded copy at 8.0 was listed with a $59 BIN price. Ungraded copies are much easier to find and with a little searching, you can find one for under $10.

This issue can also be found in Chronicles of Conan #3, from Dark Horse.

As always, I am – Wally (AKA Paint Monk)