Posts Tagged ‘First Appearances’

REVIEW: Moon Knight Shines in Debut Appearance

(EDITOR’S NOTE: Paint Monk’s Library, in collaboration with the enthusiastic fans over at the Into the Knight Podcast, is tackling the Moon Knight chronology! Each week we’ll take an in-depth look at the Fist Of Khonshu in a series of reviews, all in order of character appearance! These reviews will appear on Monday each week until we’ve covered them all, or until the enthusiastic Loonies get too exhausted to write, whichever comes first!)

By RUSSELL MORAN – Guest Writer

In 1975, writer Doug Moench and artist Don Perlin brought life to a character they intended to be a villainous foil for Werewolf By Night Jack Russell. Little did they know, that villain would blossom into one of the most complex, creative, and downright crazy heroes the Marvel universe had ever birthed. This is the debut of The Fist of Khonshu himself, Moon Knight, although his personality bears little resemblance to the Marc Spector we would grow to love…

REVIEW: Werewolf by Night 32

We begin the issue with our bone-crushing duel already in progress. Jack Russell has once again succumbed to his lycanthropic curse, only this time he’s the victim. Weakened and outmatched, the werewolf is helpless against this mysterious new foe called The Moon Knight. Armed with a plethora of werewolf-slaying gear, including a cestus, a truncheon, and the now-iconic crescent darts, it looks like our monstrous “hero” is at his end.

As our werewolf’s apparent end draws near, we flashback to the previous night’s events. Jack’s best friend Buck is mauled by the werewolf after heroically saving a young girl named Buttons. Buck is rushed to the emergency room in critical condition. Later that morning, Jack regresses back into human form injured and confused and begins searching for his ill-fated friend. Upon returning home, Jack’s stepfather tells his stepson of Buck’s peril. Buck has slipped into a coma, and he may never recover. Jack is distraught with these macabre events and once again returns home. This ends up being a mistake.

The Moon Knight is waiting for Jack. We learn he is a mercenary named Marc Spector, hired by the devious Committee to hunt and kill the werewolf. The Committee has provided the suit and the arsenal to take down the creature of the night. Jack’s stepfather distracts Spector long enough for his son to escape, but not for long.

Jack stumbles into a crowded alleyway and once again is tormented by his dreaded metamorphosis into the Werewolf by Night. But Moon Knight is not far behind, tailing the beast in his mooncopter. The battle begins, but it’s one-sided – a squash match, if you will.

Elsewhere, Frenchie (his first appearance!) kidnaps Jack’s sister and his friend. The battle rages on, with Moon Knight practically begging the beast to stay down. But this is a werewolf we are talking about; apparently they don’t know when to quit. Jack lands a mighty right hook with his broken hand on the lunar assassin, but it just isn’t enough. The werewolf is in captivity and his conqueror is Moon Knight.

CAPSULE REVIEW:  Doug Moench and Don Perlin do a masterful job with this book. The writing is smart, but also very basic in that it’s very easy and enjoyable to read. I enjoy Moench’s almost self-awareness in this story, making a few remarks that border on being breaking the “fourth wall”. He weaves a tale that gets you to care about its characters, keeps you guessing on what’s coming next, and evokes sympathy for the title character. His introduction to Moon Knight is stellar; he’s immediately a force to be reckoned with and that’s complemented by Perlin’s fantastic art.

Don Perlin was one of the best illustrators of his time, and this issue really lets him shine. The Werewolf is scary, but not too scary – he is the “hero” after all. Moon Knight’s early design here is effective, but somewhat lacking, especially in the face. My favorite part of this issue is the wonderful fight choreography Perlin crafts. I’m a big fan of good dialogue and drama, but sometimes, I just wanna see the good guy and the bad guy just have a slugfest. This is something most comics lack, but this issue has in droves. It perfectly balances action and narrative.

The colorist on this issue is Phil Rache and he helps define Moon Knight here for his debut. The issue is very colorful – the werewolf jumps off the page with his bright green pants. The backgrounds are vibrant, and the cast of characters catch the eye. And then there’s Moon Knight, nothing but white and black. It works so well, he stands out most of all by lacking the most color. He shines in every panel he’s in.

I mentioned earlier that this is very different from the Moon Knight we would come to know later. And that’s mostly because a lot of this issue is retconned away in Moon Knight (Vol. 1) #1 (also by Moench). However, staples of Moon Knight’s character are brilliantly defined in this first appearance. We know immediately that Moon Knight’s real name is Marc Spector; Moon Knight has battle experience and worked as a mercenary; he has a pal named Frenchie (although he is literally unrecognizable as the character we know today) and finally, he has a host of gadgets and weaponry and is a force to be reckoned with.

All in all, I really enjoyed this issue. It’s a fun ride, with likable characters and a perfect spotlight on a brand-new rogue for the werewolf to battle. The only things I really felt dragged were some of the extended hospital scenes and a side plot involving Raymond Coker.

I can’t really fault the book for that because it involves characters I’m unfamiliar with but readers at the time were not.  This issue is effective, and the story and art sucked me right in. I knew the werewolf was going to be okay, but for a moment there, I really thought “My goodness, Moon Knight is going to kill poor Jack!” I’d recommend this book for sure. It’s a nice taste of what’s to come

On a scale of 1-5, Moon Knight’s debut appearance in Werewolf By Night #32 earns a 4.

FEATURE: A “Chooser of the Slain” Becomes A Defender!

(EDITOR’S NOTE: Paint Monk’s Library Premieres is a new feature highlighting first appearances of major comic book characters. In each installment, we’ll take a look at the character and how he or she was created. We’ll also provide a review of their first comic book appearance.)

By WALLY MONK – PM Library Editor

 

The Mighty Thor, Odin-son and powerhouse of the Asgardian gods, made his Marvel comic book debut in 1962 in the pages of Journey Into Mystery #83. With such a rich mythology from which to draw, it only made sense for Marvel to continue reaching into the books of lore for more Norse themed characters.

Hela, the Norse goddess of death, would make her own debut in the same title two years later. But it wasn’t until 1970 in the pages of The Avengers that Brunnhilde the valkyrie would burst into the comics scene – at least in appearance.

To readers of comics within the last decade, Brunnhilde has left her mark on the Marvel Universe as a founding member of the Secret Avengers. She served as co-leader of The Fearless Defenders, working with Misty Knight. In the original Defenders series, Valkyrie was a major character until her death in that series, and her incarnation was later brought back to life in the pages of Doctor Strange.

In her early Marvel appearances, the essence of Brunnhilde as the leader of the Valkyries was transferred into a human host body. Characters who have taken on the Valkyrie persona in the Marvel comics universe have included Barbara Norris, Samantha Parrington. Jane Foster currently wears the mantle in Marvel continuity. 

Valkyrie is a familiar Marvel character to fans of the Marvel movie franchise, or “MCU”. She was portrayed by actress Tessa Thompson as one of the supporting characters in Thor: Ragnarok. But the actual origin of Valkyrie began way back in the 1970s, in the pages of Avengers #83.

Here, she wasn’t even really a valkyrie; she was a guise of the evil Enchantress, sent to entrap the Avengers team. She was created by the team all of you who have been reading our Countdown to Conan know very well – Valkyrie is a Roy Thomas and John Buscema creation!

After her initial Avengers appearance, the valkyrie wouldn’t be seen again, until her personality entered a woman named Samantha Parrington, who would confront the Hulk in The Incredible Hulk #142.

Today, Jason Aaron is knocking the character out of the ballpark in a new series, Jane Foster: Valkyrie, which is relatively new (but well received) and approaching its sixth issue. 

It’s exceptionally appropriate to feature this issue today, as this week Paint Monk’s Library will begin reviewing Aaron’s Valkyrie title each month.

Review: Avengers (Vol. 1) #83

*** SPOILER ALERT! ***

Early feminism in comics is alive and well in this issue of Avengers, which begins as Janet Van Dyne (AKA the Wasp) arrives back home at the Avengers mansion and hears voices coming from the meeting room. Being the sneaky little heroine she is, she decides to pop into the meeting unannounced to see what is going on. Surprise!

Brunnhilde the Valkyrie, along with the full female ensemble of Avengers (Scarlet Witch, Black Widow and Medusa) announce that the Avengers are no more – they’re the Liberators (see the cover of this issue above). Unsurprisingly, none of the male team members are around for the announcement.

A nicely executed two-page splash panel begins the Valkyrie’s long explanation of why the women are stepping up to the plate – and reaping revenge on the male heroes who have held them down for so long. The chooser of the slain repeats examples to all of the assembled heroines about how they have been rejected or made insignificant by their male counterparts.

Medusa is insulted worst of all, as Valkyrie notes how she plays second fiddle to her husband, Black Bolt, and that she hangs on his every word even though he is mute and does not speak.

Having successfully riled up all of the female Avengers and rallied them to her cause, the group is off to Vermont where they will face the male Avengers and teach them a valuable lesson.

Meanwhile, all of the male Avengers are preparing for a Halloween parade and enjoying a get-together. Even Rascally Roy Thomas – the writer of this issue and Marvel legend – makes an appearance at the party (dressed as Spider-Man) alongside his former wife Jean.

An official Paint Monk’s Library “No-Prize” to whoever can explain the Mrs. Peel reference in our comments section below.

The party is over quickly, as all of the Avengers plan to participate in a Halloween parade! It sounds like a bundle of laughs, but little do the Avengers know some of their enemies will be using the parade as an opportunity to wreak a little havoc.

Klaw and the Masters of Evil are lurking just around the corner, having broken out of prison. And they’re all fired up to take a hostage during the parade and duke it out with our A-team.

The Avengers are in trouble! An angry quartet of female heroes is ready to teach them a thing or two, and the Masters of Evil are trying to stir the pot. And why is Valkyrie so gung-ho on taking the male Avengers out of action?

CAPSULE REVIEW: This issue has it all. An all-star line up of female Avengers, the rest of the team, the Masters of Evil (and one of my favorite characters, Klaw), and even a comic cameo of the writer! While campy in general (most early Marvel superhero books were) the writing is excellent and the theme rings true almost 50 years later.

This is a great example of how much fun the Marvel Universe was in its earlier days – action-packed, well-written and full of dialogue, battles, and social undertones. All around, this comic is a winner. Buscema’s artwork? Great stuff. Thomas’ writing? Excellent, as usual.

In flashback reviews like this, I normally provide a synopsis of the whole story, but I think you’ll enjoy this particular issue too much to spoil the whole thing. It’s a must-read for Avengers and Valkyrie fans alike!

On a scale of 1-10, I’d rate this issue a 9.0 – even though Hank Pym does act like a male chauvanist pig near the end of the story.