Archive for the ‘By Andy Maglothin’ Category

REVIEW: Arena – Conan Battles A “Heaven Bear”

“This time, the bear is no illusion. King Aosoka puts Conan in the pit, where he goes face-to-face with the Heaven Bear! This issue is the third part in Roy Thomas’ adaptation of the Norvell W. Page novel ‘Sons of the Bear God’.”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #110.)

By ANDY MAGLOTHIN – Paint Monk’s Library Writer

Picking up after the events in the previous issue, Conan is face to face with a giant bear but he quickly realizes the bear is an illusion – it is not displacing any of the surrounding grass. The bear quickly changes to a mist enveloping the Cimmerian, rendering our hero unconscious.

Conan slowly rouses to discover a group of Aesgaardians is carrying him upside down like a boar to the slaughter. He also notices they are carrying Erfu on a litter like royalty. Conan begins to argue with the group and a warrior wearing a panther tail on his helmet strikes Conan. The barbarian silently vows to seek revenge…we have learned along the way he does not take kindly to a beating while he is bound. A bit of foreshadowing here?

The Aesgaardians carry Conan to a city featuring low-rise walls and buildings filled with families of dwarves. The procession moves through the city to the outskirts where they arrive at a large white pyramid with a lone dwarf in the courtyard. He is wearing what appears to be over-exaggerated bear ears covering his own and standing next to an eternal fire. The procession enters the pyramid and stops at the foot of the Throne of the Heaven-Bear where King Aosoka resides.

As the procession kneels to the dwarf on the throne, he calls for Conan’s release. Muttering every ounce of strength and using the pole for leverage, Conan overcomes the incredible pain from the torturous journey to stand and confront the dwarf. The music from a distant flute rings out along with the female voice in a language Conan does not understand. Almost immediately a trio of dwarves charges through the gold tapestry behind the throne. We recognize one from the earlier approach to the pyramid, one is dressed as a bear and the third as a serpent. A guard nudges Erfu who chants in a foreign tongue then explains to Conan he won for the barbarian a chance at life – after fighting hand to hand with the true Heaven-Bear.

Weakened from the agonizing journey and with little option, Conan agrees to fight the bear but requests Erfu’s presence in the pit. Erfu explains Aosoka already set that expectation. With no delay, they are escorted into a pit surrounded at the top by a large group of dwarves excited for the battle.

Conan asks Erfu to draw spells in the dust before the battle begins and Erfu explains he is already on the task. As they talk, Erfu is curious as to Conan’s plan to battle the beast. Conan says he is as unsure as Erfu, but notices a chain lying in the sand. The dwarves release the massive bear and understanding he must be aggressive to defeat the beast, a chain wielding Conan rapidly charges the upright bear.

Conan buries his head and upper chest into the bear’s lower chest and flings the chain around the beast’s back; catching the end with his right hand. Tapping into every ounce of his great strength, Conan squeezes the chain so tight it begins to choke the air from the bear. The bear claws Conan’s back and ignoring the extreme pain, Conan continues to apply massive amounts of pressure to the bear’s back; ultimately breaking it’s spine and crushing the life from its lungs.

The massive bear flops to the ground with an exhausted Conan landing on the beast’s chest. Aosoka congratulates Erfu for his slave’s victory against the bear and appoints Erfu as Executioner of the Throne. Erfu accepts and slowly nurses Conan back to health.

After the great battle with the bear, Conan is unconscious for an undisclosed amount of time, but awakens to the sounds of Erfu arguing with a female we discover is Tossa; an Aesir woman who lives in Buryat and has been looking for a husband and her eyes are on Conan. He refuses her offer and turns her away. Conan discovers Aosoka thinks Conan is Erfu’s slave and immediately regrets turning Tossa away. As Tossa crosses through the courtyard below, a black panther approaches her.

Tossa screams out for help and Conan leaps to her rescue. He slashes at the great cat but is shocked when his sword meets steel and the panther changes form to the Aesir warrior who struck him earlier. As they battle, Conan backs into a potted plant, falling to the ground. The Aseir lunges, but Conan promptly issues a fatal blow. This heroic action prompts Tossa to proclaim Conan as her husband yet he refuses and she leaves for his chambers. Conan protests he will “be NO wench’s husband” but decides to explain that to her….after he catches up with her in his chambers.

CAPSULE REVIEW: Impressed with the action-packed cover, I proudly say that I purchased this from the newsstand in 1980. The team of Buscema and Milgrom capture the epic battle between man and beast. It provides the intensity of the scene and overwhelming might of the bear versus Conan’s strength and determination to win in battle.

Inspired by the book “Sons of the Bear God,” Thomas applies the concept of the book to our beloved Cimmerian. The story flows from the miserable journey to the pyramid, through the battle with the bear and Conan getting the golden-haired woman at the end. Thomas’ narrative provides the reader with the misery Conan endured as he was held captive, the struggle with pain after his release and during the battle with the bear. I want to also point out again the foreshadowing early in the issue between the Aseir and Conan. I also appreciate Thomas’ ability to weave sorcery into the mix without attempting to explain how it works. The mirage of a bear at the beginning…Erfu’s ability to have a golden aura about him…did the spell he cast assist Conan in the battle against the bear…Erfu’s ability to assist Conan with his wounds…the Aseir’s shapeshifting…all of these things happen without Thomas explaining the ‘how.’ The ongoing bits of mystery set the tone for other situations in the future.

In a very Return of the Jedi / Three’s Company inspired scene, the Buryat are confused about Erfu and Conan’s relationship. In prior issues, we learn Erfu was devoted to Conan yet the Buryat see him as the ruler and Conan the slave. I expected to see another procession with the Ewoks hauling the Rebels and C-3PO through the woods of Endor. Wait a minute..that was 1983….*looks slyly at Lucas*

Buscema, Chan, and Sharen provide visual content which captures the reader’s eye and augments Thomas’ prose. Between the description and the visuals of Conan’s journey to the Buryat pyramid promotes both a passage of time and misery. The battle between Conan and the bear is very tense and although limited by the comics code, the creative team does their best to show the damage inflicted by the bear. As pointed out in other reviews, the different races of people are easily discernible with distinct features.

Another enjoyable read from this awesome creative team. This is my favorite era of the Cimmerian and I rarely find a clunker in the group.

On a scale of 1-10, I give it 7 Aquilonian Luna.

Living life my own way – Andy from Aquilonia





REVIEW: Conan Battles Against the Devourers of Darfar!

“Conan and Diana are free from the clutches of Tananda, the queen of Meroe – but have they stumbled into a new nightmare as they find themselves face-to-face with the Devourers of Darfar? In this issue, we see the return of a familiar face and our Cimmerian acquires a new traveling companion for his long journies.”

By ANDY MAGLOTHIN – Paint Monk’s Library Writer

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #108.)

In this month’s issue, we catch up with Conan and Diana riding a horse through a dense rainstorm north of Kush. A pair of Kushite sentries stop them, requesting that Conan and Diana surrender their weapons. Conan attempts to explain his identity, yet the sentries do not accept this and attack. Conan quickly kills one and the other escapes. The dead Kushite’s horse remains, so Diana mounts it and they ride to shelter for the night.

Diana explains how over the past few months, she became a slave in Kush. Her father was sent to Messantia as part of the royal court. A plague broke out, which was perceived to be a curse, and the woman’s father decided they should leave on a ship headed to Zingara. Buccaneers took over the ship, slaying her father in the process. After having their way with her, the buccaneers sold her to a slave trader and subsequently to Shubba. Conan “keeps her warm” during the night and in the morning they ride off to Sukhmet.

As they ride through the high grasses, Conan spots a group of Darfari who were lying in wait for someone to attack.

One of the savages pulls Diana from her horse, but Conan slays him and scoops her up to flee. The Cimmerian and Diana stumble upon a group of people, one of whom he recognizes: Thutmekri. The Darfari are on their heels and Conan negotiates with Thutmekri to join forces long enough to fight off the group of attackers.

Thutmekri’s group is small, and even with the Cimmerian’s assistance, they are overwhelmed by the sheer number of savages. The Darfari’s language is understood only by Conan, and he learns they wish to capture Diana to use in their moon-dance ritual. It’s time for more negotiation, as Conan and Thutmekri agree to give two men to the Darfari instead of Diana, so Conan and Erfu, servants to Thutmekri, are sent off with the Darfari.

With Conan and Erfu chained up to separate poles, the moon dance beings. We discover Erfu is a sorcerer’s apprentice and has a potion that weakens his chains, allowing him to free himself. He uses a small amount on Conan’s chains, too, but not before the Darfari notice their captives are both free. A battle ensues, but Conan and Erfu are outmatched by sheer numbers so they flee the scene, finding a single horse and rapidly getting away.

A few days pass before they reach Sukhmet where they find Thutmekri and Diana. Conan is ready to leave with Diana but she decides to stay with Thutmekri. Conan and Thutmekri agree to Erfu and only two steeds joining the Cimmerian on his next journey.

CAPSULE REVIEW: A very mediocre cover to a likewise mediocre issue. The cover features Conan carrying Diana, running away from a group of Darfari savages. There’s a lot of negative space and for some reason the combo of Buscema and Layton does not work for me. Conan’s face is off-kilter and the proportions are odd. I’ll give it credit for capturing a scene in the comic, but it is a very average cover.

The story provides a brief background on Diana and Erfu, but neither story makes you care for the characters at all. Eh…Diana was a love slave for the bucs…she’s almost captured by the Darfari…she stays with Thutmekri…YAWN. Erfu’s assistance to free himself and Conan was a nice spin, but again, his character is a bit bland. The end made me chuckle as Conan and the talkative Erfu ride away. Conan simply asks him to keep his mouth shut, but Erfu continues with a story of riding the desert with a Eunuch.

The most redeeming quality of this issue is the interior artwork. It features Buscema / Chan artwork with George Bell’s work on colors. The characters’ facial features, size and skin color allow the reader to differentiate people and races. Background details are missing in some panels but others have enough detail to see the texture and depth of the scene. One of the best scenes is when Conan breaks free from the post and uses the chain to slay one of the Dafari savages.

On a scale of 1-10, I give it 5.5 Aquilonian Luna.

Living life my own way – Andy from Aquilonia

REVIEW: A Giant, Raptor Eggs & A New Ruler in Harakht

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #77.)

By ANDY MAGLOTHIN – Paint Monk’s Library Writer

Conan the Barbarian #77 wastes no time getting into the thick of the plot – the opening splash page shows our Cimmerian in the clutches of a gray-skinned giant. At the end of the last issue, Conan was thrown into a pit, where he discovered a sacred stone and was grabbed by the massive humanoid as he approached.

Conan quickly becomes the aggressor, climbing onto the giant and locking his arms around its neck. Without hesitation, the giant hurls the Cimmerian across the room with ease. As the giant holds the barbarian’s head to the ground, he swiftly grabs the sacred stone, intending to bash in Conan’s skull.

The scene abruptly shifts to the Temple of the Hawk-God, where we find brother-kings Mer-Ath and Neftha discussing Conan’s fate. Neftha asks Mer-Ath if there is any way he can intervene on Conan’s behalf. Mer-Ath stresses the decision is not his to make, it is up to his brother, Hor-Neb. Mer-Ath is merely a priest, but Hor-Neb is a warrior and thirsts to have all of Stygia kneel before him.

At the same time, Bêlit is being held captive by a group of guards. She is fighting to free herself  when Hor-Neb demands they all stop fighting. Hor-Neb approaches Bêlit, asking why she is fighting so hard when he has offered her the queenship of Harakht – the Shemite hellcat has the option of either joining him on the throne or dying with Conan. As the conversation continues, Bêlit stops fighting and Hor-Neb calls for her release, stating that her choice is obvious. As Bêlit and Hor-Neb approach each other, she attacks him, clawing at his eyes proclaiming she prefers to join Conan in hell than serve with Hor-Neb on the thrown of heaven. Angered by her response and attack, Hor-Neb has the guards take Belit away.

Meanwhile, Conan has been pinned to the floor by the giant. The colossus’ arms are so long, Conan is able to pull his legs up, scissoring the giant’s head between Conan’s calves, but more importantly, pushing the rock from the giant’s hand. Conan flips the giant to the ground, grabs the giant stone with intent now to kill him. For some reason, Conan pauses for an instant when the giant stammers in a gloomy voice, “Go on, outlander! Kill me!”

Standing atop the giant with rock in hand, Conan opts against the fatal blow, instead asking the hulking humanoid how he came to live in the pit. The giant reveals his name is Gol-Thir, and he was placed there to keep an eye on the sacred stone and hawk eggs. Gol-Thir was one of the stronger guards in Harakht, and when Hor-Neb discovered the stone would accelerate the growth of the raptor eggs, the giant was placed there to stand guard. The energy of the stone caused Gol-Thir to grow to gigantic proportions within a short time. Conan requests Gol-Thir’s help out of the pit, and he agrees as long as Conan promises not to hurt Hor-Neb.

Gol-Thir assists by breaking the shackle around Conan’s neck. Using extreme strength and skill, Conan climbs the crooked, jagged rock facing back to the top of the pit. Conan creeps around the throne chamber until he enters an area where he finds Hor-Nab, Mer-Ath, Neftha, and a large number of guards high above him. Hor-Nab challenges Conan to decide he and Bêlit’s fate. There are two doors in front of Conan: one door has Bêlit and a passage to freedom, one door has certain death.

Conan refuses to pick and opts to scale the wall to attack Hor-Neb. He quickly discovers the king planned ahead –  the top of the walls are freshly greased and Conan falls to the ground. Neftha asks Mer-Ath which door would allow Conan to escape safely. Mer-Ath says Hor-Neb told him the
door on the left housed Bêlit and lead to safety. With a slight gesture, Neftha alerts Conan to pick the left door – which reveals a razor-fanged giant leopard growling and ready for the attack.

Hor-Neb reveals he knew both Neftha and Mer-Ath would attempt to warn Conan, so he intentionally told them the wrong door. Hor-Neb calls for a guard to seize them.  As a guard approaches Neftha, she grabs his sword, slicing into him and knocking him into the pit with Conan and the vicious leopard. The leopard sees the wounded soldier lying on the ground and attacks. Neftha flings the stolen sword to Conan and he opens the other door to reveal a bound and groggy Bêlit.

A third panel opens to reveal Gol-Thir, who enters the pit as Conan attempts to carry Bêlit to safety. Hor-Neb demands Gol-Thir attack Conan. The giant approaches the Cimmerian, their eyes meet and Conan realizes something is amiss. Gol-Thir grabs Conan’s arm, hurling him atop of the stone wall right in front of Hor-Neb. The giant’s legs are so weak from his rapid, uncontrolled growth, they snap beneath him.

Conan lands atop the wall and the palace guards attack. Conan seizes an opportunity to hurl his sword into Hor-Neb’s arm. The attack catches Hor-Neb off balance and he tumbles into the pit – right onto the leopard. The leopard takes advantage of another easy kill. Acting quickly once more, Conan grabs a soldier’s spear and jumps into the pit to face the leopard. The leopard springs high into the air and Conan times his attack to thrust the spear through the cat’s body. The guards once loyal to Hor-Neb now cheer for Mer-Ath as the bodies of Hor-Neb and Gol-Thir lie dead in the pit. This is a new day for Harakht – as king, Mer-Ath will transform the people from a war-mongering nation to one of peace.

CAPSULE REVIEW: Another awesome Gil Kane/Ernie Chan cover sets the stage for this action packed issue. We see many iconic covers from the Conan the Barbarian series, but this one does not get enough recognition. The perspective and intensity of the scene prepares the reader for a fun-filled comic.

Picking up where Conan the Barbarian #76 ends, Thomas gives us a cliffhanger battle between Gol-Thir and Conan before he transitions to a scene with Mer-Ath and Neftha. This cliffhanger keeps you wanting
more, wondering if the Cimmerian might be in major trouble – or worse – when we see him again..

Kudos to Roy Thomas who is credited as writer/editor and Archie Goodwin as consulting editor. Pacing like this is a credit to the comic medium! The team of John Buscema and Ernie Chan continues to impress with this issue. The intense dialogue and fighting between Conan and Gol-Thir is palpable from panel to panel. Details in the artwork like the stones, rock formations, and shadows all help set the mood and texture of the environment. The story behind the sacred stone provides some explanation for the giant raptors, but also leaves some mystery behind – where did the stone come from? Has it affected Conan or anyone else exposed to its magic? Is it in any way related to the Star-Stone way back in Conan the Barbarian #1?

On a scale of 1-10, I give this issue of Conan 8 Aquilonian Luna.

Living life my own way – Andy from Aquilonia