Posts Tagged ‘John Buscema’

FEATURE: A “Chooser of the Slain” Becomes A Defender!

(EDITOR’S NOTE: Paint Monk’s Library Premieres is a new feature highlighting first appearances of major comic book characters. In each installment, we’ll take a look at the character and how he or she was created. We’ll also provide a review of their first comic book appearance.)

By WALLY MONK – PM Library Editor

 

The Mighty Thor, Odin-son and powerhouse of the Asgardian gods, made his Marvel comic book debut in 1962 in the pages of Journey Into Mystery #83. With such a rich mythology from which to draw, it only made sense for Marvel to continue reaching into the books of lore for more Norse themed characters.

Hela, the Norse goddess of death, would make her own debut in the same title two years later. But it wasn’t until 1970 in the pages of The Avengers that Brunnhilde the valkyrie would burst into the comics scene – at least in appearance.

To readers of comics within the last decade, Brunnhilde has left her mark on the Marvel Universe as a founding member of the Secret Avengers. She served as co-leader of The Fearless Defenders, working with Misty Knight. In the original Defenders series, Valkyrie was a major character until her death in that series, and her incarnation was later brought back to life in the pages of Doctor Strange.

In her early Marvel appearances, the essence of Brunnhilde as the leader of the Valkyries was transferred into a human host body. Characters who have taken on the Valkyrie persona in the Marvel comics universe have included Barbara Norris, Samantha Parrington. Jane Foster currently wears the mantle in Marvel continuity. 

Valkyrie is a familiar Marvel character to fans of the Marvel movie franchise, or “MCU”. She was portrayed by actress Tessa Thompson as one of the supporting characters in Thor: Ragnarok. But the actual origin of Valkyrie began way back in the 1970s, in the pages of Avengers #83.

Here, she wasn’t even really a valkyrie; she was a guise of the evil Enchantress, sent to entrap the Avengers team. She was created by the team all of you who have been reading our Countdown to Conan know very well – Valkyrie is a Roy Thomas and John Buscema creation!

After her initial Avengers appearance, the valkyrie wouldn’t be seen again, until her personality entered a woman named Samantha Parrington, who would confront the Hulk in The Incredible Hulk #142.

Today, Jason Aaron is knocking the character out of the ballpark in a new series, Jane Foster: Valkyrie, which is relatively new (but well received) and approaching its sixth issue. 

It’s exceptionally appropriate to feature this issue today, as this week Paint Monk’s Library will begin reviewing Aaron’s Valkyrie title each month.

Review: Avengers (Vol. 1) #83

*** SPOILER ALERT! ***

Early feminism in comics is alive and well in this issue of Avengers, which begins as Janet Van Dyne (AKA the Wasp) arrives back home at the Avengers mansion and hears voices coming from the meeting room. Being the sneaky little heroine she is, she decides to pop into the meeting unannounced to see what is going on. Surprise!

Brunnhilde the Valkyrie, along with the full female ensemble of Avengers (Scarlet Witch, Black Widow and Medusa) announce that the Avengers are no more – they’re the Liberators (see the cover of this issue above). Unsurprisingly, none of the male team members are around for the announcement.

A nicely executed two-page splash panel begins the Valkyrie’s long explanation of why the women are stepping up to the plate – and reaping revenge on the male heroes who have held them down for so long. The chooser of the slain repeats examples to all of the assembled heroines about how they have been rejected or made insignificant by their male counterparts.

Medusa is insulted worst of all, as Valkyrie notes how she plays second fiddle to her husband, Black Bolt, and that she hangs on his every word even though he is mute and does not speak.

Having successfully riled up all of the female Avengers and rallied them to her cause, the group is off to Vermont where they will face the male Avengers and teach them a valuable lesson.

Meanwhile, all of the male Avengers are preparing for a Halloween parade and enjoying a get-together. Even Rascally Roy Thomas – the writer of this issue and Marvel legend – makes an appearance at the party (dressed as Spider-Man) alongside his former wife Jean.

An official Paint Monk’s Library “No-Prize” to whoever can explain the Mrs. Peel reference in our comments section below.

The party is over quickly, as all of the Avengers plan to participate in a Halloween parade! It sounds like a bundle of laughs, but little do the Avengers know some of their enemies will be using the parade as an opportunity to wreak a little havoc.

Klaw and the Masters of Evil are lurking just around the corner, having broken out of prison. And they’re all fired up to take a hostage during the parade and duke it out with our A-team.

The Avengers are in trouble! An angry quartet of female heroes is ready to teach them a thing or two, and the Masters of Evil are trying to stir the pot. And why is Valkyrie so gung-ho on taking the male Avengers out of action?

CAPSULE REVIEW: This issue has it all. An all-star line up of female Avengers, the rest of the team, the Masters of Evil (and one of my favorite characters, Klaw), and even a comic cameo of the writer! While campy in general (most early Marvel superhero books were) the writing is excellent and the theme rings true almost 50 years later.

This is a great example of how much fun the Marvel Universe was in its earlier days – action-packed, well-written and full of dialogue, battles, and social undertones. All around, this comic is a winner. Buscema’s artwork? Great stuff. Thomas’ writing? Excellent, as usual.

In flashback reviews like this, I normally provide a synopsis of the whole story, but I think you’ll enjoy this particular issue too much to spoil the whole thing. It’s a must-read for Avengers and Valkyrie fans alike!

On a scale of 1-10, I’d rate this issue a 9.0 – even though Hank Pym does act like a male chauvanist pig near the end of the story.

REVIEW: “Tower of Shadows” Made To Compete With DC

(EDITOR’S NOTE: Welcome to Saturday Night Shivers, a feature at Paint Monk’s Library. In the spirit of Elvira, the Ghoul, and other horror movie hosts, we’ll be featuring a review of one classic horror comic each week. All horror stories we review are from books approved by the Comics Code Authority or from comics that were published before the code was enacted. This installment is written by Wally Monk.)

Welcome to Saturday Night Shivers, a weekly feature about horror comics.

In the mid to late 1960s, DC Comics was experiencing huge success with a handful of horror titles. Their “leading” title in this genre was called House of Mystery, and it began in 1951 as an anthology of scary stories. It would run a whopping 321 issues and undergo several shifts in content until its cancellation in 1983.

At the height of DC’s success in the genre, Marvel wanted to get into the game and created Tower of Shadows, which debuted in 1969, and its sister title, Chamber of Darkness.  

The lead story in the series’ premiere issue was “At the Stroke of Midnight!” which featured art by Jim Steranko – it would later win the 1969 Alley Award for best feature story.

After issue #9, Tower of Shadows became Creatures on the Loose,  and the first issue under the new title featured the debut of Robert E. Howard’s King Kull in Marvel Comics. It was a story penned by Marvel’s own Bullpen barbarian writer Roy Thomas with art by the famous Bernie Wrightson. 

Later issues in the series added more sword-and-sorcery than horror, including stories of Lin Carter’s Thongor the Barbarian. Creatures on the Loose was canceled with issue #37.

Review: Tower of Shadows #1

WARNING! SPOILERS FOLLOW

Story #1 – “At the Stroke of Midnight”

Story and Artwork By Jim Steranko

Look, it’s a narrator! Can anyone say Crypt Keeper? Opening the first page of Tower of Shadows, we see a lanky, pasty-faced skeleton of a man standing in a graveyard with a shovel firmly planted in the ground. Behind him stands a lone headstone. Bats flying from the background complete the scene. The reader can call him “Digger,” he says, in first person narrative – and the frightening figure believes the reader looks like someone who rushed past him just the other night…on their way to Shadow House.

Lou and Marie have just inherited to sinister Shadow House from Lou’s “favorite” uncle. As a child, Lou remembers just how scary the house was…full of dusty old antiques, candles everywhere…and he’s not excited about going inside. To make matters worse, it’s a dark night and they just climbed a massive stone staircase to reach the house on the hill.

Marie doesn’t like her husband – that’s evident from the beginning, with constant nagging like “You fool!” and “I could have married a man!” She gets even angrier when Lou says he hasn’t paid the electric bill, which means they’ll be rooting through the old house by candlelight. There’s treasure beyond imagining here, and Lou’s old occult-dabbling uncle has to have hid it somewhere.

It seems Lou’s uncle also dabbled in time-travel. When the duo finally stumbles across a room full of gold and jewels, their excitement lasts only momentarily – until they realize to whom the jewels belong.

Will Lou and Marie live happily ever after? Or is there something about these jewels and the previous owners they should know? There’s always a “catch” in these horror stories! 

Story #2 – “From Beyond the Brink”

Story and artwork by Johnny Craig

Digger’s got another story for us – this time, it’s a tale called “From Beyond the Brink!” which was written and illustrated by Johnny Craig, born John Thomas Alexis Craig. This story was one of a handful Craig completed for Marvel, with the highlights of his career stemming from his days with EC Comics in the 1950s. Online sources claim the artwork was drastically refinished by John Romita Sr.

Hayden Hathaway is debunking phony spiritual mediums – he spends his time visiting self-proclaimed spiritualists and fortune tellers, and has put many of them out of business. A struggling writer named Arthur Watson has been working on a biography of Hathaway, but the missing piece has been the debunker’s motives for exposing these fake fortune tellers and their plans.

All comes clear one day when a spiritualist that Hathaway cannot debunk crosses his path. In a meeting with both Hathaway and Watson, Madame Angelica begins her seance. Hathaway appears impressed, as he sees members of his family from the past and impressive things are revealed, things that Madame Angelica never could have known.

Enraged, Hathaway suddenly starts tearing the room apart, declaring that she has to be a fake and that somehow, he will discover the source of her illusions.

Why is Hathaway so determined to find a real medium? Will Madame Angelica turn out to be a charlatan like all the rest? And what is the “motive” for Hayden Hathaway’s obsession?

Story #3 – “A Time to Die!”

Story Stan Lee / Artwork By John Buscema

Stan Lee’s ability to write really mean-spirited, frightening characters makes me wonder about the legendary mind behind the stories! In Chamber of Chills, he writes about a truly sadistic warden. Here, he’s writing about a twisted alchemist, who is determined to invent a potion that brings him eternal life. 

The alchemist has an assistant, Arthur, who we learn is a convicted felon. The alchemist constantly berates the assistant, calling him everything from “witless assistant” to “weak-minded fool” and “toady.” The mad scientist even gloats that Arthur will tolerate any abuse he chooses to heap upon him – after all, who would help out a man with a horrific criminal past?

That past may come back to haunt the alchemist. Arthur knows he’ll get revenge for all the abuses heaped upon him – but hopefully not until the formula for eternal life is discovered.  

What is the silent, vengeful Arthur planning? And will the potion that brings immorality ever be in the alchemist’s grasp?

CAPSULE REVIEW: Wow, this issue is dark. The stories, although produced under the watchful eye of the Comics Code Authority, are terrifying, even by today’s standards. It’s sad that this title lasted a mere 37 issues – and that the focus changed from horror to science fiction and fantasy. All three of the stories here focus on the darkness of human beings and their behavior, which is in many ways much more frightening than the “things that go bump in the night.”
 
The first story by Jim Steranko is hands-down the best, and its clear why he won his industry award. In a mere seven pages, the Marvel legend tells a horror story with an ending so unexpected that it leaves you wanting more. His artwork is typically excellent, and reminds me of the stories the DC competitors shared that Marvel was trying to emulate with this title. 
 
The second story is perhaps the weakest, although I can’t wrap my head around why Marvel didn’t use Johnny Craig more often. His story was clear, well-told, and to the point. The artwork reminded me a lot of Mike Ploog’s work on Werewolf By Night. The third story was a good closer for a good book. No one can quibble with the pencils of John Buscema.
 
On a scale of 1-10, I’d rate this issue an 7.9. On eBay, copies in ungraded condition could be purchased for $5 in lower grades with others priced between $10-15.. A CGC-certified copy graded at 9.2 was available with a Buy-It-Now of $121.60
 
As always, I am – Wally (AKA Paint Monk)

REVIEW: Thomas Adapts Another deCamp/Carter Tale

“In this issue, Roy Thomas tackles another story by L. Sprague deCamp and Lin Carter titled ‘The Snout in the Dark‘. Originally assembled and based on a small fragment of Robert E. Howard’s work, Roy Thomas improves on the tale, ably assisted by artist John Buscema.”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #106).

By BOB FREEMAN – PM Library Writer

John Buscema and Ernie Chan were a dynamic team and each and every page of Conan the Barbarian they worked on was a marvel to behold. Yes, time constraints sometimes meant the work suffered, but that was a rarity.

One of my favorite splash pages comes from this issue, a comic that is choked full of atmosphere and spectacular art. The comic opens with Conan on horseback, galloping toward the city of Meroe.

There’s so much energy on the page. The horse is a marvel, so kinetic, propelled across the stage seemingly without effort, with the barbarian looming large, his long mane of black hair swooping back from under the ill-fitting Stygian helmet.

One’s eye is drawn from Conan’s face to the imperfect oval of his Stygian shield. That alone sells the picture for me. Had it been drawn perfectly it wouldn’t look real, if you catch my meaning. It’s in the imperfection that the eye reads truth.

A Buscema and Chan pin-up is a wonder, as powerful as some art one might find in a museum. This image that sets the tone for the issue is a prime example of their brilliance.

REVIEW: Conan the Barbarian (Vol. 1) #106

As Conan makes his way to the Kushite capital of Meroe, Amboola awakens in a dungeon, struggling to remember how he got there. He recalls being accused of treason by Queen Tananda. Drugged, he was tossed in a cell. As he regains consciousness, he notices a mist forming near him. From the mist comes a hulking hog-faced creature. It tears at Amboola’s body, killing the man, before disappearing back into the mist.

The next morning, fearful a demon is loose in the city, Afari informs Lord Tuthmes that Amboola’s ravaged body has been found in his cell, partially devoured. Tuthmes tells him rather than a demon, it is more likely the Queen who had Amboola slaughtered in one of her fits of rage. He advises Afari to punish the guards and be done with it.

Once the minister leaves, Muru, the Kordafan sorcerer who conjured the beast at Tuthmes’s behest, enters. Tuthmes is planning an uprising against the Queen and though he doesn’t trust Muru, he needs him if he is to move against Tananda successfully.

After his meeting with the sorcerer, Tuthmes makes his way through the seedy backstreets of Meroe until he finds Shubba, a street dweller. The Lord tells the wretch to spread the word on the street that Tananda had Amboola executed. The news travels fast, from the highest station to the lowest.

The next day, QueenTananda rides through the outer city marketplace with six palace guards. As the crowd becomes restless, her guard warns her that this has been a mistake. Then the rabble rise up and attack the royal entourage.

Conan witnesses the attack on Tananda as he makes his way through the crowd. The Cimmerian leaps to her aid and makes short work of the unruly mob. Queen Tananda has the captain of the guard executed for dereliction of duty and offeres the command to Conan who readily agrees.

Later, Shubba comes to Tuthmes with Diana (a Numedian slave he plans to offer to the queen) in tow. Needing to keep her loyal to him, even under threat of violence from the Queen, Tuthmes threatens Diana with the hog-like creature, warning it will be sent after her should she fail him. Diana agrees and is delivered to Queen Tananda the next day.

Suspicious of the gift, Tananda has Diana chained and is prepared to whip her unless she reveales Tuthmes’ plans. As Queen Tananda raises the whip, ready to strike the Nemedian, Conan intervenes, demanding the girl be let down from the chains.

CAPSULE REVIEW:  A breakneck issue, Conan is scarcely present, but commands the stage whenever he is. This is a grand setup, with plenty of political intrigues to entice the reader.

The story is from a fragment by Robert E. Howard, later completed by L. Sprague DeCamp and Lin Carter. Here, Roy Thomas adapts the tale, improving it, while Buscema and Chan make it come to life.

This is a thrilling issue that leaves the action unresolved, demanding you pick up the next issue. And I did, believe me.

On a scale of 1-10, I’d rate this issue 8 skulls of my enemies. On eBay, this issue generally is available for less than $10, and as low as $5.

Alba Gu Brath – Bob Freeeman (aka The Occult Detective

REVIEW: The Drellik’s Tale & Conan, Vampire Slayer

“The Drellik King K’Chama believes he has found a suitable peer in Conan, and offers the barbarian the vampire’s curse and a lifetime conquering kingdoms at his side. Conan, of course, refuses – but will he be able to save his own life and that of his Bamula tribesmen and escape from the Men Who Drink Blood?”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #103.)

By BOB FREEMAN – Paint Monk’s Library Writer

In the aftermath of the Belit cycle, Roy Thomas was looking toward his exit strategy. In slightly more than a year, his time on Conan the Barbarian would come to an end. While he’d still navigate the superior black and white magazine, The Savage Sword of Conan, the color comic was the more profile monthly title.

How would the color Conan fare once Thomas was no longer at the helm? Thomas set out rebuilding the Cimmerian’s character in the wake of Belit’s death. As in this issue I am about to recap and review for you, Conan continues to reflect and pine for the She-Wolf of the Black Coast, which is terrific character development. It shapes him, helps redefine him moving forward, all without losing touch with what made Conan great, without altering the man Howard had given birth to.

That’s a nifty trick, showing change and development without altering the character. It’s that ability to play in the creative sandbox and ensure that all the toys are still there, unbroken and ready to be played with by the next creative team, that made Roy Thomas one of the greats.

Review: Conan the Barbarian (Vol. 1) #103

The savage Bamula are placed in a large cell by the blood drinking Drellik as their war chief, Conan, was carried away by K’Chama, the Drellik’s vampire king. The unconscious Cimmerian was laid upon an altar stone, when he suddenly  awoke and attacked the vampire, but the undead fiend merely shrugged off the mighty barbarian’s punch like it was nothing.

K’Chama then shared his story with Conan. Originally from a tribe to the east, he was attacked by a vampire while out seeking to further bolster his warrior status. He managed to slay the creature, stabbing it through the heart with the shaft of his spear, but not before being infected with its vampiric curse. Using his newfound powers, he took command of another tribe and, through hypnotic mind control, had them reshape their ears and trained them to drink blood in ceremonies when they were just children and file their teeth upon reaching manhood — all that they would become vampire-like.

The Drellik King withheld transforming any of his subjects into actual vampires until he found one worthy of the secret of eternity… but no one impressed him, until he discovered Conan. The Cimmerian, of course, refused and was thrown into a cell with Eesee, the bride of K’Chama. Eesee’s life had been extended by the vampire king but now she was beginning to show her age and K’Chama had tired of her. Still, she loved him despite his change in feelings for her.

Conan attempted to escape, but failed, thus the next day he was taken before K’Chama. The vampire slayed one of the Bamula in front of the Cimmerian, so, in order to save the others, Conan agreed to join the Drellik so long as the rest of the Bamula were freed. Conan barters for Eesee’s life as well, but K’Chama degraded her to the Cimmerian. Eesee charged out and stabbed the vampire with a spear.

The spearhead had no effect on the creature and he swats her away, fatally injuring her. Conan, despite being chained, used the distraction to flee. The Drelliks chased after the barbarian but they were met by Bosatu and the Bamula who had returned in force to rescue their War Chief.

Meanwhile Conan took cover as K’Chama stalked him, the spear still sticking from his back. Conan, recalled K’Chama’s story of how he killed the vampire that made him. The Cimmerian kicked K’Chama over the side of a cliff, the shaft of the spear piercing the vampire’s heart. To ensure the fiend’s death Conan cut off its head even as Eesee crawled over to die with the creature she loved.

As Conan and the Bamula left, with the Drellik encampment in flames, the Cimmerian promoted Basotu to sub-chief and offered him a bride, Felida, the widow of the warrior Yorubo, who had been given to him. Conan will not be tied down, believing he travels highest who travels lightest. Thinking of Belit, he returns to the Bamula village.

CAPSULE REVIEW:  A good story, penned by Thomas, that showcases Conan’s intellect over brute strength. Easily outmatched by the vampire’s superior physical strength, Thomas, along with terrific art from Buscema and Chan to highlight this, was able to convey the cunning nature that is something far too people overlook. Conan was not an unintelligent brute. He was smart, agile, and calculating. Arnold’s shadow is long, however, and it is the image of the dunderheaded barbarian that far too many people imagine when they think of Conan.

On a scale of 1-10, I’d rate this issue 7 skulls of my enemies. On eBay, this issue generally is available for less than $10, and often lower than $5.

Alba Gu Brath – Bob Freeeman (aka The Occult Detective

REVIEW: A Queen Returns & Demons Behind The Curtain!

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which was published from 1970 to 1999. This is a review of Conan the Barbarian Vol. 1, #18. )

By JOESEPH SIMON – PM Library Associate Editor

Welcome to the another adventure of Robert E. Howard’s Conan the Barbarian and Fritz Leiber’s Fafhrd from Fafhrd and the Gray Mouser stories, AKA “Fafnir” in Marvel’s Conan! This issue is written by Roy Thomas (adapted from “The Gods of Bal-Sagoth,” a Turlogh Dubh O’Brien story) with art by guest artist Gil Kane.

We’re into the 18th issue of Conan’s first run in comics and what remains, even decades after being published, is not specifically new to the series. Fafnir already appeared in Conan the Barbarian #6 (along with Blackrat, AKA Gray Mouser) and Roy Thomas has previously adapted Howard’s Turlogh Dubh O’Brien stories in Conan the Barbarian #3 and #17, which continues into this issue. Gil Kane already had the inside move to being a guest artist above others, as he had tackled cover art for several issues already.

Howard’s first tale of Turlogh Dubh O’Brien appeared in Weird Tales in 1931.

It is interesting how Thomas, through unusual means, is creating a world in which Conan can adventure. While buried in the world that Howard created, Thomas expanded, creating a Marvel version of the Hyborian Age without it being part of the Marvel universe. Should we expect any less?

This is the same creator whose long stretch on DC’s All Star Squadron utilized a mix of Thomas-created new characters with DC’s golden age characters in an retroactive continuity (Retcon), rewriting the already established history of DCs super heroes during the period of the 1940s. As a result, he eliminated continuity errors, improved character origins and other problems DC had with its older heroes.

Librarian Dean Plakas reviewed the first part of the story that we now continue. If you’re not caught up, you might consider reading his review of Conan the Barbarian #17 before proceeding!

Review: Conan the Barbarian #18

At the end of the last issue Conan, Fafnir and Kyrie stand victorious with Kyrie (now known as Aala) as the ruler of Bal-Sagoth, and our barbarous heroes as her bodyguards. Those who were dethroned ran away and are now at large.

After much exposition and recapping of the previous issue, we discover that while protecting Aala during her new-found rule of Bal-Sagoth, Conan and Fafnir’s appearance is a close similarity to the actual legends of Bal-Sagoth; this Aala deems very fortunate. Conan prefers that the legends are simply stories.

Stating that Gothan and Ska remain a danger (even in hiding!) Aala decides to retire for the night while Conan and Fafnir take turns standing guard outside her bedchamber, an obviously inexperienced and naive choice for all involved. Acknowledging the prospect of danger and not securing safely anything more than the outside of your bedchamber is not the greatest decision for anyone, especially the people she rules.

Perhaps it is due to Aala’s decision, but Conan and Fafnir don’t even secure the room before Aala enters. Given that this was likely by the queen’s choice, it was by their own choice to not secure their own room.

The lack of securing the area does allow Conan and Fafnir time to have a conversation, albeit a short one. Fafnir remarks how things have changed when Conan was his captive and he the captain of a pirate band (and Fafnir on drums! No, not that kind of band)! He also tells the “coy” Conan that Aala has eyes for the Cimmerian before falling asleep. Then, in turn, Conan falls asleep also.

Conan wakes to a demonic creature about to attack. Narrowly missing a quick return to sleep (the kind from which you never awaken), Conan with effort kills the creature through strength, resources, his sword and flame. Despite Conan’s attempts to wake Fafnir, the red bearded Vanir warrior stirs only due to the smell of the demonic creatures smoke-charred carcass burning.

Both Conan and Fafnir’s battle- honed senses detect movement behind a nearby curtain and Conan quickly spears whatever caused the disturbance without much of a thought.

Conan remarks as a man drops to the ground that the now dead man must be a priestly lackey of Gothan. Not only that, but the lackey must have put a sleep spell on both Conan and Fafnir.

While Gothan’s lackey and creature both got the drop on our heroes (through the use of the sleep spell and the demonic creatures almost successful attack) it was Conan’s quick reaction that saved both himself and Fafnir.

It’s Fafnir, well-rested by now, who after hearing Aala screaming from her room, uses his body to break through her bedchamber doors. Inside, to his horror, he sees a massive man-bat looking creature attempting to take Aala by force. Fafnir attacks the creature and continues to press his attack. Conan attempts to help, but Fafnir claims this battle alone.

 
This gives Aala a chance to jump into the security and strength of Conan’s arms. Thankfully, this obvious handicap isn’t met with other enemies, but Aala herself now starts to show her true colors. Conan wants to leave and help Fafnir. Aala says “No! Why do you need him when you have me?

She even indicates that the direction Fafnir took, chasing the bat creature out of her bedchamber (only one entrance) leads to Gothan’s black hell and essentially gives up on Conan’s companion. Aala doesn’t wish the Cimmerian to “share his fate.”

If I was Conan, I would be furious at the lack of being told that their enemy, the very enemy Aala warned still lurked, was 1) within the kingdom that she now ruled, and 2) just down the hall from her bedchamber!

Conan does get angry, but for not being able to help his friend and other problems that knowing Aala has brought to him. He throws her down and takes off to help Fafnir. This does not sit well with the Queen. She throws a tantrum and as she does her guards come to her – she instructs them to find and kill Conan and Fafnir.

How will this fare for our heroic duo? Will Conan find Fafnir in time? If they survive the Bat creature, they still have to contend with Gothan as well as Aala and her guard. It just doesn’t pay to be loyal royal security. Conan has been in similar situations in the past. If only dreams of gold, being a king and lust didn’t cloud his vision!


CAPSULE REVIEW: Conan has always had a supporting cast. But unlike most comics, where you can depend on them to frequent the life of the star that they support, Conan’s cast members are transitory. While only seen on occasion, they are likely to reappear at some point in the future (given they are not killed. This is Hyboria after all and Conan’s battles are more in line with life and death struggles than super hero slugfests.)

If your curiosity as a Fritz Lieber or Fafhrd and Grey Mouser fan ever caught you day dreaming about Fafhrd teaming up with Conan (or at least a more capable and able-bodied fighter) look no further. There is a great chance you will enjoy this three-part tale!

Dean inquired last issue if Conan would realize his dreams of being a King in this very issue. The answer, sadly, is no. But I believe this is a good thing.

A good ruler, which I believe Conan would want to be (aside from his dreams of gold aplenty) is partially defined by experience and wisdom. Conan, as a fierce Cimmerian fighter, is very experienced. As a leader, much less so. He continues to be gullible and makes many poor choices. His rule, this early in life, would likely have be a short one.

On a scale of 1-10, I would rate this issue a 6.4.

On eBay, this issue is readily available for less than $10 in ungraded condition. 

– Joeseph Simon