Posts Tagged ‘Red Sonja’

REVIEW: Thomas’ “Goodbye” Marks 10th Anniversary

“As Conan pines for his lost love Belit, two old adversaries are preparing for a showdown. The wizard Zukala wishes to enlist the Cimmerian’s aid to defeat his long-time foe Karanthes … and as part of the bargain, the conjurer claims that Belit will come to life once more. Will the She-Pirate live again, to one day sit next to Conan on his jeweled throne?”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #115.)

By WALLY MONK – Paint Monk’s Library Editor

How I missed reading Conan the Barbarian #115 when it was on the newsstand is beyond me. It is a fantastic issue, full of references to the last 114 issues, and a fitting swan song for Roy Thomas’ departure from the title for the next 125 monthly installments.

It’s also interesting to note that Conan the Barbarian #115 marks Conan’s 10th Anniversary as a Marvel Comics licensed property. To a lesser but by no means insignificant extent, this means the scribes here at Paint Monk’s Library have reviewed a decade worth of Conan comics in less than a year and a half.

A huge shout out to librarians past and present, especially Bob Freeman and Andy Maglothin, who have stayed along for the ride and continue to make this Classic Conan Countdown event possible.

This issue is chock full of references to Thomas’ earlier stories and includes Red Sonja as a major character. The interactions between Conan and Sonja are almost as important to the development of each character as the main story itself.

In honor of Conan the Barbarian’s 10th Anniversary at Marvel – and this hallmark issue – today’s review will be longer and double-sized, just like the actual comic. It’s a bittersweet tale, and made more so by the knowledge that Thomas’ successors will struggle often trying to keep the magic of Howard’s Hyborian Age alive.

Review: Conan the Barbarian (Vol. 1) #115

Conan is en route to Akkharia, where he hopes to enlist as a soldier in the army of the king. It has been a long time since his last “paid” adventure, and the barbarian’s purse is empty. On the road, Conan is interrupted by a ghostly vision and an adversary from his past.

Zukala, the wizard last seen in Conan the Barbarian #14-15, wants Conan to abandon his journey to Akkharia and take on a mission for him. He assures the barbarian that he will have more than he could ever dream of in reward for his assistance. Angry, and determined to never serve a wizard, Conan throws his blade at the spectre of Zukala and rides on his way, grabbing his sword from the tree in which it lodged after passing through the ghostly visage.

Approaching the walled city, Conan muses on how it reminds him of Asgalun, the home to his lost love Belit. He pines for a moment, and then enters Akkharia.

It’s late at night, and there’s no room at the inn for our barbarian. The innkeeper, awakened from his slumber, tells Conan that for a silver piece he can sleep in the stable.

Tired and in desperate need of rest, Conan accepts the humble lodgings, only to find there’s another warrior sound asleep – and snoring – when he arrives. It’s no deterrent, and soon Conan the Cimmerian is asleep himself.

Conan awakens in the morning to a familiar voice – it seems the fiery Red Sonja also plans to work for the king, and she was his snoring bunk-mate. She tells the barbarian all she’s had is “an empty purse and saddle-sores” since they last met. The Hyrkanian offers Conan one final breakfast before the duo sign their services over to the king.

The visit to the inn is where things get interesting. Red Sonja begins to prod Conan about Belit and her absence. When Conan decides not to engage Sonja in this particular conversation, the redheaded warrior pushes on, going as far as telling Conan that Belit probably left him for “a tree-ape with bigger muscles and a smaller brain” and that he’s “better off without her.”

Conan’s response is brutal.

A sword fight ensues, as Sonja continues to taunt Conan and he spars back, both verbally and with his blade. Sonja tells him to hold still, and that any other man would be dead by now – Conan responds by telling her that perhaps she would be better off putting down the sword and having children.

As Sonja seemingly loses the combat, her sword falling down to the floor, she pulls a dagger with which she plans to continue the battle. Conan turns away, saying that he won, and that she can stab him in the back if she wishes. Author Thomas notes that of this fight, “some people will say there was wine spilled on the floor where Sonja stood” and that was the reason she lost the confrontation.

Conan reminds Sonja of her vow – and soon the Cimmerian is taking her to his room. Dejected, yet honoring her promise not to love a man until he has bested her in combat, Sonja allows Conan to carry her upstairs.

As Conan gently prepares for some personal time with the fiery redhead, Sonja appears dejected. She acknowledges her vow, but also tells Conan that she’s “not required to enjoy it.” Conan rebukes Sonja, who once again brings up Belit. The barbarian then tells her he thought she was smart enough to figure out that Belit was dead.

An angry Cimmerian stalks out of the room, telling a shocked Red Sonja that he still cares about Belit and her coldness has reminded him that he’s not ready for another romantic encounter at the moment.

Conan leaves Akkharia – and Red Sonja – behind, abruptly mounting his horse and galloping away. He finds another city, another tavern and more wenches. But it’s not what he wants at the moment. Frustrated, the barbarian steps out into the rain – only to encounter the spectre of Zukala again.

Now, Zukala makes Conan an offer he cannot refuse – if the Cimmerian brings him the Stygian wizard-priest of Ibis, Karanthes (first seen in Conan the Barbarian #7), Zukala will restore Belit to life.

Conan accepts Zukala’s offer. But he will soon discover that Red Sonja is now in the employ of Karanthes – and they will meet again soon.

Will Belit walk beside Conan once more? Will Red Sonja win the next sword-duel with Conan, if one occurs? And what will happen when Karanthes meets his nemesis Zukala face to face?

CAPSULE REVIEW: There’s so much to enjoy in this issue that it’s hard to put a finger on what is best and what needs work. We see flashbacks to many aspects of Conan’s adventuring career thus far – we hear of the Living Tarim, Belit, Karanthes, and even Melnibone and Conan’s adventures with Elric. It’s almost as if Roy Thomas wants to imagine all that has been and all he’s leaving behind as he walks away from Conan the Barbarian after this issue.

This comic book is a prime example of John Buscema’s supremacy as a Conan illustrator. The facial expressions on Conan and Red Sonja’s face tell as much of a story as Thomas’ words. Sonja’s downtrodden face upon learning she will need to surrender her body to Conan is eerie – you genuinely feel for her and the mental dilemma in which she’s been placed.

Typically, I provide a complete synopsis in most of my Classic Conan Countdown reviews, but you need to read this issue yourself. I will leave you with the final image of Red Sonja from the comic, who rejects Conan’s offer to be his new adventuring companion. It appears that she does and may perhaps harbor some genuine feelings for the Cimmerian after all.

Are those tears in Sonja’s eyes as she parts ways with Conan?

On a scale of 1-10, I’d rate this issue a 9.0. It’s all down hill from here, sadly, as Conan the Barbarian #116 introduces us to the writing of J.M. DeMatteis, a talented scribe in his own right, but one who never seems to grasp the nuances of our Cimmerian hero.

As always, I am – Wally (AKA Paint Monk)

REVIEW: Red Sonja’s Misfits Vs. The Zamoran Army

*Review: Red Sonja (Vol. 5) #4 – SPOILER ALERT!*

By BOB FREEMAN — Paint Monk’s Library Writer

The Imperial forces have been resupplied in half the time expected by mobilizing the chariots meant to defend the entire kingdom. Emperor Dragan of Zamora explains the perils of leaving his empire undefended, then issues the order to mobilize against Sonja’s ragtag army. If he was going to leave Zamora defenseless for this, he was at least going to put them to good use.

Caught off guard by Dragan’s tactics, Sonja turns the evacuation over to her advisors, while she leads the defensive charge against the invaders.

In a flashback to Khitai, Sonja is in training with Master Domo who chastises her for depending on her strength too readily. He warns that she might not always be the strongest in a battle. He advises that knowing one’s enemy is most important.

Back in the present, Sonja rides with the Brothers of Misfortune, a ragged band of misfit thieves and cutthroats, on unarmored horse against Imperial war chariots.

Hiding in the low hills of the Shallows, Sonja’s much smaller force attacks the charioteers from behind, decimating them. A single survivor slinks back to the Emperor’s camp to report the rout.

Sonja sets up multiple decoy trails to confuse Dragon’s forces, but as the Emperor prepares to execute the fool responsible for the chariot debacle, the survivor mentions that the leader of the Brothers of Misfortune is Sonja’s cousin. The fool about to be execute declares that, based on this new information, he has a plan…

***

This was another solid effort from Russell and Colak, with a tightly woven narrative that is quite meaty. For all of its humor, which is, as I’ve said, a bit more than I care for, it’s a cerebral tale utilizing military tactics in a game of cat and mouse between vastly superior Imperial numbers and the guerrilla tactics of Sonja’s Hyrkanians.

I like the way Russell plots his stories, utilizing flashbacks to spotlight Sonja’s tactics. And the loose artwork, not normally my cup of tea, is nicely contrasted between past and present.

All in all, an enjoyable read and certainly more entertaining than Marvel’s current Conan tales.

I’d give this issue an 8 out of 10 skulls of my enemies.

REVIEW: Red Sonja, A Severed Finger & Necromancy

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #78.)

By BOB FREEMAN – Paint Monk’s Library Writer

Crom, it feels good to be back reviewing classic Conan. Oddly enough, my first review, back in the proverbial Hyrkanian saddle, is a reprint from the premiere issue of Savage Sword, specifically “Curse of the Undead Man.”

“Curse” is interesting in that it was an adaptation of an unfinished Howard story called “Mistress of Death” that featured one of his most captivating creations, Dark Agnes de Chastillon.

Dark Agnes appeared in two complete tales, “Sword Woman” and “Blades of France”. The third story was completed, rather poorly in my opinion, by Gerald W. Page in 1971. I first read it not long after I had discovered Howard’s prose Conan in the Sword Woman collection from Berkley in 1977.

Roy Thomas’ adaptation introduces the character of Red Sonja, a fiery amalgamation of Howard’s Dark Agnes and Red Sonya of Rogatino, with a dash of Valeria thrown in for good measure.

Sonja is more Thomas than Howard, to be sure, but she fits in well in Conan’s Hyborian Age and I’m not so much of a purist that I don’t welcome her there. Yes, there are aspects of the character that are somewhat ridiculous, with the chain mail bikini being the most obvious. But is it patently more ridiculous than the scantily clad barbarian in most renditions? No.

At the heart of it, Red Sonja works because of the strong foundations from which she has sprung, particularly those two Dark Agnes tales. Side by side with Conan, Sonja was every bit the Cimmerian’s equal and a hallmark of the cultural revolution of the times, perhaps even more so now.

Review: Conan the Barbarian (Vol. 1) #78

Conan struts through the city of Arenjun’s decadent Maul, coming upon a bevy of voluptuous prostitutes, who convince him to seek out plunder for a week long debauchery of drink and women. Off to relieve someone of their coin, Conan is nearly run over by a robe-clad priest fleeing a band of thieves.

The thieves turn on the Cimmerian, but Conan makes short work of them. However, the barbarian trips over something and the lone remaining thief goes for the kill, only to be savaged by the killing stroke of Conan’s old friend Red Sonja.

Sonja chides Conan for tripping over seemingly nothing in such a wide alleyway, but the Cimmerian discovers the culprit – a bejeweled, severed finger. Exploring further, the two uncover the head and body of Costranno, a sorcerer whose execution Sonja witnessed just that morning.

He had been turned in for practicing “nameless, obscene rites of life and death” in the home of a woman named Berthilda, one of ill-repute. Berthilda, believing the source of Costranno’s power was in his “ring-finger” had cut it off. As he was about to be executed, he vowed to return from the dead to seek his revenge.

Sonja surmises that Costranno’s followers were trying to reassemble the body. Conan, with his distaste for magic, tosses the finger aside in disgust, and neither he nor Sonja notice as it slowly crawled its way toward the dead sorcerer’s hand.

Later, in a seedy tavern, Sonja comes into conflict with the prostitutes Conan had engaged in the Maul, decking one of them, but the woman retaliates by calling on the city guard, accusing Conan and Sonja of the murder of the thieves in the alley. The two fight their way out of the tavern, but Conan had noticed a hooded figure wearing Costranno’s ring.

Sensing impending danger for Berthilda, Conan and Sonja go to her place only to find Costranno and his acolytes with the woman laid out on an altar.

The Cimmerian springs into action, leaping over Berthilda’s body to tear into the sorcerer, but he seems impervious to the attack. Meanwhile, Sonja makes short work of the acolytes, but then a beastly arm reaches out of the nearby pit and tries to pull her in.

Conan cuts off Costranno’s hand, robbing him of his power, and the sorcerer dies once more. The Cimmerian tosses the body into the pit, distracting the beast so that Sonja can escape.

Sealing the pit, Conan and Sonja escape with the unconscious Berthilda, who upon waking demands that she be unhanded and that they leave her house at once. She storms off back to her home, and Sonja is convinced it is solely for the magical ring. They realize the ring had fallen into the pit and had probably seen to resurrecting the sorcerer once more.

Conan and Sonja walk down the street to the resounding screams of Berthilda. The sorcerer Costranno finally got his revenge.

CAPSULE REVIEW: What a smashingly excellent issue. Oh, it’s got its share of problems, mostly nitpicky ones, such as the writer calling the severed finger “a ring finger” and the artist drawing the forefinger…but that won’t detract any points as far as I’m concerned.

The biggest crime here are the muddy colors. Of course, this issue being a reprint, it was originally meant for grayscale, so the colorist had their work cut out for them. If you look at the original publication, you can see that it’s translation is solid enough, but that it was meant for black and white.

In point of fact, Savage Sword was a far superior product, and I think the perfect medium for tales of Howard’s Cimmerian.

One final note on the writing, comparing “Mistress of Death” with “Curse of the Undead Man”, Thomas does a fine job adapting Page’s finished manuscript, with the addition of Conan to the tale making it far more palpable.

On a scale of 1-10, I’d rate this issue a 9. On eBay, this issue generally is available for around $5.

Alba Gu Brath – Bob Freeman (AKA The Occult Detective)

REVIEW: Great Art, But Too Much Humor in Red Sonja #2

By BOB FREEMAN – Paint Monk’s Library Writer

As a Robert E. Howard fan, Red Sonja is a tough one. Let’s be honest, very little Howard is present in the character, but she does stride the Hyborian Age, which most assuredly is his. Yes, Sonja is inspired by a number of Howard creations, but many a steward has driven the character and made her far more than a reflection of those influences.

Sonja’s stories have been rather uneven over the decades since Roy Thomas and Barry Windsor-Smith first brought her to life back in 1973. A lot of writers never quite got a handle on her. Some left a mark on her that has stood the test of time. Besides Thomas, terrific runs from creators like Gail Simone and the legendary Frank Thorne cemented Sonja as a force in comics.

While Red Sonja has never sold quite as well as her male counterpart, she remains a popular character visually. When written well, Sonja is a testament to what can be achieved within the world Howard created outside of a certain Cimmerian.

I would love to see other characters explored within the context of the Hyborian Age, to see it brought even further to life.

Synopsis: Red Sonja (Vol. 5) #2

After a touching moment between father and son, Emperor Dragan of Zamora prepares to lead his massive army against Hyrkania and their newly crowned, red-tressed Queen Sonja, who has just learned that their vaults are empty.

With no coin to fight the invading army, she sends her cousin out to raid merchants for much needed gold, then meets with her war council that includes The Tongue of Fire, a man who earned the position by winning a contest to see who was the most truthful.

Determining where the Emperor would choose to cross the Vilayet Sea, Sonja’s men hamper their bridge building efforts, forcing a meeting between Queen Sonja and Emperor Dragan.

Queen Sonja offers to do battle with Dragan’s army, allowing to either retreat 5 miles and allow her forces to cross, or for her forces to retreat allowing his to cross. Sonja knew he would refuse to retreat. Once his forces were across the narrow sea, Sonja’s cousin could lead his raiders against the baggage train of the Emperor’s army.

Sonja vowed that Hyrkania would no longer be the world’s doormat.

CAPSULE REVIEW: I’m really enjoying this comic, at least from a visual standpoint. It has a solid plot and beautiful artwork. It’s really unfortunate that the script is so alien to my sensibilities. Far too much humor for my tastes, but Mirko Colak will keep me coming back.

On a scale of 1-10, I’d rate this issue a 7 because the script itself is really grating on me. It’s pretty though. The title sells for $3.99 US.

Alba Gu Brath – Bob Freeman (AKA The Occult Detective)

REVIEW: Big Jax, A Dancing Hyrkanian & A Serpent Tiara

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #118.)

By JOESEPH SIMON – PM Library Writer

This issue features the second appearance of the red-haired force of nature, Red Sonja, and it’s definitely something to cheer about! It’s also near the end of the Makkalet storyline. For me, there were some good stories during the Makkalet arc, but I didn’t particularly like the city or the setting.

I think it was more confusing than it had to be and Makkalet doesn’t feature prominently in future stories. I suspect others felt the same way about these tales.

Dean Plakas is correct in his assessment of the conservative nature of Barry Windsor-Smith’s Red Sonja in his review of Conan the Barbarian #23. I’m glad other artists gave her the trademark look that remains popular today. I’m not quite sure her rise in popularity would have sustained itself otherwise.

My critique of Sonja’s appearance is not made to diminish her personality or impact in the stories. She has plenty of both. I do love Smith’s artwork, but many of his women look the same and are not as memorable as a result in a visual sense. Red Sonja manages to stay away from the familiar-looking Smith women to a degree.

So what of the story of “The Song of Red Sonja?”

Review of Conan the Barbarian #24

Once again, our scene is set in a tavern. As with many such locations in the Hyborian Age, ale flows freely and women are dancing. The dancing woman in question this night is Red Sonja. Conan has a front row view with everyone else in the crowded bar captivated and chanting her name (as Son-ya.)

Another common element in Hyborian taverns are brawls – one of which quickly ensues when a companion to Red Sonja’s party, Big Jax, wants Sonja to sit with him. Big Jax, sadly, had part of his head cleaved off by an axe in a previous battle and it’s made him rather dull-witted. This escalates into a fight with Conan that turns into a full-fledged bar room brawl.

Big Jax just wanted Sonja to sit with him and look at the mess now…

Conan and Sonja, having their fill of battle, run outside to jump into a pool of water for an improvisational dip to cool off. Sonja plunges in, and re-emerging from the water has taken off her chain mail top. Before things can turn PG-13, Romantic Red teases Conan and they get out of the pool.

I don’t quite recall where, but I remember reading about how this scene did have edits to make it more reader-friendly. Remember, we’re not talking about covering up full nudity. Smith, no doubt, knew the rules of Marvel, a primary rule seemingly being that “sometimes less is more.” My memory on this continues to be lacking, but I believe there was a re-printing, perhaps a giant-sized, treasury edition, that showed Smith’s real intentions for the scene.

The story shifts to palace guards asking the tavern owner about the brawl. While they discuss the details, the guards realize that their horses are being stolen….by Sonja and Conan! The end of the first part of the story sees our red-spirited beauty and her enamored barbarian friend taking the road towards the royal palace.

The second part of the comic begins with a Howard-penned poem referencing the man called Kharam-Akkad. When we next see Conan and Sonja, they are facing a tower (Roy Thomas’ and Robert E. Howard’s fascination with towers apparently continues!)

Towers, as all readers know by now, are never good for Conan. Ignoring his past encounters with previous structures like these, our Cimmerian attempts to arouse Sonja in talk and bodily bravado only to be punched squarely in the face, with enough force to fall back into some bushes.

Speaking of personality…Conan responds with “By Crom, girl — I’ve killed men for less than that!” and Sonja mic-drops Conan with “For what? For not letting you kiss them?

Sonja lays Conan out with a mean left hook.

An interesting sidenote is Red mocking Conan for pronouncing her name as Son-ya – “you pronounce my name as if there is apish blood in you” she says. I thought of the Hulk when I read Sonja’s comment!

Into the tower the pair travel, luckily entering a riches-filled room high inside the structure. Conan is enchanted by the treasures while Red says wisely to check the corridors for guards and more danger.

In my review of Conan the Barbarian #21, I mentioned how Conan was not quite “king material” at this point. He has much to learn. Even here, on a basic level, he is still learning. At least Red knows to police your area!

Conan goes to secure the room as requested and Red comes across a bejeweled serpent tiara. One moment all seems promising, the next Conan hears her screaming and he finds himself racing to her aid. This is the end of “Part Two.”

What kind of mess has the fire-haired Hyrkanian got herself into now? And how does Conan end up learning yet another lesson about women and ending up with another “Charlie Brown” moment?

CAPSULE REVIEW: This is a bittersweet issue. While I may be disappointed with the artistic interpretation of Sonja, I find Barry Windsor-Smith to be a great artist with a renowned style. Without his artwork, Conan may never have reached 24 issues. Roy Thomas is to be credited as much as Smith, and as a team, they did rule supreme (even if there were moments of occasional tension!) Either way, they created something different, something new, something challenging for the 1970s while standing the test of time even today.

It is then sad, as this issue is the last of the Roy Thomas / Barry Windsor-Smith run. It’s not entirely bad news, as Smith’s time with Conan helps propel him to greater heights in his career. We, as fans, can purchase many different reprints and collections representing this grand period of Conan. And it won’t be the last time we find these creative juggernauts working together.

I think it will be interesting as we progress further in the Classic Conan Countdown to see how the team dynamic changes as Roy Thomas works with new artists.

Creativity when shared can be powerful, creating things that otherwise would not exist with just one or the other or with someone else involved. Commonly acknowledged with great bands and musicians, collaborations in comics can be just as rewarding. Robert E Howard, Roy Thomas, and Barry Windsor-Smith have been and always will be known as a team worthy of reading as much as they were when these issues were first released.

Storywise, Red Sonja is the saving grace of this particular comic. Place any other female that Conan has met to this point in the series and you would not have the same story. You can, however, replace Conan with another heroic barbarian hero in this specific story and it won’t affect the dynamic at all.

No one knew that Red Sonja would soar to great fame – given that she did, I would rate this issue a 7.5 out of 10. Seeing that this is the end of a legendary creative team up, I’ll kick the score up to an 8.5.

On eBay, copies of this issue in ungraded condition were readily available in the $35-60 range.