Archive for the ‘By Bob Freeman’ Category

REVIEW: Great Art, But Too Much Humor in Red Sonja #2

By BOB FREEMAN – Paint Monk’s Library Writer

As a Robert E. Howard fan, Red Sonja is a tough one. Let’s be honest, very little Howard is present in the character, but she does stride the Hyborian Age, which most assuredly is his. Yes, Sonja is inspired by a number of Howard creations, but many a steward has driven the character and made her far more than a reflection of those influences.

Sonja’s stories have been rather uneven over the decades since Roy Thomas and Barry Windsor-Smith first brought her to life back in 1973. A lot of writers never quite got a handle on her. Some left a mark on her that has stood the test of time. Besides Thomas, terrific runs from creators like Gail Simone and the legendary Frank Thorne cemented Sonja as a force in comics.

While Red Sonja has never sold quite as well as her male counterpart, she remains a popular character visually. When written well, Sonja is a testament to what can be achieved within the world Howard created outside of a certain Cimmerian.

I would love to see other characters explored within the context of the Hyborian Age, to see it brought even further to life.

Synopsis: Red Sonja (Vol. 5) #2

After a touching moment between father and son, Emperor Dragan of Zamora prepares to lead his massive army against Hyrkania and their newly crowned, red-tressed Queen Sonja, who has just learned that their vaults are empty.

With no coin to fight the invading army, she sends her cousin out to raid merchants for much needed gold, then meets with her war council that includes The Tongue of Fire, a man who earned the position by winning a contest to see who was the most truthful.

Determining where the Emperor would choose to cross the Vilayet Sea, Sonja’s men hamper their bridge building efforts, forcing a meeting between Queen Sonja and Emperor Dragan.

Queen Sonja offers to do battle with Dragan’s army, allowing to either retreat 5 miles and allow her forces to cross, or for her forces to retreat allowing his to cross. Sonja knew he would refuse to retreat. Once his forces were across the narrow sea, Sonja’s cousin could lead his raiders against the baggage train of the Emperor’s army.

Sonja vowed that Hyrkania would no longer be the world’s doormat.

CAPSULE REVIEW: I’m really enjoying this comic, at least from a visual standpoint. It has a solid plot and beautiful artwork. It’s really unfortunate that the script is so alien to my sensibilities. Far too much humor for my tastes, but Mirko Colak will keep me coming back.

On a scale of 1-10, I’d rate this issue a 7 because the script itself is really grating on me. It’s pretty though. The title sells for $3.99 US.

Alba Gu Brath – Bob Freeman (AKA The Occult Detective)

REVIEW: Conan #4 Highlights Old, New Fan Dissonance

By BOB FREEMAN – Paint Monk’s Library Writer

There seems to be a real disconnect between the old guard Conan fans, particularly those of us who are Howard obsessive, and the younger creators and collectors. We Howard purists have always had issues whenever the Cimmerian has been depicted out of character or when things fail to line up properly with the Hyborian Age as writ by Cross Plains
favorite son.

Robert E. Howard created a world that was visceral, that felt real at its core, and that attention to detail made Conan and those who inhabited the Hyborian Kingdoms seem like authentic, historical figures.

For these younger fans, who have entered into a fandom already diluted by unfaithful movies, cartoons, tv series, comics, and pastiches, see Conan as just another intellectual property where anything goes.

For those of us who were there before any of that, when the most we had to concern ourselves with was L. Sprague DeCamp’s meddling and the odd misfire by Roy Thomas, well, these modern takes on the Cimmerian are a hard pill to swallow.

A hard pill to swallow indeed.

Synopsis: Conan the Barbarian #4 (2019)

The cover for Conan the Barbarian #4 (2019).

King Conan of Aquilonia reflects on his climb to power and of the mind-numbing banality of holding court. He becomes ill, but shuns his healers, praying for an invading army to lift his spirits. Seeking a more primal cure for his ills, he engages a caged lion, challenging it to a fight.

The lion, however, sensing his own kind in the Cimmerian, befriends the king instead. They become inseperable. The King then decides on a plan to scratch his adventuring itch: donning a skull mask, Conan and his lion prowl the streets of Aquilonia, killing criminals and cutthroats like a Hyborian age Batman and Robin until eventually the king returns the lion to the jungles of Koth.

It’s a bird…it’s a plane…it’s Bat-Barbarian?

CAPSULE REVIEW: First things first, right out of the gate. It’s King Numedides, not Namedides. Where are the editors on this book?

I’m just going to say it: I hated this book with a passion. The lone saving grace was Gerardo Zaffino’s artwork, which was more inline with what we’re seeing over on Savage Sword. It’s got energy, and while it’s not what I would consider my preferred style of draughtsmanship, it captures the spirit this comic needs.

Unfortunately, Jason Aaron’s tale is proposterous. Conan as a masked crime fighter? King by day, Batman by night? It is an unfortunate premise and does not bode well for the series as a whole.

On a scale of 1-10 skulls of my enemies, I would rate this issue worthy of a 5, solely for the artwork.

Alba Gu Brath – Bob Freeman (aka The Occult Detective)