Posts Tagged ‘Norvell W. Page’

REVIEW: Aesir Redeemed, Buryat Conquered & Betrayal

“Conan is finally ready to rally the Aesir to battle against the forces of King Aosoka and the Grandsons of Heaven. But once Buryat is liberated, are more sinister forces at work? Friends are not always friends and things are not always as they appear in the final part of this four-part story arc by Rascally Roy Thomas!”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #112.)

By WALLY MONK – Paint Monk’s Library Editor

This issue marks the end of Roy Thomas’ adaptation of the Norvell W. Page novel “Sons of the Bear God” – and I’m glad it’s over.

The late 1960s, 70s and 80s saw a resurgence of much of the early pulp material and piles of pastiches and re-adapted stories saw print. While this was certainly a treasure trove of tales to choose from, not all of them were good. This story by Page is a perfect example of one such bad story.

Thankfully, and I say this selfishly, fellow librarians Bob Freeman and Andy Maglothin got the worst comics in this four-issue arc to review (although in all honesty, that was not by design!) Mine was the conclusion, and in my opinion, the easiest to read of them all. Perhaps it was merely that I knew the arc was over and I felt the need to be gentler with my thoughts.

Review: Conan the Barbarian (Vol. 1) #112

It is time to rally the imprisoned Aesir, and Conan heads back to talk to Niord and convince him to join his warband in their overthrow of King Aosoka and the Dwarves of Buryat, a.k.a the Grandsons of Heaven.

But Niord is not interested and afraid, believing that the Grandsons of Heaven (whom Conan scorns and calls merely the “Dwarves of Buryat”) cannot be overcome because of their magic. Conan insults him and the honor of the Aesir – naturally, a scuffle ensues.

The Aesir are kept full of mead and other drink by the dwarves, and Conan suspects this is what is dulling their senses and the will to fight against their oppressors. The barbarian also believes their drinks are being laced with Black Lotus, a Stygian flower well known for its hypnotic powers.

Having found a cure for the lotus-created stupor, Conan gives the antidote to the Aesir. Marching up a hillside, they manage to kill some bears (or find some bearskins) and begin their march on the city. The Aesir, heading towards Buryat, cause a panic – the Heaven Bear is angry with their grandsons the dwarves, the citizens believe – and the city and King Aosoka are soon overcome.

“Arrhr! I’m A BEAR!” – Niord of the Aesir

What about Thanamund and his “sister” Tossa? There’s more to the pair then meets the eye, as Conan will find out as he tries to enter the liberated City of Buryat!

CAPSULE REVIEW: Funny looking magical bear ears, viewing glasses, and dwarves overcoming the Aesir is far too much for this classic Conan reader. These are not Tolkien dwarves or Warhammer dwarves – they look more to me like fat hobbits with beards. King Aosoka looks like an overweight little girl. I cannot imagine the many conundrums Roy Thomas dealt with while adapting this mess to accommodate Conan’s Hyborian world.

While John Buscema’s artwork is still strong, it’s difficult to draw realistic and compelling fake bear ears. It’s true. The whole idea is just silly. Did I mention the bear ears? I think I did. For some reason, they really stuck out (pun intended) in this tale. In fact, after reading this story, I felt the strong urge to run around in a bearskin shouting “RRRAR!” at anyone who crossed my path. Well, not really, but I did laugh out loud.

I certainly understand Roy Thomas’ desire to make Conan as real as possible by using references from both Robert E. Howard and other Howard inspired authors. But Norvell W. Page’s novel was just a poor choice that resulted in a poor comic, despite a talented cast of creators.

On a scale of 1-10, I’d rate this isue a 5. Buy this only if you insist on having a “complete” Conan collection.

REVIEW: A King, Plans Overheard & A Daring Escape

“Roy Thomas continues his adaptation of Norvell W. Page’s “Sons of the Bear God”. In this third installment, Conan is taken away by dwarven guards on charges of treason and stirring up rebellion. Will the Cimmerian escape the clutches of King Aosoka and succeed in an attempt overthrow the dwarves?”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #111.)

By BOB FREEMAN — Paint Monk’s Library Writer

Roy Thomas’ near perfect run on Conan the Barbarian is almost at its end. This issue has to rank as near the lowest of his creative output. It’s a pain for me to read, truthfully. The only thing that gets me through it is the absolutely beautiful artwork that Buscema and Chan deliver.

Reading this adaptation of Norvell W. Page’s “Sons of the Bear God” leads me to compare it to the current state of Conan in the Marvel Universe.

As much as I loathe what’s happening in the pages of Conan the Barbarian, Savage Sword of Conan, Age of Conan: Belit, and Avengers: No Road Home (Man, Conan sure gets around), from a story standpoint, each and every one of the titles released thus far in 2019 is better than the “Sons of the Bear God” storyline… damning praise, but there you have it.

But, and this a pretty big ‘but’, not a single issue of these new releases hold a candle to the illustrative genius on display, even in this lesser work.

John Buscema and Ernie Chan, who now both sit beside Crom on his mountain, rarely strayed from perfection. We were lucky to have them.

REVIEW: Conan the Barbarian (Vol. 1) #111 

Tossa sensuously dresses in the morning as Conan wakes. He rebukes her for calling herself his wife. He has no interest in being betrothed. As they dress, the Cimmerian talks to her about the slaves of the city needing to rebel against their diminutive overlords when there is a knock on the door.

Conan thrusts open the door, ready to do battle, but finds a family gathered on his doorstep. They are the family of Visimar, the Aesir warrior he cut down the night before. As is their tradition, they are there to offer themselves up as slaves to the victor.

Conan sends them away, giving them a gold chalice that they might buy back their freedom. As they leave, Erfu rushes in with news that the long-eared priest overheard Conan’s talk of a revolt and soldiers have been dispatched to bring him before the king.

As the sound of the approaching soldiers resounds outside the swelling, Erfu accuses Tossa of being a wife to as many warriors as there are in the Aesir camp. Tossa attacks him, and Conan has to separate them.

The dwarven soldiers arrive and lead Conan away. Once alone, Tossa scolds Erfu for his ruse as he begs forgiveness, calling her “Highness”.

Conan goes with the soldiers peacefully. The entourage is soon joined by a band of Aesir. Once they arrive en masse at the palace stairs, the priest orders Conan to be disarmed and slain, but Conan charges the dwarf and pulls off his ceremonial ears.

Clutching the ears, Conan avoids the attack of dwarves and Aesir alike as he rushes into the palace, barrings the door behind him. The Cimmerian then sets out to find the throne room, having to fight his way past dwarven archers and swordsmen.

Finally, Conan uncovers the throne room and he bursts inside only to find King Aosoka sitting upon his throne with but a tapestry of mesh netting between them. Conan attempts to thrust it aside, but a surge of electricity courses through his body. With a mighty effort, Conan tears the netting free and hurls it at his tormentor, but it passes straight through the king.

The Cimmerian approaches and discovers the king is but a mirrored reflection. The palace guard finally gathers and attack, but Cona cuts his way through them, running out of the palace. Seeking higher ground, he scales the pyramid outside, taking note of the blue globe at the top.

The globe is tied to another and they in conjunction allow him to see far off into the distance.

Conan puts on the priest ears that he had been carrying with him and he hears an Aesir, Tossa’s brother Thanamund, across the courtyard urge him to traverse the thin brass rod that stretches between the two buildings that separate them.

As Conan makes his way slowly across as dwarven archers attempt to pepper the Cimmerian. Thanamund pours a dark wheat-like substance from a bag that covers the entire courtyard in smokey darkness.

Conan, once safely across, is lead out of the city by Thanamund. Conan counsels him to send Tossa and Erfu into hiding until he returns in that hour when the Heaven-Bear turns against his dwarven grandsons.

Outside the city, Conan sets out to find the encampment of the men of Aesgaard, intent on raising them to overthrow the dwarves at last.

CAPSULE REVIEW:  Man, that was painful. While my review of issue #109 was kind, I had a much tougher time with this one. It is again, well written and well-drawn, but it is the plot that fails in every possible way.

On a scale of 1-10, I’d rate this issue a 5. On eBay, this issue generally is available for less than $7, and as low as $3. Buy it only if you must. And read it only for the pictures.

Alba Gu Brath – Bob Freeeman (aka The Occult Detective

REVIEW: Arena – Conan Battles A “Heaven Bear”

“This time, the bear is no illusion. King Aosoka puts Conan in the pit, where he goes face-to-face with the Heaven Bear! This issue is the third part in Roy Thomas’ adaptation of the Norvell W. Page novel ‘Sons of the Bear God’.”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #110.)

By ANDY MAGLOTHIN – Paint Monk’s Library Writer

Picking up after the events in the previous issue, Conan is face to face with a giant bear but he quickly realizes the bear is an illusion – it is not displacing any of the surrounding grass. The bear quickly changes to a mist enveloping the Cimmerian, rendering our hero unconscious.

Conan slowly rouses to discover a group of Aesgaardians is carrying him upside down like a boar to the slaughter. He also notices they are carrying Erfu on a litter like royalty. Conan begins to argue with the group and a warrior wearing a panther tail on his helmet strikes Conan. The barbarian silently vows to seek revenge…we have learned along the way he does not take kindly to a beating while he is bound. A bit of foreshadowing here?

The Aesgaardians carry Conan to a city featuring low-rise walls and buildings filled with families of dwarves. The procession moves through the city to the outskirts where they arrive at a large white pyramid with a lone dwarf in the courtyard. He is wearing what appears to be over-exaggerated bear ears covering his own and standing next to an eternal fire. The procession enters the pyramid and stops at the foot of the Throne of the Heaven-Bear where King Aosoka resides.

As the procession kneels to the dwarf on the throne, he calls for Conan’s release. Muttering every ounce of strength and using the pole for leverage, Conan overcomes the incredible pain from the torturous journey to stand and confront the dwarf. The music from a distant flute rings out along with the female voice in a language Conan does not understand. Almost immediately a trio of dwarves charges through the gold tapestry behind the throne. We recognize one from the earlier approach to the pyramid, one is dressed as a bear and the third as a serpent. A guard nudges Erfu who chants in a foreign tongue then explains to Conan he won for the barbarian a chance at life – after fighting hand to hand with the true Heaven-Bear.

Weakened from the agonizing journey and with little option, Conan agrees to fight the bear but requests Erfu’s presence in the pit. Erfu explains Aosoka already set that expectation. With no delay, they are escorted into a pit surrounded at the top by a large group of dwarves excited for the battle.

Conan asks Erfu to draw spells in the dust before the battle begins and Erfu explains he is already on the task. As they talk, Erfu is curious as to Conan’s plan to battle the beast. Conan says he is as unsure as Erfu, but notices a chain lying in the sand. The dwarves release the massive bear and understanding he must be aggressive to defeat the beast, a chain wielding Conan rapidly charges the upright bear.

Conan buries his head and upper chest into the bear’s lower chest and flings the chain around the beast’s back; catching the end with his right hand. Tapping into every ounce of his great strength, Conan squeezes the chain so tight it begins to choke the air from the bear. The bear claws Conan’s back and ignoring the extreme pain, Conan continues to apply massive amounts of pressure to the bear’s back; ultimately breaking it’s spine and crushing the life from its lungs.

The massive bear flops to the ground with an exhausted Conan landing on the beast’s chest. Aosoka congratulates Erfu for his slave’s victory against the bear and appoints Erfu as Executioner of the Throne. Erfu accepts and slowly nurses Conan back to health.

After the great battle with the bear, Conan is unconscious for an undisclosed amount of time, but awakens to the sounds of Erfu arguing with a female we discover is Tossa; an Aesir woman who lives in Buryat and has been looking for a husband and her eyes are on Conan. He refuses her offer and turns her away. Conan discovers Aosoka thinks Conan is Erfu’s slave and immediately regrets turning Tossa away. As Tossa crosses through the courtyard below, a black panther approaches her.

Tossa screams out for help and Conan leaps to her rescue. He slashes at the great cat but is shocked when his sword meets steel and the panther changes form to the Aesir warrior who struck him earlier. As they battle, Conan backs into a potted plant, falling to the ground. The Aseir lunges, but Conan promptly issues a fatal blow. This heroic action prompts Tossa to proclaim Conan as her husband yet he refuses and she leaves for his chambers. Conan protests he will “be NO wench’s husband” but decides to explain that to her….after he catches up with her in his chambers.

CAPSULE REVIEW: Impressed with the action-packed cover, I proudly say that I purchased this from the newsstand in 1980. The team of Buscema and Milgrom capture the epic battle between man and beast. It provides the intensity of the scene and overwhelming might of the bear versus Conan’s strength and determination to win in battle.

Inspired by the book “Sons of the Bear God,” Thomas applies the concept of the book to our beloved Cimmerian. The story flows from the miserable journey to the pyramid, through the battle with the bear and Conan getting the golden-haired woman at the end. Thomas’ narrative provides the reader with the misery Conan endured as he was held captive, the struggle with pain after his release and during the battle with the bear. I want to also point out again the foreshadowing early in the issue between the Aseir and Conan. I also appreciate Thomas’ ability to weave sorcery into the mix without attempting to explain how it works. The mirage of a bear at the beginning…Erfu’s ability to have a golden aura about him…did the spell he cast assist Conan in the battle against the bear…Erfu’s ability to assist Conan with his wounds…the Aseir’s shapeshifting…all of these things happen without Thomas explaining the ‘how.’ The ongoing bits of mystery set the tone for other situations in the future.

In a very Return of the Jedi / Three’s Company inspired scene, the Buryat are confused about Erfu and Conan’s relationship. In prior issues, we learn Erfu was devoted to Conan yet the Buryat see him as the ruler and Conan the slave. I expected to see another procession with the Ewoks hauling the Rebels and C-3PO through the woods of Endor. Wait a minute..that was 1983….*looks slyly at Lucas*

Buscema, Chan, and Sharen provide visual content which captures the reader’s eye and augments Thomas’ prose. Between the description and the visuals of Conan’s journey to the Buryat pyramid promotes both a passage of time and misery. The battle between Conan and the bear is very tense and although limited by the comics code, the creative team does their best to show the damage inflicted by the bear. As pointed out in other reviews, the different races of people are easily discernible with distinct features.

Another enjoyable read from this awesome creative team. This is my favorite era of the Cimmerian and I rarely find a clunker in the group.

On a scale of 1-10, I give it 7 Aquilonian Luna.

Living life my own way – Andy from Aquilonia





REVIEW: Conan Meets the Dwarven ‘Sons of the Bear God’

“This issue begins the four-issue adaptation of Norvell W. Page’s tale ‘Sons of the Bear God’. While not one of Thomas’ stronger efforts, it is intended as a direct sequel to ‘Flame Winds of Lost Khitai’, which was adapted from another Norvell Page story. This editor is still trying to figure out how dwarves could overtake the Aesir, but it is fantasy after all!”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #109.)

By BOB FREEMAN – Paint Monk’s Library Writer

I often speak of Roy Thomas in almost glowing and near infallible terms, but he, on rare occasions, makes cringe-worthy missteps. Case in point: the issue(s) I am about to review for you.

I’ll be covering two parts of Thomas’s four part adaptation of Norvell W. Page’s “Sons of the Bear God,” with my contributions being a look at the first and third portions. I will be curious to see how my partners in crime deal with the second and fourth acts as I am just not a fan of the story.

It’s not a Conan tale, even though the Cimmerian is never out of character and the artwork continues to breathe life into the Hyborian Age.

This isn’t the first time one of Page’s novels has been adapted to feature Conan. Issues #32-34 of Conan the Barbarian featured Page’s “Flame Winds,” of which “Sons of the Bear God” is a sequel.

While Thomas does an admirable job of adapting Page’s story and inserting Conan in the starring role, “Sons of the Bear God” was an insufferable novel, in my opinion, greatly improved by porting it into Howard’s Hyborian Age. It was made almost bearable (please excuse the pun) by Buscema and Chan’s illustrations and Thomas’ comfort in writing Conan.

But the work still suffers. And so close to Roy’s exit from the title. Luckily, better stories are on the horizon, as #113-115 are a marked improvement.

REVIEW: Conan the Barbarian #109 

Conan and the wizard’s apprentice Erfu are traveling to Argos, passing through Shem, when they are ambushed by Shemite tribesmen. Wounded by an arrow to the shoulder, Conan is able to take down several of the tribesmen with both bow and sword before his stolen horse is cut down. As more attackers swarm them, the Cimmerian and wizard flee into the brush to hide.

Erfu attempts to frighten the Shemites away using trickery and deception disguised as magic, but he is soon assaulted by a strange mist and Conan is forced to rescue the diminutive wizard, plunging further into the high grass.

Conan strikes out at the mist, forcing it to dissipate. Moving forward, cautiously, they find the Shemites all killed, slain by the mist.

The Cimmerian and wizard keep moving, but they detect sounds of someone coming toward them, so Conan lifts Erfu over the grass to see who or what approachs. It is an Aesir warparty marching through the field. Conan, surprised to find Northerners so far south heads out to greet them, but stumbles onto dwarven slavers who seemingly hold the Aesir captive.

Conan cuts through the dwarves with ease, but is shocked to discover the Aesir do not join him in battle. The Cimmerian is recognized by one of the Northmen — It is Niord, who he served as a young man when they raided the borders of Vanaheim.

Conan is confused as to how a warrior like Niord could have been captured and enslaved by such creatures. The Northman replies that their strength was not in their sword-arms or whips, but in what they could summon.

The Cimmerian asked Niord and his men to join him in heading north, but they are interrupted by a savage roar. Conan turns to see a God Bear, taller than an elephant and ready to avenge the death of the dwarves.

CAPSULE REVIEW:  The issue is not as terrible as I remembered. It’s got a lot going for it. It’s well written, expertly drawn, and we get to see an old familiar face from the earliest issues of the series. In fact, it reads so much better than I remember that I suspect my displeasure with this four-parter lies not in the set-up, but in the follow-through.

The highlight of the story was Conan’s battle with the Shemites. Is there an artist that draws horses better than Big John Buscema? Yeah, I didn’t think so. The fluid movement of that battle, especially once Conan steals a horse and is riding against his attackers…

My favorite panel in the issue is very subtle, but powerful in its execution. Conan, on horseback, is riding toward a bow on the ground. He is leaning in the saddle, preparing to snatch it up to use against his foes.

Just a magnificent example of superior draftsmanship.

Here’s to hoping the rest of this storyline makes a liar of my fading memory.

On a scale of 1-10, I’d rate this issue 7 skulls of my enemies.. On eBay, reading copies of this issue are readily available for less than $5.

Alba Gu Brath – Bob Freeeman (aka The Occult Detective