Archive for the ‘Reviews’ Category

REVIEW: Blue Was the New Black in 1970s Comics

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #96. Warning – SPOILERS follow!)

By BOB FREEMAN – Paint Monk’s Library Writer

One of the things that really jumps out at me in this issue – Conan the Barbarian #96 – is Sholo, the black lion. For a magazine that is generally so spot on, it seems that some lessons are forgotten, and I see that here.

Comics’ central issue, especially in those pre-computer printing days, was color. It’s something I’ve always been fascinated by and have spent a bit of time studying. I’m not going to bore you with any of that now, but I do want to briefly talk about the color black in printed comics.

Comic shorthand for black tends toward blue. Batman’s costume was black and gray, just as Spider-Man was red and black. Blue, as the highlight color, tended to become dominant over time and the characters’ color schemes shifted. It’s something we see repeatedly, over and over again.

In Conan, the Cimmerian’s hair is blue highlighted, as are Belit’s raven tresses. Thankfully, we were never cursed with a shift to a more dominate blue for their Hyborian coiffures.

Sholo, Conan’s blue lion companion?

In the first appearance of Conan’s companion, Zula, he was depicted as blue-skinned, which looked rather absurd. His later depictions, using gray as the highlight, were a marked improvement. Here, in this issue, we are faced with a black-furred lion whose bristled covering is represented by blue, not so much as highlight, but as the far more dominant color. While it makes one think of the X-Men’s Beast, who began with gray highlights, but transitioned to the more traditional blue, in the end, it just doesn’t work.

With Sholo, much like Zula’s early appearances, it looks ridiculous, but black was a struggle for colorists in those early days of comic yesteryear. It’s one of those things we’re forced to overlook as long term comic fans.

It’s also one of the few things about modern comics that is an improvement over the past.

Review: Conan the Barbarian #96

We begin with Conan, called Amra the Lion, an uneasy companion of the legendary Sholo, a black lion who had once been bonded to an Aquilonian Lord. Having now bonded with the Cimmerian, Conan remains on-guard even as he recalls Belit and members of her crew being captured by the sorcerer Ajaga.

Uncovering a cave, man and beast enter cautiously but both fall victim to a trap that hurls them into an underground river. Conan faces off against a great serpent, but is jarred by its electrical charge when he strikes it with his blade. The Cimmerian changes tactics and kills it with a large boulder, but passes out from the exertion.

The barbarian is pulled from the water by Ajaga’s men. Coming to, Conan tries to fight free and is embattled by a jaguar. Conan delivers a mighty wound, but is then struck unconscious once more by a blow from one of Ajaga’s followers. Ajaga then collapses to the ground, writhing in seizure. Rising, he claims to have communed with Jhebbal-Sag and proclaims that Conan and Belit need be sacrificed at once.

Meanwhile, Sholo comes ashore, eventually finding Belit and helping her escape. He leads the Queen of the Black Coast from her imprisonment – and the Shemite she-tiger hopes it is to Conan the black lion leads.

Elsewhere, Conan is brought to an altar where Ajaga prepares to sacrifice the Cimmerian in the Feast of the Bloodmoon, calling forth the beasts of the jungle for this dark rite.

CAPSULE REVIEW:  Part One of “The Long Night of Fang and Talon” is a spectacular issue, fraught with action and suspense, and one of my favorites as a kid, to be sure. Roy Thomas is in great form as we near the conclusion to his fleshed out tale of the tragic love story of Conan and Belit.

Roy is a consummate storyteller, but I remember vividly that Buscema and Chan cover leaping out at me from the newsstand. There was no way I was going to pass this issue up — not that Marvel was ever in danger of me not dropping a dime and two bits on a Conan comic.

Of course this all leads to the flipping of the traditional ‘damsel-in-distress’ trope, finding Conan captured and in need of rescue from the she-wolf Belit.

Belit was such a great character, feminine yet strong. Hers was a commanding presence. It flies in the face of modern interpretation that women were disrespected in comics. There have always been strongly represented, and while many have decried Conan as being a book filled with “toxic masculinity”, to use the catch phrase of the moment, nothing could have been further from the truth.

On a scale of 1-10, I’d rate this issue a 9, only because that blue lion bugs me. On eBay, this issue generally is available for less than $10, and as low as $6.

Alba Gu Brath – Bob Freeeman (aka The Occult Detective

REVIEW: A Cave Creature & The Symbol of Jhebbal-Sag

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #95.)

By ANDY MAGLOTHIN – Paint Monk’s Library Writer

Ajaga, The Beast King of Abombi commands three baboons to carry Bêlit off to join his other captive wives. Two Chiefs, Krato and Beeya, are still concerned about Conan’s whereabouts despite his plunge off the cliff into the dense jungle below.  

Ignoring their concerns, Ajaga explains there is no way Conan could survive the plunge.

The story transitions to a quick flashback of Conan battling two baboons during a plunge into some trees.  Large branches slow Conan and the simians on the way down, injuring one baboon enough that Conan flips him over, landing on the baboon’s carcass. Conan is knocked unconscious, but is still alive!

As Conan lies senseless, predatory animals spot the Cimmerian as easy prey until they are spooked by the roar of Sholo, the black lion. The roar of the ferocious beast startles Conan, and the barbarian’s initial response is to get away from the great cat.

Conan quickly realizes that Sholo is there to protect him from the other jungle animals, recalling Ajaga’s ability to control animals. It registers to him Sholo might be under Ajaga’s control, and follows the feline in the hopes of arriving at Abombi.

Bêlit awakens in Ajaga’s throne room and refuses to join him. Ajaga tells her he has no intention of working with her or negotiating – he intends to kill her. Bêlit lunges to attack the beast-king, causing his faithful leopard to quickly take her down. Ajaga’s guards take Bêlit to a prison cell with other captive women.

The story shifts once more to Conan and Sholo traveling through the jungle, driven by an unknown force which Conan assumes is Ajaga’s control over the great lion. The Cimmerian confirms Sholo’s connection to Ajaga exists, because the beast-lord is more animal than human. The pair discover a cave, but Sholo suddenly freezes when they approach a strange symbol in the sand. The startled ebony lion refuses to venture past the symbol so Conan enters the cave alone.

Conan finds G’Chambi hiding in the caves.  G’Chambi explains he keeps Ajaga’s beasts at bay using the sign of Jhebbal Sag, and Conan asks if he can use the sign to keep Ajaga’s beasts at bay while he rescues Bêlit. Before he can answer, G’Chambi is attacked and pulled into the darkness, his limp, mangled body slung back to the ground. A stunned Conan glances up to find a prehistoric beast crouched overhead, ready to strike.

Conan hurls a stone at the dinosaur, striking it in the head but not even phasing the creature.  The beast leaps at Conan, and the barbarian slices into its thick hide, causing little damage. The reptilian monster continues to attack and Conan can barely manage to dodge its ferocious assaults. Our hero flips the creature over, then lunges for his sword but the reptile is too swift and is on the Cimmerian’s back again. Conan rams the beasts head into the wall then breaks the neck of the stunned dinosaur-dragon.

After the battle Conan carries the severely wounded G’Chambi outside the cave. As he breathes his last, G’Chambi teaches Conan the proper way to draw the symbol of Jhebbal Sag.

CAPSULE REVIEW: The cover features John Buscema’s pencils and inks and highlights the battle between Conan and the saurian. I would imagine people seeing this image on the newsstand in 1978 grabbed it largely based on Buscema’s “dinosaur cover”!

As always, Thomas’ script and pacing keeps the story moving and the reader engaged. This issue picks up where Conan the Barbarian #94 ended and if both issues are read together, the tale makes more sense. Conan Saga #38 collects the two issues together (albeit in black and white) as does The Chronicles of Conan Vol 12 (Dark Horse Comics).  I’m not a huge binge reader, but with this particular story arc, it might benefit a new fan to go that route.

John Buscema’s version of Conan is my favorite and the work in this particular story line demonstrates why. His ability to provide unique attributes to characters (although it had to be accomplished with headdress coloring for Beeya and Krato) along with his depictions of anatomy and surrounding scenery demonstrates the effort he puts into his art. Look at the image of Krato looking over the cliff to the trees below.

It is a very small panel, yet unnerving for those who are afraid of heights. Skip to the battle between Conan and the ancient reptile creature. Conan’s facial features change multiple times during the battle: an initial look of shock, then determination to survive and finally, a look of desperation when he breaks the beast’s neck. You can’t ask an artist to work any harder than “Big John” Buscema did on each issue of Conan.

This feels like a filler issue, with little character development. It would have worked better as part of a double-sized issue. This comic is a necessary part of an ongoing Conan tale, but it doesn’t stand alone well. I give it 6 Aquilonian Luna out of 10.

Living life my own way – Andy from Aquilonia

REVIEW: Zub, Zircher Present Classic Conan in SSoC #7

*Spoiler Alert! A Review of Savage Sword of Conan (2019) #7*

By WALLY MONK – Paint Monk’s Library Editor

It’s taken nearly a half year of hit-and-miss issues from two Conan the Barbarian series; a Belit mini-event that would make even casual Conan fans run for DC Comics like the Flash; and two omnibus releases. But this week, the team of Jim Zub and Patch Zircher seems to finally have nailed down Howard’s vision in an issue reminiscent of comics from years long gone.

“Conan the Gambler” is the first issue in a three-part story arc, and it begins as many Conan comics do – the Cimmerian stumbles across an outnumbered victim being robbed. It doesn’t take a heady plot to create a good Conan story, and in this case, the trope is well-used but effective.

The victim Conan rescues is a man named Maraudus Mathir, a foreign merchant engaged in a trade war with another dangerous peddler named Kero, dubbed “Kero the Callous.”

With Conan serving as Maraudus’ bodyguard, the pair enter the casino/bordello/tavern known as Demon’s Den. The two merchants caustically agree to settle their differences in a game of cards.

But what will happen when the Cimmerian is left “holding the proverbial bag” and all alone?

CAPSULE REVIEW: After the first few pages of dialogue, it’s clear that writer Jim Zub “gets it.” He’s familiar with the world of Conan, and he knows how to write the barbarian effectively even using common themes. It’s a far cry from what we have been served thus far in Conan’s numerous outings this year.

The art of Patch Zircher is a welcome relief and marvelously rendered, with extremely detailed backgrounds that (dare I say) come close to those of the late great John Buscema. That’s high praise, perhaps undeserved at this point, yet I hope his attention to detail continues as the story arc progresses. Colorist Java Tartaglia’s work lends a more modern look to the tale, but it helps strike the perfect balance between presenting a true Classic Conan and a modern barbarian story that draws inspiration from the classics.

If you haven’t picked up any issues of Conan since Marvel reacquired the property in January, I’d heartily recommend starting with this issue. Heck, pick up the variant covers too. Let’s give this creative team all of the support we can, and hope that Marvel recognizes that they’ve finally tapped into the Conan many older fans know and love.

On a scale of 1-10, I’d rate this issue an 8.5. The pacing is slow, and as most modern comics, this tale could have been merely a few pages of a Thomas/Buscema issue. However, the feel is right, and Conan is easily recognizable here to fans of Howard and the original series.

As always, I am – Wally (AKA Paint Monk)

REVIEW: Red Sonja Vol. 5 Goes Out With a Whimper

*Review: Red Sonja (Vol. 5) #5 & 6 – SPOILER ALERT!*

By BOB FREEMAN – Paint Monk’s Library Writer

The official teaser for Red Sonja #5 reads: “Like an all-consuming fire, the armies of Dragan The Magnificent pursued Sonja The Red until there was nowhere else to flee. The corpses of her people scattered before her like charred rabbits, she turned to face his exquisite wrath. And prayed in vain for death to take her quickly.

Looking at issue #6, Dynamite shares: “The first arc of the most exciting series debut of 2019 comes to a stunning conclusion. The dreaded Dragan makes Her Majesty an offer that would end an invasion but sacrifice everything. Sonja The Red must weigh the awful costs, before the decision is no longer hers to make.

A series that started out strong ends in disappointment.

The final issues of Mark Russell and Mirko Colak’s first arc in this latest volume in the tale of Red Sonja are a shade different from the four that preceded them. While there’s still a bit more humor than is to my liking, the comic has taken a darker tone. Sonja’s predicament is, well, rather grim, and it is reflected in Russell’s dialogue.

What began as my favorite Hyborian Age comic of those currently being offered has deteriorated into a sad state on par with what Marvel has been offering and that’s a bloody shame.

So much promise wasted.

I give them collectively 4 out of 10 skulls of my enemies. That’s 2 for each of them (issues #5 and #6)… I’m feeling generous today it seems.

Will I be back for the second arc? It’s doubtful. The creative team will have to pull out all the stops to reignite my passion for this comic.

REVIEW: Zula Departs, A Beast King & Belit Captured!

“How can Conan defeat a man that both the birds and the beasts obey? Conan the Barbarian and Belit face off with a chieftan who could perhaps be one of their deadliest foes, the Beast King of Abombi! Can Conan and Belit’s crew of Black Corsairs restore order to the tribes along the Black Coast and rescue Ombassa’s daughter?”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which was published from 1970 to 1999. This is a review of Conan the Barbarian Vol. 1, #94. )

By WALLY MONK – Paint Monk’s Library Editor

We’re a mere six issues from the end of Roy Thomas’ adaptation of “Queen of the Black Coast”, and we’re treated this issue to the beginning of a new four-issue story arc focusing on the Beast King of Abombi. This short but entertaining tale will be concluded in the pages of Conan the Barbarian #97.

Here, Roy Thomas says goodbye to Zula, the last of the Zamballahs, as he departs with some of Belit’s corsairs to forge his own path. Strangely, and perhaps as a thank you for his service and companionship, Zula takes a few of the Black Corsairs with him with Belit’s blessing. Goodbye, Zula, we hardly knew you…

This was one of the first back issues of Conan I had to find as a kid – my first store-bought Conan story was Conan the Barbarian #95 – and I felt compelled to read this, the first part of the story.

Writer Bob Freeman has mentioned in his reviews that the team of Thomas/Buscema/Chan gave the series a certain continuity – this was something I noticed myself when I was younger. Where other titles had a revolving door of guest artists, one could always count on the world of Conan to remain consistent.

Perhaps this was why Conan was so successful during its first 100-issue run. Readers and fans always knew that whatever the story might be, the art and world would be strangely familiar.

Review: Conan the Barbarian #94

As Zula departs with some of Belit’s crewmates, Conan, the she-pirate and the crew of the Tigress continue sailing south along the Black Coast. As they travel, they notice that many of the villages they pass are in smoldering ruin.

Eventually reaching their allies, the Watambis (first seen in Conan the Barbarian #60), Conan and Belit learn that an exiled noble from a nearby tribe has assumed control of an ancient and abandoned mountain fortress called Abombi. This noble, named Ajaga, has learned the powers of an ancient god named Jhebbal Sag which allows him to control animals.

Using this power, Ajaga has extended his rule over the villages, many of which formerly paid tribute to Belit and her pirate crew.

The Watambi chieftan reveals that his tribe tried to refuse Ajaga’s leadership, but once they resisted, their village was continually harrassed and plagued by wild animals from within the jungle.

The Watambi resistance crumbled after chieftan Ombassa’s daughter, Nyami, was captured by baboons and taken off to be Ajaga’s wife. Ombassa offered tribute then to the Beast King, but the tyrant still refused to release his daughter from captivity.

As an ally of Ombassa and his people, Conan, Belit and the Corsairs pledge to help rid the coast of Ajaga and his foul control of the wild animals. Their journey to Abombi is short-lived, as the group atempts to scale the cliffs to the fortress, only to be ambushed by angry animals under Ajaga’s control.

Baboons angrily attack the group as they climb – Conan falls off the cliff and Belit is taken as a prisoner for Ajaga.

CAPSULE REVIEW: First carried off by giant hawks to the city of Harakht, Belit is once more captured, but this time by giant baboons under Ajaga’s control. Conan could be in major trouble in this issue, and the cliff-hanger at the end of this issue is disconcerting. Has the barbarian met his match?

Roy Thomas once again cobbles together another story to push forward and engage us in the goings-on along the Black Coast, and it will sad to see these stories end in a mere half-dozen issues. Seeing Zula depart was disappointing, as he was just starting to fit in as part of our heroic trio.

The whole concept of Ajaga and his control of animals is an interesting one. Theoretically, he’s an impossible character to defeat because of the sheer volume of critters he can place under his control. It will be interesting to see how Roy Thomas resolves this plot line in coming issues.

This issue is jam-packed with dialogue – it’s a tribute to the artistic team as well as letterer Bill Spicer that the panels worked as well as they did.

Whoa! Roy Thomas fills Conan the Barbarian #94 with more dialogue than usual.

The color, however, seems off. Although I read this issue digitally, I checked my physical copy too and the colors seem brighter there also, and in many places too “in your face” to be the typical work of fine colorist George Roussos. Perhaps Marvel was experimenting with a new printer? Something just didn’t seem right.

This story was reprinted in Conan Saga #38, as well as The Chronicles of Conan Vol. 12 by Dark Horse Comics. On a scale of 1-10, I’d rate this story a 7.5.

As always, I am – Wally (AKA Paint Monk)

REVIEW: Magik – Storm & Illyana (Mini-Series) #1-4

(EDITOR’S NOTE: This is a re-post and re-edit of a review I wrote long before Paint Monk’s Library had a single follower, so it will be new to most readers. A more in-depth version was written for comic review site Comic-Watch during my brief stint as a contributor there in 2017. A link to my review on that site can be found at the end of this review in case you want to read a review with more spoilers!)

By WALLY MONK – Paint Monk’s Library Editor

As a young comic book reader, I exclusively read fantasy and science fiction comics. I was never really interested in superheroes. While my friends read Amazing Spider-Man, Fantastic Four and the Uncanny X-Men, I was happy to be collecting Conan the Barbarian, John Carter, Warlord of Mars and Ka-Zar the Savage

In issue #11 of Ka-Zar the Savage from the 1980s, I remember the jungle lord fighting with Belasco, the demon based on the character in Dante’s Divine Comedy. So when I stumbled across Belasco on the cover of Magik: Storm & Illyana #1, I had to buy the comic (even if it did have superheroes in it)!

In Marvel’s Uncanny X-Men series, the character of Colossus (Peter Rasputin) has his little sister snatched from him by an entity (Belasco) through a dimensional doorway. Seemingly, that’s the last we see of her, but she pops up again shortly afterward – 7 years older. Where did the time go? 

The Magik: Storm and Illyana mini-series (4 issues) tells what happened to Colossus’ sister after she was snatched away from the world as we know it. This particular Marvel mini series is pretty dark, and it’s not one that I would recommend kids under 12 to read (despite being approved by the CCA) without talking with their parents and families about the theme of the series or the reactions of numerous characters throughout. It’s effectively the story of a little girl who is turned into a demon – and her struggles with good and evil throughout that battle.

It’s written by Chris Claremont, one of many Marvel writers who needs no introduction, and he handles the subject tastefully and well. It’s clear that Illyana Rasputin is good – and she fights the influence of the dark Belasco admirably.

Review: Magik – Storm & Illyana #1-4

In the first issue (Magik #1), young Illyana has been captured by the demon Belasco and taken to his dark realm called Limbo. We soon learn that the young girl’s innocence will be tainted by Belasco and she will be used as a portal by which the Elder Gods (whom Belasco serves) can enter the mortal realms.

Belasco takes a portion of Illyana’s soul and turns it into a “bloodstone,” and it is the first of five such stones the demon will create to fill a pentagram-shaped amulet. When complete, the amulet will summon the Elder Gods to the human realm.

The first two characters we meet are Ororo and “Cat” – twisted versions of the Storm and Kitty Pryde thatIllyana knows from the “real” world. Limbo’s Ororo and Cat come from a reality where instead of Illyana being taken by Belasco, the X-Men were captured instead.

Both X-characters (and many more in the series) have been twisted by the dark magic of of Belasco’s realm. After the demon lord flees from brief conflict, the trio of Ororo, Illyana and Cat head off for Ororo’s “Sanctuary,” a garden in the midst of Limbo’s chaos. It is a small piece of paradise, protected from the raging fires of the foul dimension and maintained by Ororo’s magic (she is a sorceress in this series, on top of being a weather-controlling mutant)!

It is here that Cat suggests killing Illyana. Apparently, this more violent version of Kitty Pryde is still angry that the X-Men were trapped instead of Illyana in her alternate reality. Secondly, she would rather see the youngster dead than as part of a plot to bring evil into the world. Ororo objects, and Cat leaves the sanctuary angrily.

Meanwhile, Ororo learns that evil has spread into Illyana much faster than she had thought possible – so rather than kill her, Ororo makes Illyana her apprentice, hoping to teach her how to use her strength for good instead of evil.

What will become of the soon-to-be New Mutant? And will she succumb to the dark side and Belasco’s influence? Read the series and find out. 

THE GOOD: Chris Claremont is a superstar when it comes to anything X-Men, and the artwork by John Buscema in the first two issues is stellar. Ron Frenz steps in to pencil issue #3, which has by far the weakest art in the series, and Sal Buscema wraps up with solid pencils in issue #4. The story is definitely one that makes you think, and it helps set the stage for Illyana as a character in the New Mutants. Of the many Marvel mini-series from the mid-1980s, this is a solid must-buy.

If you’re a parent of a child under 12, you might want to check the comic out first – it’ll give you a chance to talk about the “temptation of evil” which is an ongoing theme in the series. But for teenagers, Claremont’s writing is clear enough to grasp the horrific goings-on and put them in context of a conflicted character in their own age group.

THE BAD:  So much more could have been done with this particular storyline, but I’m not qualified to second guess an industry talent like Chris Claremont. I find it difficult to understand how Belasco decimated most of the X-Men in Limbo yet got his demonic backside kicked by a blonde-haired jungle lord (Ka-Zar) with no powers. The series makes it clear that Belasco’s powers are greater in his own realm – but that doesn’t explain how Ka-Zar was more formidable than the most powerful mutants in the Marvel Universe. 

WHERE TO FIND IT: X-Men: Magik was collected as a hardcover book and trade paperback numerous times. You can find it on eBay or Amazon, where it averages $9-25, depending on condition. The individual issues can be purchased at many comic book stores for even less.

As always, I am – Wally (AKA Paint Monk

My original review of Magik #1-4 on Comic-Watch can be found here.

REVIEW: Vengeance in Asgalun & The Death of A King

It’s a Hyborian game of thrones, as opposing factions vie for control of Asgalun. Meanwhile, Belit, the Queen of the Black Coast, plots her final revenge against Nim-Karrak, the current ruler of the city and the man who usurped her father, Atrahasis. Will the Shemite hellcat finally send Nim-Karrak to the fate he deserves?

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which was published from 1970 to 1999. This is a review of Conan the Barbarian Vol. 1, #93. )

By BOB FREEMAN – Paint Monk’s Library Writer

“You’ve got too many animals on the covers.”

In 1970, Conan the Barbarian came out of the gate swinging. Marvel printed over 200,000 issues of the debut comic and they moved nearly 60% of them. Very respectable. However, each issue after sold a little less than the one before and the title was in danger of being cancelled after just seven books (doled out over fourteen months).

That’s when Stan Lee asked to see the covers and commented on there being too many animals. “Get some more humanoid menacing-looking villains instead of these animals,” he had said.

Issue eight featured Conan and a beautiful damsel in the midst of a treasure horde as two skeletal warriors menacingly approached from behind. Sales ticked upward and the title flourished for the next two decades.

That’s the kind of genius Stan Lee was.

Review: Conan the Barbarian #93

Under Ptor-Nubis’s magical control, Conan, Belit, Zula, and M’Gora are commanded to fight to the death. Zula, however, is able to break free of the sorcerer’s spell, as he recalls that it was Ptor-Nubis who had sold him into slavery as a child. Zula strikes out at the wizard, killing him instead of his comrade, and ending Ptor-Nubis’ hold on them.

Zula, M’Gora, Conan, and Belit turn their attentions toward the surrounding Stygian soldiers, handling them easily. After, Zula and M’Gora set out to announce Belit’s return to the people of Asgalun.

As word of Belit’s return reaches the ears of Nim-Karrak, the king is convinced that Ptor-Nubis has been slain and thus goes into hiding as Prince Khamun takes command of the castle.

Seeking to consolidate his power, Khamun has the merchant Uriaz taken into custody, despite the growing unrest of the citizens of Asgalun. The High-Priest of Ishtar, Bal-Yamm, crowns Khamun as king and, as part of the ceremony, Urias is brought before the executioner.

The merchant begs for his life as the hooded executioner lifts his ax — but instead of taking Uriaz’ head, instead hurls the blade into Khamun’s chest, killing the newly crowned ruler. The executioner removes his hood, and is revealed to be Conan who calls Belit forth and proclaims her as the true and rightful queen.

Belit calls for the Asgalun to rise up against the Stygians, but they are poorly matched, until the arrival of Hyrkanian mercenaries.

As Belit observes the battle between the Shemites and Stygians, Nim-Karrak emerges from a secret door, slinking toward Belit with a dagger and venomous intent.

Zula reaches out with his magic and Nim-Karrak, believing that a stone lion has come to life, plummets to his death in fright, enraging Belit.

Belit’s claim to the throne is secured, but she refuses the crown, granting it to Uriaz instead, much to his horror.

Conan, Belit, and Zula leave the city as Akhirom approaches with a sizable army. Belit, having avenged her father, is eager to put this all behind her and return to plundering the Black Coast, with Conan at her side.

CAPSULE REVIEW:  This was a big issue with a lot going on but it was so perfectly paced that it never felt crowded or too busy. Buscema and Chan bring a ton of kinetic energy to each and every page, but it’s the facial expressions that carry the weight of the story. They really outdid themselves.

Roy’s script is tight as he deftly maneuvers the political intrigue, brilliantly juggling the story and never letting it get bogged down in too much exposition.

This was a perfect marriage between the writer and artists that puts an endcap on Belit’s revenge arc and sets up the endgame for the Queen of the Black Coast storyline.

From the sweltering jungle action to the politically charged city-streets of Asgalun, Conan, while virtually a secondary character in the story, is still a dominate physical force, fluid and visceral.

That, in and of itself, is a neat trick, and one the creators should be applauded for.

On a scale of 1-10, I’d rate this issue a 9.5. On eBay, this issue generally is available for less than $10, and often as low as $7.

Alba Gu Brath – Bob Freeeman (aka The Occult Detective

REVIEW: The Thing in the Crypt and a Young Cimmerian

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #92.)

By ANDY MAGLOTHIN – Paint Monk’s Library Writer

Roll back the Hyborian clock as we visit a never before seen tale (at least in comics) of a young Conan. Based loosely on the works of L. Sprague deCamp and Lin Carter, the story is inspired by their tale “The Thing in the Crypt”. Those of you who have seen the Conan the Barbarian movie from 1982 might recognize a few things.

Conan recently left Brutheim, and wolves have been chasing him for two days. The pack is exceptionally hungry and would have given up were it not for the long, dark winter.

As a wolf attacks, Conan swings a chain, significantly injuring the animal. The other starving wolves catch up and feast on their fallen friend. Conan reflects how he started out fighting alongside raiders from Aesgaard, was captured by the Hyperboreans and subsequently escaped.

The wolves continue their pursuit and a desperate Conan rushes across a frozen pond as another wolf catches up with him. During the skirmish, they both fall through the ice. The Cimmerian frantically swims to an opening in the ice and finds himself at the base of a small mountain. Our freezing barbarian climbs to the top where he finds a cave in which he takes shelter.

Conan hides just inside the entrance of the cave and sees the wolves at the opening – strangely, they will not enter. He decides to venture deeper into the cave, and the floor is uneven, requiring him to slowly move along the walls. Along the wall, Conan discovers some hieroglyphics and a shorter entrance to another area. The larger chamber features handmade items, which he discovers by accident when he falls over a rotting chair. Conan finds a dilapidated chariot then quickly gathers up other small pieces of wood, some stones, and metal from the chariot, preparing to make a fire.

The flames reveals the enormity of the room, and Conan soon recognizes the stench of death in the air. He has the eerie feeling he is not alone and turns around to find the rotted remains of a being sitting on a stone chair.

Conan’s surprise is short lived as he notices a stunning sword lying in the corpse’s lap. Conan swings the blade, imagining both the origin of its creation and his future use of it in battle. But the barbarian’s excitement quickly fades when he hears the creaking noise of the corpse rising from the chair.

The giant body lumbers toward Conan, and the Cimmerian evades it, attempting to fight back with his new-found sword. Our hero hacks off the creature’s right arm and then strikes the mid-section, causing the zombie to hit the floor.

To Conan’s surprise, the corpse lurches at him yet again. The Cimmerian wildly swings the sword, missing the corpse and allowing the living dead to claw his right shoulder. Conan chops at the head and torso of the zombie to no avail: how can one kill what is already dead?

In a desperate move, Conan slashes at the creature’s left leg then with a massive swing of the sword shatters its lower jaw. Conan stumbles back as a severed hand grabs his left ankle. The corpse seizes the opportunity, grabbing Conan’s neck. The barbarian leans back, and flips the zombie over him and into the fire. Due to its dried out clothing and skin, the beast quickly goes up in flames but still lumbers out in an attempt to get the Cimmerian. It quickly falls to the ground, nearly burned to ash.

Conan finds his way out of the caves and heads southward.

CAPSULE REVIEW: The cover and interiors of this issue are drawn by Sal Buscema, younger brother of John Buscema, and there’s no drop in quality. They both have very similar styles and I think it is more apparent with Ernie Chan’s inks. The cover reveals the unsettling, enormous corpse who attacks Conan. The interior pages show a younger Conan in a snowy forest on the run from wolves. The detail of his journey through the forest, into the cold waters then the dank caves leaves the reader empathetic to Conan’s plight and endurance in the tough climate.

Conan’s appearance indicates the story takes place in an earlier time – according to a note on the first page of the comic, the events in this story take place between Conan the Barbarian #2 and #3. The Cimmerian is dressed like the Barry Windsor-Smith version of Conan from those classic issues – sandals, necklace and the infamous yak helmet. The biggest annoyance I have with this issue is Conan’s helmet staying in place throughout the chase scenes in the forest. Even worse is the helmet staying on as he swims through the icy water. Perhaps the helmet has “magical properties” after all…

The best part of the comic is the battle between the dead warrior and Conan. The images are creepy, as Buscema and the colorist do a great job depicting rotting skin and clothes. Conan’s struggle against the creature is demonstrated through his actions and facial features. The unrelenting attack of the zombie creates an intense scene and the artistic pacing helps set the tone.

Roy Thomas effectively rewinds the timeline to present a hidden tale of Conan’s past. This issue is unique because Conan does not interact with anyone else. There are very few spoken moments, and the story is mostly told by an unseen narrator. I really enjoyed the stand alone, action packed story, and more’s the mystery as we never learn “why” the corpse came back to life.

This issue is unique based on the timeframe, delivery of the story and detailed artwork, I give it 8 Aquilonian Luna out of 10.

Living life my own way – Andy from Aquilonia

REVIEW: Conan the Barbarian #7 — Barbarian Love

By BOB FREEMAN – Paint Monk’s Library Writer

Those of you who have been following along know I have been no great fan of Aaron and Asrar’s take on Conan the Barbarian. That has not changed, but “Barbarian Love”, the seventh of a twelve issue storyline called the Life and Death of Conan, has been the best in the series to date.

Trust me, though, that’s not saying much.

Without spoilers, the core of the story centers on revenge, and the master plan cooked up by the Cimmerian concerns a handful of prostitutes procured to help him fulfill it.

There are some nice nods to both Howard and Marvel continuity and worldbuilding, but the writing is a mess, with Aaron’s narrative falling flat and his characterization of Conan disingenuous and ringing false.

The artwork is still a muddy mess, too stiff (much like the writing) and lacking of any real primal quality. The women are too posed. Conan uninspired.

Nowhere does this ring more true than in Conan’s battle with a pack of wolves.

One of the first rules a storyteller learns is “show, don’t tell”, something that both Aaron and Asrar fail at in this scene, and in the series as a whole.

This is impotent ferocity, with little to no kinetic energy. Show me a “dance with steel”, not a single, lethargic image

If not for the colorist, there would be little redemption to be found in these pages, and yet, it is quite possibly the best of their run so far.

The plot is at least interesting, filled with promise. I just wish it were handled better.

As for the prose serial, I am becoming less and less enamored with Hocking’s Black Starlight, especially in light of Oden’s far superior work being serialized in Savage Sword.

Hocking is writing a fantasy story, more akin to something you’d find in prose adaptations of an rpg product as opposed to a Conan tale.

It’s well written and I’m invested in seeing where the story is going, but this reads more like fan fiction than a continuation of Howard’s Conan.

All in all, just more ‘status quo’ from the House of Ideas. They’ve delivered a readable story that’s instantly forgettable.

I’ll toss them 5 skulls of my enemies because, frankly, I can’t be bothered to dissect it any further than that. It’s average at best. It doesn’t suck… but it’s not really good either.

REVIEW: Rats, Sneaking into Asgalun & Forced to Fight

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #91.)

By WALLY MONK – Paint Monk’s Library Editor

Our Cimmerian is well-tested in battle – on this point, anyone remotely familiar with Conan the Barbarian would not argue.

You can understand, then, why as a youth I was puzzled over the cover to this particular issue, where Conan and Belit seem literally terrified, battling with all their gusto against six overgrown relatives of Mickey Mouse.

Thankfully, there is much more to this particular issue than some larger-than-life varmints. Roy Thomas continues to set the stage here for Belit’s forthcoming showdown with her uncle Nim-Karrak in the city of Asgalun and ultimately the conclusion of the Queen of the Black Coast story line in just nine more issues.

In this comic, Roy Thomas spends considerable time fleshing out Conan’s relationship with the Black Corsairs, Belit, and his new companion Zula. It’s sad to think that in just two years of “comic time” – or 24 more issues – Roy Thomas will make his exit from the book. His loss will mark a significant turning point (and not for the better) in this long-running Marvel series.

Review: Conan the Barbarian #91

Conan and his Shemite hellcat make it back to the Tigress with their new companion Zula. The Zamballan makes friends quickly with his fellow corsairs, delighting them with his magical tricks by hypnotizing another crew mate. A great celebration ensues that evening on deck for Belit’s return.

In a few pages of character exposition, Belit performs a seductive dance for Conan during the revel, and is romantically carried below decks by the silent Cimmerian. Her childhood tutor remarks to Zula that despite the Shemite’s adulthood, he still “thinks of her as the royal child she was back in Asgalun.”

This is Roy Thomas at his absolute best. In a series so devoted to savagery, intense battles and a primitive world, the writer takes a few moments like this on rare occasion to show a softer side of Conan and the extent of his personal interactions. For a moment, the barbarian looks like a new groom carrying his beloved bride over the threshold. It’s depth like this that readers will miss when Thomas parts ways with the title in Conan the Barbarian #115.

Morning is far less relaxing than the former night’s party – the crew is shaken awake by the shouts of Belit’s right-hand man, M’Gora, who had gone ahead to scout Asgalun. He races to the ship fearfully, with giant swamp rats close behind him!

The crew of corsairs and Conan immediately rush to his aid, chasing off enough of the giant rats that they can successfully re-board the Tigress and escape.

M’Gora tells Belit and Conan what he discovered while scouting. King Nim-Karrak is virtually a prisoner in his own city, and a troop of Hyrkanians had recently arrived as perhaps a foil to the Stygian presence there. He also mentions a nobleman named Uriaz, who is more pleasure-seeker than law maker, and the arrival of a Stygian noble named Akhirom, who is marching toward the area with an army.

Despite M’Gora’s warnings, Belit is unwilling to wait or organize a planned attack. She heads off with Conan, Zula and M’Gora to Asgalun to deal with Nim-Karrak immediately.

The group enters the city by posing as mercenaries serving under a general named Imbalayo, and M’Gora takes them to a hidden garden which will lead them to a lesser-known entrance to the castle. Surprisingly, Stygians are waiting in the garden and take the four into custody. It appears M’Gora has betrayed his friends!

Ptor-Nubis, Nim Karrak’s advisor, has actually hypnotized M’Gora, and the betrayal was not the corsair’s fault. But the Stygian sorcerer has even more clandestine plans, as he uses his magical powers of suggestion and hypnosis to make Conan and his companions fight each other – to the death!

CAPSULE REVIEW: This issue, while not lean on action, relies heavily on character development, which is always a plus. As I mentioned earlier in the review, the scenes with Conan and Belit tell of a love that goes beyond anything our barbarian has experienced. This issue works to make the ending of the Queen of the Black Coast story line more powerful, and you can only imagine the impact this Shemite pirate has on our Cimmerian hero.

Roy Thomas knocked it out of the park with this issue, and that’s ironic because of the entire series, Conan the Barbarian #91 sports my least favorite cover. Art-wise, the interiors are still indicative of the Buscema/Chan/Roussos team’s top-notch work.

On a scale of 1-10, I’d rate this issue an 8.0. If we had just another page of character development, I’d give it a 9.

As always, I am – Wally (AKA Paint Monk)