Archive for the ‘Classic Conan Countdown’ Category

REVIEW: The Dance of The Skull, Toroa & Crocodilemen

“Conan the Barbarian #83 marks the end of Rascally Roy Thomas’ adaptation of Robert E. Howard’s “Black Canaan”. It’s also the end of Howard Chaykin’s four-issue run on the Marvel’s flagship Conan title. He will not return to pencil any of the remaining 192 issues. John Buscema will make his triumphant return to Conan in issue #84.”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol 1) #83.)

By ANDY MAGLOTHIN – Paint Monk’s Library Writer

Conan rides through the swamps of Viper’s Head recalling the eerie words of Sabia – “When I call you tonight – you will come!” He crosses paths with Neth-At, who reveals he is looking for the captive who told them about Toroa. Neth-At reveals the man was sedated and held prisoner, but a sudden noise from the swamp distracted the guard and the man arose, attacking the guard and escaping into the swamp.

Conan concludes the captive heard the call of Damballah, causing him to rise and escape. Conan thinks back to his interaction with Sabia and realizes he is under the same spell as the captive soldier and both are basically under her control.

Their horses get spooked and both men dismount. Conan explains the horses hear the distant drums and sense danger from beyond the river, yet Neth-At does not hear what Conan describes. A determined Conan and reluctant Neth-At continue their journey through the swamp on foot until they stumble across an abandoned village.

Conan tells Neth-At to leave and he will proceed alone, but Neth-At refuses. Neth-At is startled by what he thinks is a human spying on them, but when the Stygian caught a glimpse, the human scrambled away on all fours into the swamp.

They rush to the spot in the water and see nothing. Both dismiss the event and proceed through the swamp toward the drums. As they move through deeper waters, Neth-At stumbles and yells for Conan’s assistance. Neth-At describes it as something “pulling him deeper into the water”. Conan assists him to a more level area, then Neth-At sees something moving in the thicket. Neth-At fires an arrow into the woods, striking Sabia who falls backward. Neth-At is then attacked again by something in the water. It drags him completely under, then his mangled head appears briefly before going under for a longer period. Searching the area, Conan sees a body wash ashore and discovers it is the mutilated corpse of Neth-At.

Conan also finds blood from Sabia, yet her body is not in the area. The uncontrollable urge to find her surfaces again, forcing Conan to venture further into the swamp. The Cimmerian stumbles upon a group of the villagers surrounding Toroa, looming over a fallen villager in the light of a huge bonfire. As Toroa mutters an incantation, Conan glances over to the swamp water where five human heads appear from below the surface, then with a wave of Toroa’s hand, the heads slowly sink back into the swamp. Toroa then requests the Dance of Skull, which causes Sabia to appear from the shadows. Sabia’s dance increases the magical strain between the woman and the barbarian, but she falls over lifelessly to the ground as a result of Neth-At’s arrow.

Her death releases the spell connecting her to Conan and he is able to clearly think through the cascade of events. At the same time, Toroa drags the motionless body of the man at his feet into a nearby hut and grabs a sword. Toroa and Conan face off in battle, but it is short lived due to Toroa’s poor sword fighting skills.

As Conan surveys the area and thinks through the series of events, he is grabbed from behind. A creature pulls him deep into the swamp water. Conan is in the grasp of a half man / half crocodile – and he realizes they are the five heads that appeared from the water earlier! Conan struggles to free himself from the inhumanly strong grip of the beast; he squirms away from one, but is captured again from behind by another. Our hero is able to stab the creature in the head, causing it to release him and the Cimmerian successfully swims to the surface.

As he starts to leave the area, Conan enters the hut Toroa dragged the man into earlier. Conan discovers it is the man who left the camp earlier that day and he is mutating into one of the creatures in the swamp. Using his sword, Conan ends the man’s soon to be miserable existence as a zombie, half-crocodile / half-man swamp creature then sets the hut ablaze as a funeral pyre.

CAPSULE REVIEW: The Buscema / Chan cover is an awesome preview of the intense underwater battle in this issue. The cover inspires the reader to ask: What are these creatures? Where did they come from? How will Conan survive? That’s the intent of a comic cover – grab and inspire the reader to ask questions and read more to find the answers.

Chaykin and Chan’s artwork provides detail and characterful emotions. The opening splash page shows Conan’s frustration and concern with Sabia’s words. The pile of human remains was a nice touch and adds to the feeling of impending doom. Check out the intense scenes when Neth-At and Conan are lost beneath the surface of the swamp. Neth-At’s death was suspenseful and foreshadows Conan’s battle. The final underwater battle between Conan and the man-crocodile displays the intensity of Conan struggling to get to the surface for air.

Thomas’ details are not lost in the pacing. He provided enough detail to describe the sequence of events and character’s thoughts but not so much to cause a reader to be distracted from the art. This issue displays the fine balance between telling the story through words and pictures.

I give it 7 Aquilonian Luna out of 10.

Living life my own way – Andy from Aquilonia

REVIEW: Thomas Adapts Howard’s “Black Canaan”

“In this re-envisioning of an original Robert E. Howard tale, Conan stumbles across an ambush in the swamp in the form of a lone woman looking for help. Is she the source of trouble behind a growing rift between the Stygians and local Kushite tribes? And will the Cimmerian live long enough to find out what is truly going on?”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol 1) #82.)

By JOESEPH SIMON – Paint Monk’s Library Associate Editor

Conan the Barbarian #82 is freely adapted by Roy Thomas from Robert E. Howard’s tale “Black Caanan”, a short horror story originally appearing in the June 1936 issue of Weird Tales. Often, when writing these reviews, I compare the source material with the adaptation. For today’s review, I wish to enjoy the comic on its own. 

Beginning in Conan the Barbarian #79, illustrator John Buscema took a brief hiatus and was temporarily replaced by Howard Chaykin. Chaykin began his illustrating career under the tutelage of Gil Kane – he pasted up dialog and zip-a-tone on Gil Kane’s early graphic novel masterpiece, Blackmark

Chaykin would later become an assistant to Wally Wood. For a while, he did a little of this and a little of that. His first work for DC Comics was an adaptation of Fafhrd and the Grey Mouser (Sword of Sorcery #1-5). Chaykin also worked on his own creation, Domic Fortune (inspired by his work on Scorpion for Atlas Comics), Cody Starbuck and Ironwolf. 

At this point in Chaykin’s career, he was obviously well versed in the genre and an interesting choice to team up with Ernie Chan in Buscema’s absence. Before his work here on Marvel’s Conan, Chaykin worked with Roy Thomas on the Marvel adaptation of Star Wars.

Chaykin oddly notes that during this time, his interests were in drawing “guys with swords and women with big (breasts)”. 

Now let’s dig into “Sorceress of the Swamp”. 

Review: Conan the Barbarian (Vol. 1) #82

Conan rides through a swamp on horseback. Having left the valley of Iskander, he goes northward to the hawk-city of Harakht. He doesn’t ponder very much about how he was close to dying during his mission to the valley. This is likely due to the life he has led – being in peril is a common situation for our Cimmerian. 

His thoughts drift from Bardylis and then to Belit, who waits for him in the north. Companionship is always on Conan’s mind, perhaps more so than others. Many of his friends perish or leave within a short period of time. Of course, with Belit waiting for him, why would Conan’s mind wander to Bardylis? Or perhaps the next woman he will meet…?

Our hero meets a dark-skinned woman who “speaks in the Stygian tongue with Kushite accents” in the middle of his journey through the wild lands. She claims that her brother has hurt his leg and cannot walk. While seeking help, she explains she has lost her way. Conan agrees to assist, tethering his horse to a tree and allowing the woman to lead him to her brother.

This turns out to be a trap, and Conan discovers this moments before it is too late. Two Kushites attack the barbarian. In defending himself, he kills one attacker while the other escapes.

It’s interesting to note that Conan has once again fallen for the “beauty in need of a hero” routine. Often, in times like this, the tricksters do not know who Conan is. I must conclude that because this is a widespread method of gaining advantage over others that either a) the average person is horny and dull-witted or b) plenty of people feel the urge to be a hero.

Either way, Conan should know better. He rides away in anger, questioning himself, and wondering if he was “bewitched by the woman that approached him or if he has simply been too long from the side of Belit”. 

Before the barbarian can contemplate the matter further, he is surprised by a group of men from Stygia. Neth-At, the Stygian leader, introduces himself to Conan. The Cimmerian notes a dead man slung on one of the horses. After exchanging comments, we learn Neth-At found the dead body of one of the men who attacked Conan. The two men also ambushed Neth-At’s group and successfully killed two of them. Seeing that Conan killed someone they were also hunting, the Cimmerian is allowed to join the group.

Neth-At claims the Kushites now intend to launch a major attack against the Stygians because of a man who arrived in Viper’s Head. Normally, the two groups have an uneasy peace in this land, but the arrival of the man named Toroa has changed this. Some claim he is a witch-man who practices juju, a dark magic. Neth-At believes that the Kushites have come under Toroa’s spell. Rumors abound that Toroa is performing something called the “dance of the skull” and the Kushites believe all Stygians will vanish from Viper’s Head…how, no one knows. 

Toroa is accompanied by a woman called Sabia. When asked, Conan lies and says he has not seen her. The conversation is broken up when Neth-At’s men mention having captured a Kushite. The Stygians attempt to torture him, hoping to glean information about Toroa’s plans. Conan offers to help and he is given a few moments of time to do as Conan must in order to extract the needed information.

Conan leans forward and whispers a single name – Amra – to the man. He stiffens with fear and says he will tell them anything if they protect him from Toroa. For those of you are just jumping on board with this review, Amra is the name by which Conan is known on the Black Coast, and a name that is greatly feared. This is perhaps my favorite scene in this issue.

The Kushite prisoner begins answering questions, telling Conan that Toroa is the master of all his people along Viper’s Head and that the witch-man is an outcast from Kheshatta, the fabled city of magicians. 

Before the prisoner can spit out all the information he knows, a terrifying, shrill sound (a signal!) is heard. Neth-Ath shouts that he’ll find the one who made the signal call, only to be stifled by Conan. Neth-Ath acknowledges Conan’s hesitation, knowing that the situation is now beyond his reach. 

Conan tells Neth-Ath to protect the prisoner and leaves toward where Toroa is thought to dwell, claiming that “one man may succeed where your small army would fail.” I don’t really buy this, as Conan knows absolutely nothing about this enemy or the situation into which he is headed. I might be more willing to accept it if they had scouted the area beforehand. This was not the case. Regardless, Neth-Ath readily agrees.

As he departs the Stygian camp, Conan suspects that Sabia might have something to do with the mysterious happenings. Either way, he goes forward to find Toroa and put an end to the evil magic and the situation in which he has found himself.

Will Conan’s apprehensions be accurate? Is Sabia somehow behind the mysterious goings-on? You’ll have to read the rest of the issue to find out – and the next issue too, because this is the first part of a two-part story line.

CAPSULE REVIEW –  Did Howard Chaykin meet the goal of his youthful self in his art for Conan? While there are muscular men with swords, there was far more talking and thinking in this issue than sword play. The initial attack at the beginning of the issue where Conan was ambushed was a great fight scene. Outside of that, everything else is minimal. Sabia’s appearance changes throughout the issue and she is the only female drawn.

Taking in the comics mentioned above that Chaykin illustrated around the same time, I’d have to conclude that the art in this issue is a true collaboration of both artists as opposed to one or the other doing most of the work. Other than a few inconsistencies with the appearance of characters like Sabia, the art is well done, but not entirely that of Chaykin or Chan. Both artists will continue to fill in for Buscema in the next issue.

Conan the Barbarian #82 sets the stage for the next issue, and as a result it’s hard to critique. It does a nice job of setting things up. I’m not the type of person Conan is, so I would rather have continued on the road to meet Belit than get wrapped up in this particular tale. 

Perhaps I am being too hard on the Cimmerian at the beginning of this story. One can never know if, when someone is being baited with a “woman in need of help” con, it is truly a con or not. While I don’t think it’s Conan being a boy scout type, it is something we should all want to do – to help out our fellow human beings. Given that, if I followed in the same footsteps that Conan did, I would still wash my hands of the situation and moved forward to meet Belit. Conan understands that the times are dangerous. Belit might be a fully capable woman, but no one knows what dangers might be lurking around the corner for her. If Conan should be a hero, it should be to her. 

On a scale of 1-10, I give this issue a 6. It suffers from being a set-up tale for the next issue. If both issues were taken together, I would give it a 7. On eBay, copies of this issue were available for $5 or less.

REVIEW: The Eye of Set & A Brief Kingship

“High priest Hun-Ya-Di’s assassins have all failed, and it is time for the Stygian to take matters into his own hands. Will Conan the Barbarian – now King Conan – be able to outwit and defeat this new threat, or will it be a short-lived kingship for our favorite Cimmerian, as he fails in his mission for Mer-Ath?”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #81.)

By BOB FREEMAN – Paint Monk’s Library Writer

As a kid, John Buscema was my Conan artist, and still is, but I recall quite vividly purchasing this run of the Barbarian featuring Ernie Chan’s inks over Howard Chaykin’s pencils.

I was aghast when I saw the credits in Conan the Barbarian #79. But by the time I reached “The Hyborian Page” at the end of the book, I was sold, thrilled by Chaykin’s visual storytelling prowess. It was a great fit.

Of course, we learned that Big John had fallen behind on Conan, due to his overwhelming duties on the equally brilliant Tarzan (among other things). Snatching up a story slated for Savage Sword, and having Ernie add a page here or there throughout the run, made for an exciting change of pace and gave Buscema a much needed break that would ultimately lead to one of my favorite Buscema runs.

But more on that later.

Review: Conan the Barbarian (Vol. 1) #81

Having defeated Ptolemy in combat, Conan is declared king of Attalus. The Cimmerian leads the troops now under his command to meet the invading Stygians. There he confronts Hun-Ya-Di, whose ambition is to sow discord that he might rest control of the warring city states and bring them under Luxor’s dominion.

Hun-Ya-Di has recruited mountain villagers to his cause and he leads this large army into the valley. Despite having superior bow power, Hun-Ya-Di is forced to send in ground troops due to Conan’s tactics, utilizing the terrain to their advantage.

The Cimmerian and his men make swift work of the Stygians and hillmen, then Conan comes face to face with Hun-Ya-Di himself.

Despite a surprising amount of martial skill, the wizard is defeated by Conan, and, as he dies, the sacred Eye of Set in Conan’s pouch begins to bleed.

As Conan reflects on his victory he is approached by Ptolemy, who has recovered from his defeat at the Cimmerian’s hands. Conan braces for battle, but Ptolemy is honorable and thus pledges his fealty. Showing remorse, the former king delivers a tribute to Conan —the severed head of Ablah.

Conan in turn hands over the crown of Attalus to Ptolemy, proclaiming he has more “wandering to do before I find the land and throne that suit me.”

The Cimmerian is set to return to Belit, but not before spending a final night with Bardylis.

CAPSULE REVIEW:  Thomas continues to produce an interesting adaptation of Howard’s El Borak tale, “The Lost Valley of Iskander”. Originally slated for Savage Sword, this Chaykin/Chan story was re-cut and edited to fit into the Barbarian timeline in order to give regular penciler John Buscema a brief respite.

Despite my reservations, I found the issue to be one of the best issues of the entire series. Chaykin’s ability to tell a visual story is so compelling and with Chan’s inks, it really maintains a consistency to the art. While there are clear distinctions between Big John and Hapless Howie, Chan bridges the gap between them and maintains continuity.

While I think that Buscema is the better draughtsman, Chaykin produced in this adaptation a more kinetic energy than you find with John’s work. Page 14, for example, is such a beautiful, frenzied battle scene, with the larger panel being one of my favorite Conan images.

On a scale of 1-10, I’d rate this issue a 9. On eBay, this issue generally is available for around $5.

Alba Gu Brath – Bob Freeman (The Occult Detective)

REVIEW: Conan Fights Ptolemy, Becomes Attalan King

“Conan and Bardylis arrive in Attalus, having traveled down the mountain to the Lost Valley of Iskander. But as Conan settles in, believing he is safe, The Cimmerian discovers that the treachery of Hun-Ya-Di has followed him to the small city. Will he survive the high priest’s constant assaults?”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #80.)

By ANDY MAGLOTHIN – Paint Monk’s Library Writer

John Buscema takes a hiatus once more in this issue, and we’re treated to another team-up featuring the pencils of Howard Chaykin and Ernie Chan.

It’s interesting to note that while Marvel’s Conan featured its own versions of Fritz Leiber’s Fafhrd and the Grey Mouser (Fafnir and Blackrat, from Conan the Barbarian #6), Chaykin was responsible for the pencils on the real Fafhrd and Grey Mouser in DC Comic’s Sword and Sorcery #1-5 in 1973. No stranger to fantasy illustration, Chaykin had also tackled two Red Sonja tales in the magazine-sized Kull and the Barbarians (1975) as well as a Killraven story in Amazing Adventures in 1973.

This issue continues Roy Thomas’ adaptation of Robert E. Howard’s El Borak tale “The Lost Valley of Iskander”.

Review: Conan the Barbarian (Vol. 1) #80

Bardylis explains to Ptolemy that Conan is on a mission from the king of Harakht. Ptolemy warns that he’d better not be a Stygian spy, or the woman will regret covering for the barbarian with her life. Ptolemy accepts their explanation, so Conan and Bardylis depart to relax for the evening. On the way to get food, Conan sees what he thinks is a familiar face in the crowd. After their meal, Conan retires for the evening and hides a jewel he was carrying in the walls of his chamber.

He awakens early in the morning, noticing the faint sounds of someone in the room. As quickly as he realizes this, he is knocked unconscious by a blow to the head.

Conan awakens to the familiar face he saw earlier and realizes he is restrained and tied to a large block. The familiar face is Ablah, who is working for Hun-Ya-Di to recover the Eye of Set. Ablah orders the men to search Conan and when they untie him, Conan attacks. During the battle, Conan kills one of the men and Ablah takes the opportunity to escape.

Conan leaves the area, finds Bardylis and explains the series of events. Ptolemy then sends guards to corral Conan and Bardylis, demanding that they be taken to his throne room. The guards bring Conan and the woman to Ptolemy, and upon arrival, see Ablah telling Ptolemy that Conan will ruin Attalus. An angry Ptolemy attacks the Cimmerian. Ptolemy is much faster than Conan anticipated, quickly grabbing Conan in a death grip. Our barbarian uses his great strength to flip Ptolemy over and then punches him in the face.

Using his huge arms, Ptolemy lifts Conan high in the air attempting to crush him. Conan strikes the king on both sides of his head causing the noble to release him. Dazed and breathing heavily from the battle. Ptolemy takes another blow from Conan to the belly. To end the fray, Conan strikes with a massive uppercut, knocking Ptolemy out of the battle for good.

The issue ends as Aristo, a guard, bursts into the area announcing the
Stygians are attacking. He suddenly drops dead with an arrow protruding from his back. Since Conan defeated Ptolemy, he is now King of Attalus!

CAPSULE REVIEW:  Although Howard Chaykin teams up with Ernie Chan for the pencils on this issue, the Buscema-Chan team still provides cover artwork! The cover illustration features a glimpse into the intense battle on the interior pages. As usual, the team leaves no detail undrawn here, catching your eye and visually demanding that you read this issue.

“Trial by Combat!” picks up immediately where Conan the Barbarian #79 ended with a brief synopsis, allowing anyone who missed the previous
issue to be brought up to speed with the story line. This comic is well paced throughout and keeps you turning the page, but it seems to start and end abruptly. Combining a few of the issues in this story line into a 100-page giant-sized issue would provide a more fluid, epic story. This single issue, like several others, feels incomplete if not read with the other issues to keep the continuity flowing.

Chaykin and Chan’s art is competent enough to keep the Conan lover engaged in the story. There are panels that almost look like Buscema’s work. The battle between Conan and Ptolemy is entertaining,  Due to the such an abrupt beginning and end, I give this issue 6 Aquilonian Luna out of 10.

On eBay, copies were available for $5 or less.

Living life my own way – Andy from Aquilonia

REVIEW: Hun-Ya-Di, A Serpent’s Eye & Bardylis

“Conan takes the fabled Eye of the Serpent to the nearby Kingdom of Attalus at the behest of newly crowned King Mer-Ath. What the Cimmerian does not know is that trouble is afoot, as the treacherous Hun-Ya-Di has plans of his own for the magical eye. Will Conan make it to Attalus alive and in one piece?”

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #79.)

By WALLY MONK – Paint Monk’s Library Editor

Although readers got used to the pencils of John Buscema in the monthly pages of Conan the Barbarian, the prolific work of the artist at Marvel wasn’t limited to Conan. At the time of this issue, Big John was busy putting brush to bristol on the new adaptation of Edgar Rice Burroughs’ Tarzan. In order for Buscema to catch up, Marvel drafted another artist for fill in for a few issues.

Enter Howard Chaykin.

Chaykin was no stranger to the fantasy genre. He had worked previously on a five-issue DC Comics adaptation of Fritz Leiber’s Fafhrd and the Grey Mouser in the short lived title Swords of Sorcery in 1973 and two Red Sonja backup stories in the pages of Cutris Publications Kull & The Barbarians.

An impressive fill-in artist for the Cimmerian, Chaykin’s pencils combined with the inks of Ernie Chan were impressive, tight and clearly suited for the world of Conan. Chaykin’s run on Conan the Barbarian would continue until issue #83. Ironically, he’d later tackle another adaptation of Fafhrd and the Grey Mouser for Marvel Comics’ Epic line in the early 1990s.

Review: Conan the Barbarian #79

Conan has just emerged from helping the noble high priest Mer-Ath assume sole rulership of Harakht from his arrogant brother Hor-Neb. The new king offers Conan safe passage to the Stygian city of Luxor, but of course there is a catch.

The barbarian must first take one of the fabled Eyes of the Serpent, a massive jewel, to King Ptolemy in the valley city of Attalus. The delivery of the eye is a long-standing tradition that marks a change of leadership in each of the cities.

Hor-Neb’s replacement as high priest, a one-eyed Stygian named Hun-Ya-Di, isn’t happy about this arrangement, but finally caves in and allows Conan to deliver the jewel. Secretly, he has one of his own men named Ak-Ner serve as Conan’s guide.

As the pair climb the mountains leading to the valley and to Attalus, Ak-Ner ambushes Conan, but dies in the process. Hun-Ya-Di has taken no chances, and has hidden other would-be assassins throughout the mountains.

Combat ensues, and one of the falling bodies causes an avalanche. The Cimmerian survives by outrunning the falling rocks, but Hun-Ya-Di and the other assassins don’t appear to be as lucky.

As he reaches the base of the mountain, Conan discovers a woman trapped under a rock. Her name is Bardylis, and once freed, offers to show Conan a path down the sheer mountain that only Attalans know about.

We learn as they travel that they are entering the Valley of Iskander, named after a wandering solder who was in reality Alexander the Great while lost in the flow of time. The pair arrives in the village and Bardylis takes Conan to meet their leader, Ptolemy, who is not pleased with Conan’s arrival.

CAPSULE REVIEW: I had never read this particular issue of Classic Conan before, nor did I know that Howard Chaykin had a brief stint drawing Marvel’s Cimmerian. My only exposure to Chaykin’s art was The Shadow mini-series he drew for DC Comics in 1985, although his portfolio is far more extensive.

While his pencils in combination with Ernie Chan’s inks were much different than Buscema’s, the look is still very good and a welcome change from the thicker lines of our perennial Conan illustrator. While I enjoyed Chaykin’s art, it was still nice to know Buscema would be back in a only a few issues.

Story-wise, there’s not much here. It’s a conventional tale of a journey fraught with peril that serves primarily to move along a larger tale. We see typically good writing by Roy Thomas here, although I’m not sure why he drew a parallel from Iskander to Alexander the Great. Perhaps this parallel was mentioned in Howard’s original story, and we will possibly learn more in the coming issues.

On a scale of 1-10, I’d rate this issue a 6.5.

As always, I am – Wally (AKA Paint Monk)

REVIEW: Red Sonja, A Severed Finger & Necromancy

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #78.)

By BOB FREEMAN – Paint Monk’s Library Writer

Crom, it feels good to be back reviewing classic Conan. Oddly enough, my first review, back in the proverbial Hyrkanian saddle, is a reprint from the premiere issue of Savage Sword, specifically “Curse of the Undead Man.”

“Curse” is interesting in that it was an adaptation of an unfinished Howard story called “Mistress of Death” that featured one of his most captivating creations, Dark Agnes de Chastillon.

Dark Agnes appeared in two complete tales, “Sword Woman” and “Blades of France”. The third story was completed, rather poorly in my opinion, by Gerald W. Page in 1971. I first read it not long after I had discovered Howard’s prose Conan in the Sword Woman collection from Berkley in 1977.

Roy Thomas’ adaptation introduces the character of Red Sonja, a fiery amalgamation of Howard’s Dark Agnes and Red Sonya of Rogatino, with a dash of Valeria thrown in for good measure.

Sonja is more Thomas than Howard, to be sure, but she fits in well in Conan’s Hyborian Age and I’m not so much of a purist that I don’t welcome her there. Yes, there are aspects of the character that are somewhat ridiculous, with the chain mail bikini being the most obvious. But is it patently more ridiculous than the scantily clad barbarian in most renditions? No.

At the heart of it, Red Sonja works because of the strong foundations from which she has sprung, particularly those two Dark Agnes tales. Side by side with Conan, Sonja was every bit the Cimmerian’s equal and a hallmark of the cultural revolution of the times, perhaps even more so now.

Review: Conan the Barbarian (Vol. 1) #78

Conan struts through the city of Arenjun’s decadent Maul, coming upon a bevy of voluptuous prostitutes, who convince him to seek out plunder for a week long debauchery of drink and women. Off to relieve someone of their coin, Conan is nearly run over by a robe-clad priest fleeing a band of thieves.

The thieves turn on the Cimmerian, but Conan makes short work of them. However, the barbarian trips over something and the lone remaining thief goes for the kill, only to be savaged by the killing stroke of Conan’s old friend Red Sonja.

Sonja chides Conan for tripping over seemingly nothing in such a wide alleyway, but the Cimmerian discovers the culprit – a bejeweled, severed finger. Exploring further, the two uncover the head and body of Costranno, a sorcerer whose execution Sonja witnessed just that morning.

He had been turned in for practicing “nameless, obscene rites of life and death” in the home of a woman named Berthilda, one of ill-repute. Berthilda, believing the source of Costranno’s power was in his “ring-finger” had cut it off. As he was about to be executed, he vowed to return from the dead to seek his revenge.

Sonja surmises that Costranno’s followers were trying to reassemble the body. Conan, with his distaste for magic, tosses the finger aside in disgust, and neither he nor Sonja notice as it slowly crawled its way toward the dead sorcerer’s hand.

Later, in a seedy tavern, Sonja comes into conflict with the prostitutes Conan had engaged in the Maul, decking one of them, but the woman retaliates by calling on the city guard, accusing Conan and Sonja of the murder of the thieves in the alley. The two fight their way out of the tavern, but Conan had noticed a hooded figure wearing Costranno’s ring.

Sensing impending danger for Berthilda, Conan and Sonja go to her place only to find Costranno and his acolytes with the woman laid out on an altar.

The Cimmerian springs into action, leaping over Berthilda’s body to tear into the sorcerer, but he seems impervious to the attack. Meanwhile, Sonja makes short work of the acolytes, but then a beastly arm reaches out of the nearby pit and tries to pull her in.

Conan cuts off Costranno’s hand, robbing him of his power, and the sorcerer dies once more. The Cimmerian tosses the body into the pit, distracting the beast so that Sonja can escape.

Sealing the pit, Conan and Sonja escape with the unconscious Berthilda, who upon waking demands that she be unhanded and that they leave her house at once. She storms off back to her home, and Sonja is convinced it is solely for the magical ring. They realize the ring had fallen into the pit and had probably seen to resurrecting the sorcerer once more.

Conan and Sonja walk down the street to the resounding screams of Berthilda. The sorcerer Costranno finally got his revenge.

CAPSULE REVIEW: What a smashingly excellent issue. Oh, it’s got its share of problems, mostly nitpicky ones, such as the writer calling the severed finger “a ring finger” and the artist drawing the forefinger…but that won’t detract any points as far as I’m concerned.

The biggest crime here are the muddy colors. Of course, this issue being a reprint, it was originally meant for grayscale, so the colorist had their work cut out for them. If you look at the original publication, you can see that it’s translation is solid enough, but that it was meant for black and white.

In point of fact, Savage Sword was a far superior product, and I think the perfect medium for tales of Howard’s Cimmerian.

One final note on the writing, comparing “Mistress of Death” with “Curse of the Undead Man”, Thomas does a fine job adapting Page’s finished manuscript, with the addition of Conan to the tale making it far more palpable.

On a scale of 1-10, I’d rate this issue a 9. On eBay, this issue generally is available for around $5.

Alba Gu Brath – Bob Freeman (AKA The Occult Detective)

REVIEW: A Giant, Raptor Eggs & A New Ruler in Harakht

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #77.)

By ANDY MAGLOTHIN – Paint Monk’s Library Writer

Conan the Barbarian #77 wastes no time getting into the thick of the plot – the opening splash page shows our Cimmerian in the clutches of a gray-skinned giant. At the end of the last issue, Conan was thrown into a pit, where he discovered a sacred stone and was grabbed by the massive humanoid as he approached.

Conan quickly becomes the aggressor, climbing onto the giant and locking his arms around its neck. Without hesitation, the giant hurls the Cimmerian across the room with ease. As the giant holds the barbarian’s head to the ground, he swiftly grabs the sacred stone, intending to bash in Conan’s skull.

The scene abruptly shifts to the Temple of the Hawk-God, where we find brother-kings Mer-Ath and Neftha discussing Conan’s fate. Neftha asks Mer-Ath if there is any way he can intervene on Conan’s behalf. Mer-Ath stresses the decision is not his to make, it is up to his brother, Hor-Neb. Mer-Ath is merely a priest, but Hor-Neb is a warrior and thirsts to have all of Stygia kneel before him.

At the same time, Bêlit is being held captive by a group of guards. She is fighting to free herself  when Hor-Neb demands they all stop fighting. Hor-Neb approaches Bêlit, asking why she is fighting so hard when he has offered her the queenship of Harakht – the Shemite hellcat has the option of either joining him on the throne or dying with Conan. As the conversation continues, Bêlit stops fighting and Hor-Neb calls for her release, stating that her choice is obvious. As Bêlit and Hor-Neb approach each other, she attacks him, clawing at his eyes proclaiming she prefers to join Conan in hell than serve with Hor-Neb on the thrown of heaven. Angered by her response and attack, Hor-Neb has the guards take Belit away.

Meanwhile, Conan has been pinned to the floor by the giant. The colossus’ arms are so long, Conan is able to pull his legs up, scissoring the giant’s head between Conan’s calves, but more importantly, pushing the rock from the giant’s hand. Conan flips the giant to the ground, grabs the giant stone with intent now to kill him. For some reason, Conan pauses for an instant when the giant stammers in a gloomy voice, “Go on, outlander! Kill me!”

Standing atop the giant with rock in hand, Conan opts against the fatal blow, instead asking the hulking humanoid how he came to live in the pit. The giant reveals his name is Gol-Thir, and he was placed there to keep an eye on the sacred stone and hawk eggs. Gol-Thir was one of the stronger guards in Harakht, and when Hor-Neb discovered the stone would accelerate the growth of the raptor eggs, the giant was placed there to stand guard. The energy of the stone caused Gol-Thir to grow to gigantic proportions within a short time. Conan requests Gol-Thir’s help out of the pit, and he agrees as long as Conan promises not to hurt Hor-Neb.

Gol-Thir assists by breaking the shackle around Conan’s neck. Using extreme strength and skill, Conan climbs the crooked, jagged rock facing back to the top of the pit. Conan creeps around the throne chamber until he enters an area where he finds Hor-Nab, Mer-Ath, Neftha, and a large number of guards high above him. Hor-Nab challenges Conan to decide he and Bêlit’s fate. There are two doors in front of Conan: one door has Bêlit and a passage to freedom, one door has certain death.

Conan refuses to pick and opts to scale the wall to attack Hor-Neb. He quickly discovers the king planned ahead –  the top of the walls are freshly greased and Conan falls to the ground. Neftha asks Mer-Ath which door would allow Conan to escape safely. Mer-Ath says Hor-Neb told him the
door on the left housed Bêlit and lead to safety. With a slight gesture, Neftha alerts Conan to pick the left door – which reveals a razor-fanged giant leopard growling and ready for the attack.

Hor-Neb reveals he knew both Neftha and Mer-Ath would attempt to warn Conan, so he intentionally told them the wrong door. Hor-Neb calls for a guard to seize them.  As a guard approaches Neftha, she grabs his sword, slicing into him and knocking him into the pit with Conan and the vicious leopard. The leopard sees the wounded soldier lying on the ground and attacks. Neftha flings the stolen sword to Conan and he opens the other door to reveal a bound and groggy Bêlit.

A third panel opens to reveal Gol-Thir, who enters the pit as Conan attempts to carry Bêlit to safety. Hor-Neb demands Gol-Thir attack Conan. The giant approaches the Cimmerian, their eyes meet and Conan realizes something is amiss. Gol-Thir grabs Conan’s arm, hurling him atop of the stone wall right in front of Hor-Neb. The giant’s legs are so weak from his rapid, uncontrolled growth, they snap beneath him.

Conan lands atop the wall and the palace guards attack. Conan seizes an opportunity to hurl his sword into Hor-Neb’s arm. The attack catches Hor-Neb off balance and he tumbles into the pit – right onto the leopard. The leopard takes advantage of another easy kill. Acting quickly once more, Conan grabs a soldier’s spear and jumps into the pit to face the leopard. The leopard springs high into the air and Conan times his attack to thrust the spear through the cat’s body. The guards once loyal to Hor-Neb now cheer for Mer-Ath as the bodies of Hor-Neb and Gol-Thir lie dead in the pit. This is a new day for Harakht – as king, Mer-Ath will transform the people from a war-mongering nation to one of peace.

CAPSULE REVIEW: Another awesome Gil Kane/Ernie Chan cover sets the stage for this action packed issue. We see many iconic covers from the Conan the Barbarian series, but this one does not get enough recognition. The perspective and intensity of the scene prepares the reader for a fun-filled comic.

Picking up where Conan the Barbarian #76 ends, Thomas gives us a cliffhanger battle between Gol-Thir and Conan before he transitions to a scene with Mer-Ath and Neftha. This cliffhanger keeps you wanting
more, wondering if the Cimmerian might be in major trouble – or worse – when we see him again..

Kudos to Roy Thomas who is credited as writer/editor and Archie Goodwin as consulting editor. Pacing like this is a credit to the comic medium! The team of John Buscema and Ernie Chan continues to impress with this issue. The intense dialogue and fighting between Conan and Gol-Thir is palpable from panel to panel. Details in the artwork like the stones, rock formations, and shadows all help set the mood and texture of the environment. The story behind the sacred stone provides some explanation for the giant raptors, but also leaves some mystery behind – where did the stone come from? Has it affected Conan or anyone else exposed to its magic? Is it in any way related to the Star-Stone way back in Conan the Barbarian #1?

On a scale of 1-10, I give this issue of Conan 8 Aquilonian Luna.

Living life my own way – Andy from Aquilonia

REVIEW: A Fallen Star-Stone, Brother Kings & A Hawk God

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which was published from 1970 to 1999. This is a review of Conan the Barbarian Vol. 1, #76.)

By WALLY MONK – Paint Monk’s Library Editor

Roy Thomas did an impressive job adapting Robert E. Howard’s stories and poems to the sequential art form used in comic books. His “Queen of the Black Coast” story arc is very good, as are later adaptations we will visit this year, including Conan the Barbarian #98 (based on Howard’s poem “Sea Woman”) and Conan the Barbarian #104 (adapted from Howard’s short story “The Vale of the Lost Women”).

While trying to remain true to the timeline established by Robert E. Howard and later authors who tackled his works, Thomas also had the monumental task of “filling in” missing years and months throughout the Cimmerian’s timeline with tales he created himself. The story arc here is one of these endeavors, and I think Roy Thomas very solidly hit the proverbial mark. This issue pushes his latest story forward.

In Conan the Barbarian #75, the Cimmerian was following the trail of his beloved Belit to the Stygian city of Harakht. The rulers of this independent city-state have been engaging in piracy along the River Styx. Using giant hawks, the Harakhian raptor riders have absconded with Belit, and now they’ve earned the ire of a certain dark-haired savage.

This tale continues the multi-issue story arc which will be concluded in Conan the Barbarian #77.

As a reviewer and long-time reader of Conan’s comic book adaptations, I must admit that I am biased toward stories that take place within Stygia. It’s a fantastic location, drawing on the darkest aspects of the Egyptian mythos to create a vivid milieu of serpent worshipers, dark magic, and  evil clerics.

In this issue, John Buscema once again shares a “co-illustrator” credit with the talented Ernie Chan. The artwork is excellent, and the two make a great pair. Lettering was done by John Costanza and the capable coloring completed by George Roussos.

This is what I call a bridge story, one of many that doesn’t tell a complete tale in itself – rather, it sets the stage for the remaining installments of what I’ll the “Harakht” storyline for lack of a better term.

Review: Conan the Barbarian #76

Conan follows his beloved Shemite hellcat to the city of Harakht!

Having fallen from the back of a dying hawk, Conan emerges from the River Styx. The body of the giant crocodile he barely was able to defeat lies on the shore, and the Cimmerian finds himself without a sword. Looking toward the south, he knows that he must travel to Harakht to rescue his beloved pirate queen.  In the brush along the river, Conan finds the hawk-shaped helmet belonging to a defeated rider. As he slides it onto his head, he heads toward the city where Belit is being held captive.

Meanwhile, Belit is in the clutches of the hawk riders, who alight atop a building in Harakht. Belit wastes no time punching her captor in the face, only to be subdued by their leader named Ator, who  happened to stop by to check on the returning riders. (As an off-topic aside, I’m curious if the name of the bad 1980s film Ator the Fighting Eagle was inspired by this character and his hawk-headed helmet)

A hawk-helmeted rider named Ator stops Belit’s short-lived escape attempt.

Belit is taken to the throne room of Harakht’s king, Hor-Neb. The monarch determines that Belit will be added to his harem, but there is an objection. Mer-Ath, the high priest of Harakht and co-ruler of the city, enters and tells him that Belit is better suited to be with him. An angry dialogue ensues, as Hor-Neb threatens the high priest, telling him that if he does not relinquish his claim to Belit, there will only be one king in Harakht. As Mer-Ath leaves, Hor-Neb tells Belit that the high priest of Harakht and co-ruler of the city is also his brother.

Hor-Neb wins his bid to add Belit to his harem.

Conan has made his way to the city gates. Knocking on massive, wooden doors, the guards give entry to Conan. They soon realize – after observing his boots – that Conan is not a hawk-rider but an outsider. This particular series of panels is one of a few poorly written exchanges I’ve observed throughout the Roy Thomas Conan run. In a country of dark-skinned locals and inhabitants, they had to see Conan’s boots to realize he was an outsider? Apparently his bronze skin, build, complexion and accent were not enough – darn those boots!

Once inside the city, the remainder of the issue becomes a battle for Conan and Belit’s escape. Sadly, they do not. Captured and brought to Hor-Neb’s throne room, Conan is dragged to the edge of a pit as Belit refuses to join the king of Harakht in his harem or add her corsairs to his army. This month’s tale ends with Conan facing off against a massive giant at the bottom of the pit.

Will Conan survive the hulking guardian of the star-stone?

CAPSULE REVIEW – It’s easy to enjoy the Stygian setting, as I’ve said before. The fact that both rulers of Harakht are brothers adds an interesting dimension to the story. Conan and Belit’s failure to escape shows that the guards in Harakht are not just caricatures in a story line, but a formidable force with which to be reckoned.

The artwork in this issue is good, but compared to others, there aren’t many opportunities for Buscaema and Chan to draw beautiful splash panels, except for the opening page. We’re treated to plenty of competent fight scenes, but as an issue that serves to move a larger story along, it’s merely serviceable.

On a scale of 1-10, I’d rate this issue a 6.0. Not bad, but just a cog-in-the-gears of a larger Conan story. On eBay, copies of this issue were available for less than $5.

REVIEW: The River Styx, Giant Crocodiles & Hawk Riders

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which was published from 1970 to 1993. This is a review of Conan the Barbarian Vol. 1, #75.)

By WALLY MONK – Paint Monk’s Library Editor

It seems like ages ago that I shared the sad tidings that our reviews of the first volume of Marvel Conan would come to an end. In reality, it’s been a mere three months, but your letters and encouragement have prompted Paint Monk’s Library to resume the countdown – and we plan to stick it out this time until the bitter end in Conan the Barbarian #275.  

Before we begin anew with a review of Conan the Barbarian #75, I would like to thank all of you for following this blog, sharing your thoughts, and passing along kind words of encouragement both here, on Facebook and on Twitter.

A hearty “huzzah!” is also due to PM Library writers Bob Freeman, Andy Maglothin, Joeseph Simon, Troy Chrisman and Dean Plakas, who have continued to support the blog  – and who all eagerly (and enthusiastically) agreed to help continue our classic Conan the Barbarian reviews.

When we last saw our intrepid Cimmerian in Conan the Barbarian #74, he had made swift work of a massive sea serpent while the crew of Belit’s Tigress set the Stygian fleet aflame in the Port of Khemi. This issue begins with a beautiful splash page featuring Belit, Conan and a slave-girl named Neftha outside the city of Khemi, watching the Stygian fleet burn.

This tale, and perhaps parts of Conan the Barbarian #74 begin a multi-issue story arc which will be concluded in Conan the Barbarian #77. One of Robert E. Howard’s most vivid landscapes within Conan’s world, these tales take place in Stygia, a dark land full of sorcerers and ruled by worshipers of the snake god Set. Inspired by mythological Egypt, Stygia is perhaps my favorite land in the Howard mythos.

Review: Conan the Barbarian #76

Conan battles Stygian raiders high atop the wings of massive raptors!

In the Stygian city of Khemi, it’s not safe to wander the streets at night. Briefly admiring their work in setting the city’s fleet ablaze, Conan, Belit and Neftha knock on the door of an Argossian merchant. When the tradesman answers, cursing the intruders, Belit’s drawn sword ensures their entrance to his home and temporary sanctuary from the wandering city guard.

Conan and his companions make small talk with the merchant, who bemoans his bitter luck and the late night intrustion. Belit makes certain to note that they have seen the merchant’s small skiff, loaded with merchandise, asking him if he is headed down the River Styx to the great city of Luxor. When this is confirmed, Belit informs him he’ll be taking three new passengers along.

Belit wears black dye to disguise herself. This wouldn’t fly in comics today.

Morning dawns, and soon Conan, his companions and the merchant are headed to Luxor. Conan is dressed as a slave trader, and both Belit and Neftha have dyed their skin to fit in more with the locals. As they travel down the river, both Belit and Conan reflect on the crocodiles along the riverbanks and the birds who nest among them. Here, we are given a good reflection and history of Stygia – Belit notes that at one time, an Ibis headed god was prominent, but the snakes and Set are the masters of the land now.

As the sun makes its way across the sky, the merchant becomes concerned, telling his oarsmen to pick up their pace. Conan asks him why he seems so shaken, and he informs the Cimmerian they are passing the City of Harakht. A mid-point between Khemi and Luxur, Harakht is ruled by a despot whose bad behavior is largely ignored. Harakht, the merchant says, is a safeguard against the neighboring land of Shem and the ruler’s misdeeds are overlooked because of the importance of the city.

Their conversation is cut short by brigands swooping down to raid the vessel atop giant birds of prey! These thieves, sanctioned by Harakht, have been raiding merchant trading vessels, intercepting them before their luxurious goods reach the capital city.

The hawk riders strike swiftly and decisively.

The first arrow takes the merchant down, and his body topples over the edge of the boat. Crocodiles swarm in for the kill, accustomed now to fresh meals whenever the hawk-riders appear.

Belit manages to hold her own, injuring one of the hawks, but is soon grabbed in one of the massive raptor’s mighty talons. Conan helplessly watches as Belit is carried away – but he has a plan of his own. As another raptor-rider swoops in, Conan grabs the bird’s tail, losing his sword in the process. The barbarian manages to throw the rider off, but finds that he cannot control the hawk.

Mustering all the strength he has left, Conan breaks the bird’s neck and it falls to the earth.

Conan breaks the giant raptor’s neck in an effort to save himself.

Conan lands on the banks of the River Styx, the dead body of the hawk nearby. He struggles to remain conscious, drifting in and out of reality. He finally regains his senses when he hears the sound of splashing water and a flock of ibis taking wing. Having just fallen from the heights, he now has to contend with the beasts of the deep. With only a dagger in hand, Conan dispatches the enormous crocodile, setting his sights on the city of Harakht and his beloved Belit.

Belit, Conan is coming to save you, never fear!

CAPSULE REVIEW:  This was an excellent issue of Conan, both in the artwork and in Roy Thomas’ narrative. I miss the days of narration boxes, which do a great job fleshing out bits and pieces of immersive stories that artwork alone can’t express. The combination of Ernie Chan and John Buscema is a hit, and you can see the influence of Chan’s work in collaboration with Buscema’s pencils. The two make a true dynamic duo.

The action sequences within this book are first-rate; this issue contains some of the best fight scenes I’ve read in all of my issues of Conan thus far. Ironically, the cover wasn’t the strongest I’ve seen, and it certainly does not “pop” like many of the legendary covers featured on the iconic Savage Sword of Conan magazine. The final panel, pictured above this capsule review, is one of my favorite – you know that Conan is angry and ready for battle. After all, his Belit is gone, and there is no stopping the Cimmerian now.

The action sequences in Conan the Barbarian #75 are lavishly illustrated.

Conan the Barbarian #19-29 featured what we’ve called here the Makkalet storyline, involving the Turanians, Prince Yezdigerd and the Livng Tarim. Where that particular story arc got old very quickly, this one seems much more promising and certainly just as action packed. Before this 4-issue story arc is finished, we’ll be treated to more action and even more Stygian foulness.

On a scale of 1-10, I’d rate this issue a 7.9. Copies on eBay were available in various conditions for $5 or less.

REVIEW: An Ominous Dream, Thoth Amon & A Sea Serpent

(EDITOR’S NOTE: Welcome to The Classic Conan Countdown, a series of reviews focusing on the original 275 issues of Marvel Comics’ Conan the Barbarian, which were published from 1970 to 1993. This is a review of Conan the Barbarian (Vol. 1) #74.)

Thoth-Amon, considered to be the Cimmerian’s greatest enemy, visits Conan in his dreams.  He warns Conan against rescuing Belit’s father, the true King of Asgalun.  The evil sorcerer shows Conan a vision of Belit’s ship, The Tigress, engulfed in flames as a foreshadowing should Conan and Belit go on this quest to rescue her father. Awakening from his dream, or nightmare, Conan goes topside and comforts his brooding lover. Their conversation is cut short when a Stygian ship is spotted. After a short battle, the crew of the Tigress overcomes the crew of the Stygian ship and they burn it. 


The Stygian crew is questioned but none of them gives up any information or secrets about the Stygian capital of Luxur. One of the captive Stygians even commits suicide. All is not lost however as a slave girl named Neftha agrees to show the crew of the Tigress  how to get into the royal palace in exchange for her freedom. Here is where the bulk of the story takes place, off the coast of Stygia and the port city of Khemi.  Most of Belit’s crew get into longboats and row their way into the port city of Khemi. The city is seemingly unguarded because of a festival honoring Set but then a giant serpent attacks! Conan comes to Belit’s rescue, killing the beast on his own with his bare hands and blade, further cementing his reputation as Amra.

Safe from the beast, the pirates of the Tigress burn the Stygians warships but chaos ensues anyway, M’Gora leads most of Belit’s and Conan’s crew back to TheTigress . As for Conan and Belit, they stay behind with Neftha in the port city of Khemi and begin to make their way to Luxur. 

CAPSULE REVIEW: There’s nothing amazing about the story and the writing but the artwork is outstanding, almost every page is eye candy. There is marked improvement on Ernie Chan’s (a/k/a Ernie Chua) embellishments on John Buscema’s pencils.

It’s probably one of their best collaborations on a single issue ever. Every panel is full of background or foreground work, with rich texture and lush inks, and the issue is lavishly colored by George Roussos. The splash page is beautifully rendered but in turning the page there is a greater treat in a double page masterpiece by the artists.  It’s a fine issue with beasts, brains, brawn, and beauties. I give an 8 out of 10.

“And this story shall also be told.” –The Wizard in Conan The Barbarian

– Dean Plakas